Gandalf was actually a Maia of Manwë. This is possibly one of a few reasons the Elves saw Gandalf as having more authority than Saruman (to Saruman's disdain) , Manwë being the King of the Valar. Saruman being of Aulë also explains his disposition toward industrial machinations and forging his own Ring of Power, Aulë being the Valar of Smithery.
No excuses!
For those who're curious, here are the "Valar" and some of the "Maiar" of which Lucien is referring to (FYI, I don't need wiki for this ****):
Manwë, Ulmo, Aulë, Oromë, Tulkas, Námo (Mandos), Irmo (Lórien), Varda, Yavanna, Nienna, Estë, Nessa! Vairë and Vána...oh, and Melkor (aka Morgoth)
The Maiar are of the same race as the Valar, but of a different order, and are usually associated with one or more Valar. For instance, Gandalf (or Olórin) is a Maia in the service of Lórien, Saruman (Curumo) is a Maia of Aulë and Radagast (Aiwendil) is a Maia of Yavanna. Fun fact: before he defected to Morgoth's side, Sauron was a Maia in the service of Aulë.
You're welcomet:
^ Are they not using minatures this time?![]()
Maybe I'm the only one but I don't like how the wargs look. they're way too skinny and hairless, but what I like less is that they look fake as hell.
Not too long ago I heard that they closed the Bigatures department so I'm gonna say probably not.
Not too long ago I heard that they closed the Bigatures department so I'm gonna say probably not.
Well of course they can't, they're shooting digital at 48fps. When shot and lit correctly on 35mm film, those kind of miniatures can look 99% real. Film has the ability to bring out just enough detail but leave enough out so that the viewer has a hard time discerning if it's real or not. If you film it long enough you can kind of lose the illusion, so the trick is not to stay on it for too long. The guys who did the miniature work on LOTR were nothing short of geniuses and I was so amazed, and still am today, at how real those buildings and structures look.Not too long ago I heard that they closed the Bigatures department so I'm gonna say probably not.
Well of course they can't, they're shooting digital at 48fps. When shot and lit correctly on 35mm film, those kind of miniatures can look 99% real. Film has the ability to bring out just enough detail but leave enough out so that the viewer has a hard time discerning if it's real or not. If you film it long enough you can kind of lose the illusion, so the trick is not to stay on it for too long. The guys who did the miniature work on LOTR were nothing short of geniuses and I was so amazed, and still am today, at how real those buildings and structures look.
The problem with shooting all digital like this, is that it brings out more detail, which is kind of double-edged sword. On the one hand detail is great, especially when you really want to bring it out. It works great for documentaries and TV shows because it helps the show pop and the image is very noticeable and engaging. But when you shoot a huge fantasy epic such as this, you kind of want to bring the audience out of their real life element so to speak, and give it more of a rustic tone and look to it. That's what's so great about LOTR. The cinematography suggests something of a storybook feel as the images use nice touches of brown and green to make it look old and seasoned. But with digital, you see a lot more vibrant colors and detail. It's not all bad. Bag End looks great and I love a lot of the shots I've seen. But if some of you have been wondering why some of the CGI is very noticeable, it's because putting a digital layer on a digital image is not as real-looking as placing a digital layer on exposed film. Film makes CGI look better and more real, simply because the two kind of clash in a good way.
I'm really worried with how all this CGI might look at 48fps in 3D no less. I'm all for innovation, but this isn't selling me at the moment. I really do believe the trick to selling a fantasy movie is to try and make it look as other-worldly as possible and shooting in this method doesn't accomplish that.