SoNicRaDiATioN
Sidekick
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Besides sequels, how the **** is Hans Zimmer a hack?! Compare Batman Begins, the Lion King, Kung Fu Panda, Gladiator, Inception and Pirates of the Caribbean - they're all COMPLETELY different! And on top of that he works with other composers like Jesper Kidd (Assassin's Creed - where even 2 was so different from 1, as was Revelations from the others).
The man has done over a hundred albums.
I don't think he's a hack, but If Horner is one for copying himself then I guess Zimmer is also guilty by charge. You don't hear Gladiator in Pirates of the Caribbean? Or Pirates in Rango? Or in King Arthur? Or the Rock? He writes everything pretty much in that same minor key. And it sounds like his followers do as well. Similar to Kraftwerk. I can't stand the bland repititious Kraftwerk droning of his recent Batman scores. It drowns out scenes like fingers on a chalkboard. It suffocates them, it certainly doesn't inhance them. I guess that's the point?? Yet he slight's Elfman's classic score. I'm not even an Elfman fan but his score soars above Zimmer's. I generally find Hans scores uninspiring. Although repetitive, I can't say that I have that problem with Horner.
Not to mention what Zimmer borrows from other composers. Didn't he get sued for a piece he "used" in Gladiator? And everything I hear from him recently sounds just like Ennio Morricone (an homage no doubt). Every composer is guilty to one degree or another, but don't act like Horner's the only culprit. Studios/directors often hire these guys based on scores they've done in the past and expect something similar.
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