The car draws up outside the apartment. Once more, Crane looks around at Boss Maroni.
"Are you sure?"
Maroni thinks of his wife and the son at the airport, waiting for him.
"Just give me a gun."
Without another word, Crane passes a handgun to Maroni, who exits the car and makes his way inside the building. He finds Dent's apartment quick enough. Time to pay Gilda a little visit. Maroni takes a step back, and kicks down the door, marching inside to find...
"Oh Christ."
One half of the room is exactly the way it was when Harvey Dent brought Gilda in here for the first time. Pristine, classy, beautiful. But the other half....
The carpet has been ripped up and piled in untidy heaps, leaving the floorboards exposed. Shattered glass and destroyed furniture is haphazardly scattered around. It looks like a junkie's squat. But that's not what Maroni's looking at.
He's looking at the figure sitting by the window, waiting for him. It sure as hell isn't Gilda Dent. The man sits there, methodically flipping a coin, staring at him intently. One half of his face is very familiar to Maroni. The other half is like something out of a nightmare, a twisted, bubbling mass of scarred tissue, barely recognisable as human skin. Sal Maroni came here expecting to find a frail, innocent woman. Instead, he is face to face with a monster.
"Hello, Sal," Harvey Dent says in a low, growling whisper,
"I've been expecting you."
It feels like an eternity passes, Maroni staring stupidly at me, and me staring right back. Finally, he raises his gun, aims it right between my eyes, and pulls the trigger.
*CLICK. CLICK CLICK*
Maroni looks down at his gun. Then realisation hits him.
"That rat Crane..."
"Sorry, Sal. Scarecrow has a new boss now."
Two Arkham escapees appear behind Maroni, grabbing him by the arms and dragging him towards me. He struggles against them, staring at me with anger - and fear - in his eyes.
"What have you done to my family?"
"Your family are safe. Crane was telling the truth about that. They're at the airport, waiting for you. But you chose this path instead. Remember that, Maroni. You chose to come here."
Tiiiing-thap.
Tiiiing-thap.
I catch my coin on the next flip, and begin twirling it in my fingers.
"And now... the choice is out of your hands. Your future is in the hands of fate now. You've made a mockery out of the legal system, time after time. The law is obselete, broken and worthless. There is no justice. The only force we are all answerable - the force you are answerable to - is fate. Cruel, random fate. Fate overcomes all else, all human struggle, to decide between good or evil, happiness or heartbreak..."
"Life... or... death."
I nod to my new henchmen, and they force Maroni down onto his knees in front of me. My heart's beating against my chest like a battering ram. Maroni's obviously terrified, but so am I. I've laid the trap, got Maroni here, and I know what needs to be done. But... I haven't killed anyone before. I'm not a murderer. This... this is against everything I've ever believed in. I take a life.... there's no coming back from that. That's a stain on my soul forever. How can I possibility make the decision to kill another human being?
I won't be making that decision. Fate will.
"Dent, this is crazy talk," Maroni nervously babbles,
"Listen to yourself, this ain't you, look you got me, okay? Turn me in, arrest me, you get to be the hero again..
I thrust myself forward, pressing my mangled face into his.
"SHUT YOUR MOUTH! SHUT UP!"
Even Maroni is taken back by the violence of my outburst. Composing myself, I hold up the coin, letting him see first the clean side, then the scarred side.
"Okay. You've given up on salvation. This isn't about you anymore, Sal. It's about me. Do I do the right thing, turn you in, try and go back to the old life I now know to be a lie? Or do I do what must be done to end this once and for all, and kill you right here? Why don't we flip for it?"
Maroni's eyes widen, and he starts shaking his head wildly.
"Good side up, you live. Bad side up, you die. Ready?"
And here I am now, an agent of fate.
Tiiiing................................ thap.
I catch the coin on the back of my hand, the palm of my other hand covering it. Before I reveal what side is facing up, I look down at the kneeling Maroni.
"You said that, if we kept this war between us going, it would end with one of us being destroyed. You were half right. The truth is, it destroyed both of us."
I lift my hand away, revealing my fate and Maroni's. He was right about that too. Our fates are linked. I glance at the coin, let out a sigh. Then I show Maroni.
"Bad side it is."
"N-no, please! My family!"
"Your choice, Maroni. You chose death over them. Now..."
