Giving Tom Cruise a cool action-adventure vehicle isn't a problem.
Going out of your way to crap all over a character from the show, who was not only the leader but who's defining character trait was that he was a good/honorable man, by turning him into a psychotic traitor who murders his own team and dies in the end, for no good reason. THAT was the problem.
Simple fix, don't name that character Jim Phelps. Problem solved right then and there.
This. If he had been anyone else, it would've worked and I would've been fine with it.
I was still even rooting for Jim Phelps over Ethan Hunt in that last fight on the train. Why? Because of all the years of following and caring for that character on the show. Why would audiences who loved the show suddenly want to root for Hunt, a completely new character? I was still hoping there would be another twist that would redeem Phelps. But sadly it wasn't to be.
I never saw the original back in '96, probably only saw it sometime around the time MI:2 came out, but maybe back when it hit theaters it actually came as a pretty big shocking twist that worked in an objective storytelling sense?
Never saw the show, but from what I understand the team element that's been played up bigtime since MI:3 was a big part of it. So, they've come around on that, even if a little late.
Was there an Ethan Hunt on the show, out of curiosity, like a supplementary character? All I can think of is it might have been a pretty effective switcheroo in the '96 movie, like people familiar with the show would have obviously not seen it coming? It's definitely a pretty big "**** you" to the show, agreed, but also might have been smart in terms of a subversion of what was expected.
There was no Ethan Hunt on the show whatsoever.
The closest thing to him was Rollin Hand, played by Martin Landau. He was the master of disguise and con man and had the same kind of role that Hunt might've had. Cruise could've just played that character instead.
And it was definitely a huge slap in the face to fans. It's like suddenly turning James Bond into the villain after all these years after introducing a new character no-one cares about.
Or in the reboot of Star Trek, if they turned Captain Kirk into the villain instead.
Or if we got a new version of Fantastic Four and it turned out that Reed Richards betrayed the team and was a murderous villain.
Phelps was incorruptible and he proved it many times on the show. Voight's version of Phelps was completely different in character and motivations. He was nothing like Peter Graves.
They could've just introduced Phelps later on in the Mission Impossible films if they wanted.
For me, the Mission Impossible films have only been worth following since the third movie. But even then, it didn't do certain aspects very well.
Ethan Hunt was trying to beat the information out of Philip Seymour Hoffman and wasn't getting anywhere with it. What an idiotic idea. In the series, this is typically what they showed in the beginning with someone else trying to get the information out of someone but failing miserably. That's when they would call in the Impossible Missions Force.
In the series, they would've tricked someone like PSH into giving them the information without him even realising. That was how clever the series was. In terms of their ingenuity and resourcefulness, the show was light years ahead. Their plans were so clever (and often amusing in that sense) that you couldn't help but cheer in the end when it was all revealed to the villain that it was a con.
And Ghost Protocol ripped off a scene straight out of a Mission Impossible episode with the two identical floors in a building.
The series also started using this theme from the series more since about the third or fourth film:
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But they've only done it in very small measure, probably because of licensing issues of only being able to secure a few seconds. In the series, it played all the time when they were carrying out their plans and putting things in place. They've never played it with this percussive, militaristic style in the films like in the series.
This Lalo Schriffin theme was almost as famous as his main theme tune music.