Anita18
DANCE FOR ME, FUNNY MAN!
- Joined
- Sep 26, 2005
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Was reading old articles about BB (mmm, cinematography. How I love you Wally Pfister) and came across this:
http://www.theasc.com/magazine/june05/batman/page1.html
I like how that quote explains how the realism works in BB, and how I prefer it to be realistic..or at least plausible. But it also explains how I feel about how this ARG is working. I mean, we're being recruited by the friggin' JOKER. We're not only feeling that we're in Gotham itself, but that's we're "in" with one of the most iconic villains in history. How awesome is that?
[/really sappy thoughts]
http://www.theasc.com/magazine/june05/batman/page1.html
Nolan adds that his take on Batman is a considerable departure from the stylized, baroque approach director Tim Burton adopted in his 1989 movie Batman. “Tim Burton’s Batman came from a very visionary and idiosyncratic view of the character,” he muses. “It’s a pretty fascinating movie, and it has its place in movie history. But they created an environment for Batman that was as exotic and extraordinary as Batman himself. That worked very well, but Batman has never had a film that portrayed him as an extraordinary figure [amid] a relatively ordinary and recognizable world. That was the thrill I’ve been seeking — the thrill of being amazed and of seeing the ordinary citizens of Gotham be as amazed about Batman as we are.”
I like how that quote explains how the realism works in BB, and how I prefer it to be realistic..or at least plausible. But it also explains how I feel about how this ARG is working. I mean, we're being recruited by the friggin' JOKER. We're not only feeling that we're in Gotham itself, but that's we're "in" with one of the most iconic villains in history. How awesome is that?
[/really sappy thoughts]