I reach into my waistband, draw out my gun. Maroni lets out a low moan of self-pitying despair.
"...get up."
"Why?"
"I want you to move. It's not right to kill you on the good side of the room."
Maroni looks down at the pristine carpet he's kneeling on. Then he looks across at the soiled floorboards on the other side of the room. The spot where he knows he is going to die.
"No. I'm not moving."
I stand up, looking down coldly at him. He's pathetic. If I didn't hate him so much, I'd feel sorry for him.
"For God's sake, Sal. You know what's coming. Face it with some dignity."
But he doesn't budge. Giving a small shrug, I grab him by the hair, and start dragging him over to the bad side of the room.
"No! No!"
He scrambles wildly, but between me and my henchmen, we manage to get him over to the floorboards. He pushes himself back up onto his knees, just as I press the gun into his forehead. The Arkham escapees back off. Now it's just me and him. And then the great Sal Maroni, faced with the inevitable, starts sobbing like a little girl.
"Please. Please don't shoot me."
I glare down at this desperate, whimpering man, but I don't see him. I see the life I could have had, a life of happiness and fulfilment. A life now stolen from me. Then I think about the promise I made to Gotham. I promised the people of Gotham I would rid their city of Maroni and his kind, once and for all. I'm going to keep that promise, whatever it takes. The abyss is waiting..."
"No. I'm not going to shoot you."
I grab Maroni by the collar, and bring the butt of my pistol crashing down into the bridge of his nose. Blood immediately starts gushing, but I hit him again and again and again.
"I'm not going to shoot you! I'm not going to shoot you!"
Still I keep on pounding the gun into his face, over and over, getting faster with each strike, picking up momentum.
"No I won't, you prick! You prick! You prick!"
Sweat lashes off my brow, and spittle flies from my mouth. My arm's killing me, my hand's cut and bleeding. But still I keep on ramming the butt of the gun into the mush that was Boss Maroni's face. My ongoing exclamation is an incomprehensible stream of mangled expletives.
"YoufuggnashifuprifuggimoffuchFUCHFUCHFUCH!!"
Until finally I drop the gun, panting with exhaustion. My hands and shirt are drenched in blood and flakes of bone. The only thing keeping Maroni up on his knees now is my hand holding him up by the collar. But the faint gurgling tells me there's something still alive under there. And I'm just overwhelmed with hate! Seething with fury, I wrap my hands around Maroni's throat. Collapsing on top of him, I squeeze as hard as I can, putting all my weight on top of his body.
"Just f**king die you... F**K!"
And at last, he does.
It's over. Thank God, I killed the bastard. I sit up, still straddling Maroni's body. I'm shaking, struggling not to hyperventilate. But I don't think I've ever felt so alive! I'm covered in his blood now, it's dripping from my face like warpaint. I run my hand (and Maroni's blood) through my hair, stretching my head back towards the ceiling and closing my eyes. I'm a killer now. I take in a deep breath, and let it out in a sigh of vicious satisfaction. I've been holding that animal in all these years, and finally... it's unleashed. Finally, that bad, evil little boy got released from the basement.
"Harvey?"
The voice shakes me from my thoughts. I look across the room, and am horrified to see Gilda standing by the doorway.
"Gilda!? I... I told you to stay in the hotel...."
"Oh God, Harvey! What have you done?"
I look down at the dead body I'm straddling, and those old feelings of shame and regret hit me once more. But it's worse now, so much worse. What have you done, Harvey? What have you done?
"I... I did it for us, Gilda. He can't hurt you now."
I scramble to my feet, make a move towards her. But she screams, pulling back.
"STAY AWAY FROM ME! I don't know what you are anymore! You're not my husband! You're a MONSTER!"
A monster? After all that Maroni did to her, to
me, and
I'm the monster? Feeling the anger boil up within me, I grab my wife by the arm, pull her towards me...
And she recoils. Gilda, my beloved wife, thinks I'm going to hurt her. That I could ever hurt her! I look into her eyes, and I see terror. She's right. I am a monster.
I let Gilda go, and without saying another word, I walk out of the apartment. My two henchmen follow, and the three of us get into a car, and get the hell away. Far away. It is the last time I will ever go to that apartment, the home I bought for my dear wife. I leave behind Boss Maroni's corpse. I leave behind Gilda.
Maybe I left Harvey Dent there too.