guyisnotcool
Civilian
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- Jan 29, 2011
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https://***********/adcfanboy/status/965010520054075392
This.
That's a solid idea.
https://***********/adcfanboy/status/965010520054075392
This.
But people didn't have guns for hundreds of years and they srtill found a way to mass murder. Have you ever thought that maybe some of the people in america are the problem and not the weapons themselves?Yet industrualized countries around the world also have lots of people but dont suffer from daily mass shootings. Its almost as if the easy access to devices designed to kill lots of people in an efficient manner create an environment in which that sort of thing happens. Crazy!
Again... Which is it? And which films in the DCEU exactly have been aiming to ape MCU films? Maybe Suicide Squad? Maybe? Sad to say though films with rag tag bands of misfits that use pop culture songs in the soundtrack predate the MCU, though this might be shocking to the various 20 somethings and younger online these days.
The one thing MCU has over DCEU is traction, in the sense that 'they got there first'. In the actual history of comics, Marvel have consistently got out their tracing paper and stolen concepts and ideas.
The one thing MCU has over DCEU is traction, in the sense that 'they got there first'. In the actual history of comics, Marvel have consistently got out their tracing paper and stolen concepts and ideas.
That goes both ways good sir.
Kinda, but not really.
Sorry, but Mandon Knight is mostly right.
DC ([National) was the gold-standard, dominant publisher for the first thirty years of comics existence. Marvel (Timely) was a second-rate (being generous here) publisher that followed whatever trends were popular at the more successful companies.
DC invented the superhero concept with Superman, and then Batman- and Marvel jumped on.
When the popularity of superheroes declined after World War II, Marvel quit the concept, moving on to other popular trends like war, western, and romance comics.
DC was the only continuing publisher of superhero comics.
Marvel did not publish a single superhero book during the entire decade of the 1950s.
It was only when DC published Justice League of America to enormous success in 1960 that Marvel decided to follow DC once again and get back in the superhero business. Marvel published Fantastic Four#1 in 1961 and the Marvel age began. But, even then, Marvel was something of a ragtag outfit that imitated the popular concepts created at the more successful companies.
An excellent resource for information on this is Comichron.com.
Reliable sales information is available beginning in 1960. The biggest comics companies in the early sixties were DC, Archie, Dell, Gold Key.
Even with the hits of the new Marvel Universe in the early 60s, Marvel doesnt have a book break into the top twenty in sales until 1966, with Amazing Spider-Man at #16 (it is interesting to note that eleven of the top fifteen books that year were DC).
The Marvel universe would simply not exist, twice, if not for the company following hit concepts created at DC.
What Marvel did do, however, was give new life to what, in 1960, was the somewhat stale superhero concept.
Since the early fifties, superheroes had been neutered at DC by the publication of Seduction if the Innocent, congressional hearings, and the Comics Code.
Batman and Superman had become as harmless and unthreatening as Donald Duck, Archie, and Richie Rich, created exclusively for the entertainment of five-to-eleven year-olds.
The innovation at Marvel- whether done wittingly or not- was recognizing a massive, underserved population of baby boomers now in their teens who still loved comics but didnt have books to read in a market serving juveniles.
The new Marvel heroes had flaws, bickered, and were often full of self pity- perfect heroes for the most self-absorbed generation in history.
DC then followed Marvel- from the late sixties on Batman, Superman and the rest of the DC universe became increasingly complex and mature, just like the Marvel heroes.
Since the seventies, the companies have been swapping creators and imitating concepts in a pretty endless Merry-go-round.
But the essential, indisputable (although Im sure somebody will) fact remains there is simply no Marvel Universe at all, TWICE, except for the company following DC.
Kinda, but not really.
Sorry, but Mandon Knight is mostly right.
DC ([National) was the gold-standard, dominant publisher for the first thirty years of comics existence. Marvel (Timely) was a second-rate (being generous here) publisher that followed whatever trends were popular at the more successful companies.
