So what do you think should go, and what should stay?
This is easy, needs to go:
1. Making the film about two or three characters instead of the whole team.
2. Rogue! Give us the real deal or leave her out. Same goes for other powerful characters. If you're afraid to make them powerful then don't use them or get off the movie.
3. Making Magneto look like a weak old man instead of a bad ass who can take on the whole team.
4. The love triangle.
5. The horrible costumes. It worked in The Matrix, but this is X-Men not Neo and Trinity.
6. Mystique being portrayed as a total *****.
This is hard. There are not very many things that I like about the first four X-Men films. Needs to stay:
1. The government and most normal people being afraid/against the mutants.
2. Giving each character a purpose and a scene to shine. Wolverine from X2, Storm and Juggernaut from X3.
3. The bad mutants against the good mutants. The was best shown in X3, which is the film that I have the least problems with.
Vaughn may have made the film he wanted - and it did feel very much like a Vaughn film (much more edgy, quirky and sexual than Singer tends to be) but Matthew did take into account the Singer movies with the look of Mystique, the re-creation of the X1 opening scene, the cameos by Jackman and Rebecca Romijn, etc.
You're right. The opening came from Singer, but it had a purpose this time. Eric going after Shaw was brilliant. In X-Men it seemed pointless, it was like it was only put there because Singer is obsessed with that stuff.
And the part with Wolverine was the greatest cameo on film... ever. I liked seeing Rebecca, but it didn't make sense.
Some elements of First Class do contradict what was in Singer's films (Xavier said in X1 he was 17 when he met Erik, he appeared not to know the function of Magneto's helmet in X1, he said Erik helped him build Cerebro) and some contradict the other X-films (a different Emma Frost from the one in XMO: W and Xavier being paralysed prior to the time of the opening sequence of X3 and the closing scene of XMO: W)
I really don't mind these elements.
The problem is the selective continuity in what is a prequel. That's what casual moviegoers have begun to notice. This franchise shouldn't be like those 'pick and mix' confectionery stores where you just a bit of this, a bit of that, none of those.
True.
First Class wasn't an obvious reboot (because of the nods to the previous films) and not a precise prequel either (because of what it ignored/retconned).
True again.
If Vaughn really wanted to do his own thing, then they should have declared a total reboot not done this halfway, pseudo, faux-reboot-prequel-preboot-requel thing!
Very true, but I love what we got!
FIRST CLASS is kind of the anti-SUPERMAN RETURNS, in that it's a loose/vague prequel instead of a loose/vague sequel.
I think it could be argued though that FIRST CLASS had more direct connections/callbacks, etc to Singer's X-franchise than SUPERMAN RETURNS had to Donner's Superman film/s.
You're kidding right? Superman Returns was Singer's attempt to kneel before Donner. There was nothing original about that film, it should have said "Directed by Richard Donner" in the opening credits.