Nightshift
Lord of the Pudding
- Joined
- Aug 8, 2016
- Messages
- 118
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- 38
Just forget it lol.What?
Just forget it lol.What?
Over 500m would be, 500,000,001. In a game of over/under. If you set the # at 500m. 500m and one dollar, would break it.it's not going OVER 500.
Alrighty, but I'm saying it's not going over 500 meaning max is 500.Over 500m would be, 500,000,001. In a game of over/under. If you set the over at 500m. 500m and one dollar, would break it.
And you understand that if it makes 505m, that would eclipse a max of 500m?Alrighty, but I'm saying it's not going over 500 meaning max is 500.
Do you? Then that works for me.And you understand that if it makes 505m, that would eclipse a max of 500m?
Can I just go off topic here for a minute and say how crazy (and cool) that some of us have been talking to each other about this very topic over a span of 20 effing years? Many of us landed here on SuperheroHype! around 2003, 2004, etc., when the very first film iterations of Spider-Man, the X-Men, and yes, The Fantastic Four, were coming out. They were just becoming “Mainstream” at that point. We thought we’d seen it all then.Fast forward over 20 years later, and some of us are still talking about this stuff—but now about how many billions of dollars these IPs may or may not make next year. LMAO Sigh.
That’s insane when you think about it. What a world. Power of the Hype.
You and me both. We’ve been literally talking/debating here the longest.
Now in its third weekend of release, “The Fantastic Four: First Steps” is aiming for $18 million to $20 million. That’s as long as the film holds similarly to Marvel peers “Captain America: Brave New World” and “Thor: Love and Thunder,” each of which dropped by 50% in their third outings. So far, “The Fantastic Four: First Steps” has generated $200 million domestically and $370 million worldwide. It’ll soon outpace “Thunderbolts” ($382 million globally) and “Captain America: Brave New World” ($415 million globally) to become Marvel Studios’ biggest 2025 release, but this theatrical result isn’t exactly shaping up to be the studio’s much-needed box office return to glory.
I hope it does but them bringing back all the old actors now will make it harder for audiences to accept the new castings after Secret Wars. Also it might not feel fresh.I’m confident this genre still has quite a few more billion dollar makers in it. I’m willing to bet The X-Men will completely change and reinvigorate this narrative.
Lilo and Stitch is one of the hottest IPs in the world. Look at it's streaming numbers. And it's for kids. Look at how Minecraft went. Does X-Men have a strong kids demo?So Lilo & Stitch can gross over $1 billion and X-Men can't through multiple films? Deadpool & Wolverine's $1.3 billion was just last year.
Also, price inflation will boost numbers especially in 2030s, when multiple X-Men are finally released, again.
Domestically, I think they do. What I wonder is if the X-Men are perceived as too American coded for international markets. The themes of prejudice and such are universal, but I do think the IP is perceived as being grounded specifically in American Civil Rights issues in markets outside the US. Deadpool and Wolverine was able to cut through that, but will a more proper X-Men film that leans into these issues? I think that's potentially a bigger threat to it now than a few years ago cause America's reputation is at an all-time lowLilo and Stitch is one of the hottest IPs in the world. Look at it's streaming numbers. And it's for kids. Look at how Minecraft went. Does X-Men have a strong kids demo?
Based on? The thing about all the X-Men movies outside of Deadpool and Logan, is they are incredibly front loaded domestically. Which means they skew towards fans, which are older. The highest grossing domestic team movie is DoFP, which did 233m. Their growth came overseas, which has diminished.Domestically, I think they do. What I wonder is if the X-Men are perceived as too American coded for international markets. The themes of prejudice and such are universal, but I do think the IP is perceived as being grounded specifically in American Civil Rights issues in markets outside the US. Deadpool and Wolverine was able to cut through that, but will a more proper X-Men film that leans into these issues? I think that's potentially a bigger threat to it now than a few years ago cause America's reputation is at an all-time low
Honestly, that probably helped Superman. Which is crazy, because it's stripped of all real meaning through how parody it is.Speaking as an overseas audience outside US, I personally do not really think much of the political or too American when watching any Superhero movies or other movies in general. As long as the story and craft are good, I certainly will watch it over and over again. (This year, there are 3 movies that I ranked 10/10, and one of those is Sinners).
And I will be very careful since I will speak about politics a little, but imo, the thing that I think will potentially hurt the X-Men the most (if they'd really making the X-Men more political) is the controversy inside the US itself,not the overseas. If I am not mistaken, Superman, with mild political allegory has had quite making splash before the release, now imagine the uproar (among the right conservatives) with the X-Men?
D&W did 700 mil international. That's a very good numberBased on? The thing about all the X-Men movies outside of Deadpool and Logan, is they are incredibly front loaded domestically. Which means they skew towards fans, which are older. The highest grossing domestic team movie is DoFP, which did 233m. Their growth came overseas, which has diminished.
Yes. We are talking about a new set of X-Men without the nostalgia (no one expects BND to do NWH numbers). How does this mean the X-Men have a strong pull with kids domestically?D&W did 700 mil international. That's a very good number
97 was a show marketed for adults though. So I don't think that's a good basis for what the MCU X-Men are going to do domestically.Yes. We are talking about a new set of X-Men without the nostalgia (no one expects BND to do NWH numbers). How does this mean the X-Men have a strong pull with kids domestically?
Look at the numbers for 97. For all the talk, it did very little viewership on streaming.
THIS!!!Unpopular opinion but, I think Marvel's biggest issue is forcibly trying to tie in everything together. I mean we already know it's a shared universe. You don't have to beat us over the head with it. The films and shows should stand on their own first and foremost. Crossovers are fun and fine, but it shouldn't be forced. It also cuts back on "homework".
I do think X-MEN should use 97 as a tone template on what to do with the live action films. For all of it's faults I felt Fox at least got the tone right.97 was a show marketed for adults though. So I don't think that's a good basis for what the MCU X-Men are going to do domestically.
I feel like all these discussions are sort of the same right now. So, my part in the gloom and doom thing we got going on here is done. The X-Men are going to make what the X-Men make when they do it and time will ultimately tell. Same for all the MCU stuff coming down the pike. All the doom scrolling and such is just....not fun for me to discuss. So, yall have it it