DC invented the superhero concept with Superman, and then Batman- and Marvel jumped on.
When the popularity of superheroes declined after World War II, Marvel quit the concept, moving on to other popular trends like war, western, and romance comics.
DC was the only continuing publisher of superhero comics.
Marvel did not publish a single superhero book during the entire decade of the 1950s.
It was only when DC published Justice League of America to enormous success in 1960 that Marvel decided to follow DC once again and get back in the superhero business. Marvel published Fantastic Four#1 in 1961 and the Marvel age began. But, even then, Marvel was something of a ragtag outfit that imitated the popular concepts created at the more successful companies.
An excellent resource for information on this is Comichron.com.
Reliable sales information is available beginning in 1960. The biggest comics companies in the early sixties were DC, Archie, Dell, Gold Key.
Even with the hits of the new Marvel Universe in the early 60s, Marvel doesnt have a book break into the top twenty in sales until 1966, with Amazing Spider-Man at #16 (it is interesting to note that eleven of the top fifteen books that year were DC).
The Marvel universe would simply not exist, twice, if not for the company following hit concepts created at DC.
What Marvel did do, however, was give new life to what, in 1960, was the somewhat stale superhero concept.
Since the early fifties, superheroes had been neutered at DC by the publication of Seduction if the Innocent, congressional hearings, and the Comics Code.
Batman and Superman had become as harmless and unthreatening as Donald Duck, Archie, and Richie Rich, created exclusively for the entertainment of five-to-eleven year-olds.
The innovation at Marvel- whether done wittingly or not- was recognizing a massive, underserved population of baby boomers now in their teens who still loved comics but didnt have books to read in a market serving juveniles.
The new Marvel heroes had flaws, bickered, and were often full of self pity- perfect heroes for the most self-absorbed generation in history.
DC then followed Marvel- from the late sixties on Batman, Superman and the rest of the DC universe became increasingly complex and mature, just like the Marvel heroes.
Since the seventies, the companies have been swapping creators and imitating concepts in a pretty endless Merry-go-round.
But the essential, indisputable (although Im sure somebody will) fact remains there is simply no Marvel Universe at all, TWICE, except for the company following DC.
Kinda, but not really.
Sorry, but Mandon Knight is mostly right.
DC ([National) was the gold-standard, dominant publisher for the first thirty years of comics existence. Marvel (Timely) was a second-rate (being generous here) publisher that followed whatever trends were popular at the more successful companies.
DC invented the superhero concept with Superman, and then Batman- and Marvel jumped on.
When the popularity of superheroes declined after World War II, Marvel quit the concept, moving on to other popular trends like war, western, and romance comics.
DC was the only continuing publisher of superhero comics.
Marvel did not publish a single superhero book during the entire decade of the 1950s.
It was only when DC published Justice League of America to enormous success in 1960 that Marvel decided to follow DC once again and get back in the superhero business. Marvel published Fantastic Four#1 in 1961 and the Marvel age began. But, even then, Marvel was something of a ragtag outfit that imitated the popular concepts created at the more successful companies.
An excellent resource for information on this is Comichron.com.
Reliable sales information is available beginning in 1960. The biggest comics companies in the early sixties were DC, Archie, Dell, Gold Key.
Even with the hits of the new Marvel Universe in the early 60s, Marvel doesnt have a book break into the top twenty in sales until 1966, with Amazing Spider-Man at #16 (it is interesting to note that eleven of the top fifteen books that year were DC).
The Marvel universe would simply not exist, twice, if not for the company following hit concepts created at DC.
What Marvel did do, however, was give new life to what, in 1960, was the somewhat stale superhero concept.
Since the early fifties, superheroes had been neutered at DC by the publication of Seduction if the Innocent, congressional hearings, and the Comics Code.
Batman and Superman had become as harmless and unthreatening as Donald Duck, Archie, and Richie Rich, created exclusively for the entertainment of five-to-eleven year-olds.
The innovation at Marvel- whether done wittingly or not- was recognizing a massive, underserved population of baby boomers now in their teens who still loved comics but didnt have books to read in a market serving juveniles.
The new Marvel heroes had flaws, bickered, and were often full of self pity- perfect heroes for the most self-absorbed generation in history.
DC then followed Marvel- from the late sixties on Batman, Superman and the rest of the DC universe became increasingly complex and mature, just like the Marvel heroes.
Since the seventies, the companies have been swapping creators and imitating concepts in a pretty endless Merry-go-round.
But the essential, indisputable (although Im sure somebody will) fact remains there is simply no Marvel Universe at all, TWICE, except for the company following DC.
I think we can bet on WB retooling their Green Lantern Corps concept as we speak. After this past weekend, you bet your ass that John Stewart will be front and center in the next Green Lantern movie.
I feel silly for how hard I fanboyed over Hal Jordan over the years. He's a more developed character because there was a serious initiative over the years to place most of the attention and development upon him. But John, with the right creative team, can be just as strong of a character as Hal.
I want to apologize for how heated I got about my love for Hal Jordan. I love him as a character and still think the Geoff Johns run is the best thing that ever happened to any Green Lantern, but Hal just isn't the guy to lead the franchise.
John is. I have no doubt about that now.
Honestly, he would have far more cultural importance than Hal Jordan could ever have. Unfortunately, black superheroes are majorly underrepresented in the media. John is THE standout black superhero in DC. DC has a million average white superheroes, Hal probably wouldn't really even catch on or stand out. John can be so much more than that.
John Stewart
Even when DCEU tries to do their own black super hero lead, it will not nearly hit as big as Black Panther.
Just like I won't be surprised if Captain Marvel doesn't match the hype or success of Wonder Woman.
.
Even when DCEU tries to do their own black super hero lead, it will not nearly hit as big as Black Panther. Black Panther was so rooted in Africa and the message resonated so well with the black folks. Besides the tech, the film was grounded in reality. Green Lantern is so sci fi and all about space stuff. It wont have any African culture or african roots like Black Panther.
DCEU could have got there first with the first black super hero, but they spent all their money on Will Smith in Suicide Squad - and not many ppl were rallying behind that film. Killmonger >>>> CGI Dancing super model Villain
DCEU could have got there first with the first black super hero,
It's kind of short-sighted to assume that no other black-led superhero movie can beat Black Panther if the character isn't born in Africa and the movie isn't all about African culture.
I'm not following yourthinking here. I think this is exactly why DC movies aren't doing well, because they suffer the comparison too much. I mean, it's ok, of course they saw it coming, of course it's all about business, of course they are competitors, but Marvel is the winner/dominant one here. Flash fact, as they say. Marvel is not the winner because they had Marvel ideas, but because they had GOOD ideas. Like the little teasing at the end of the movie for instance.Cyborg will be DCEU's answer to Black Panther ?
I think DCEU / WB copies Marvel blue print when they see Marvel making all the money. If Black Panther is financially successful and all the great press, you guys think DCEU will once again copy Marvel and do 'their version' of a black lead with their only black hero - Cyborg ?
Yes, I think so too. I disagree about Static (although I agree with you he became more "equipped" than Cyborg for a movie) but I agree about John Stewart. A lot of people growing up with the JLU know him, comic readers too, he's one of the few black heroes that is actually important. And yes, a JL without a GL ... seems a bit empty.To be quite honest... I think it was a mistake for DC to try to make Cyborg their premiere Black hero.
Static and John Stewart were both more than equipped to take on that role. Cyborg is best utilized on the Titans. It's a team where he can truly shine.
My feelings about Static aside, I'm still upset that WB went with Cyborg for the JL movie. It should've been John Stewart in his place. The Justice League doesn't feel like the Justice League without a Green Lantern.