stillanerd
Sidekick
- Joined
- Dec 12, 2005
- Messages
- 3,852
- Reaction score
- 42
- Points
- 33
With regards to Amazing Spider-Man #665, I thought it was a very good issue, and I particularly thought
However, there were two very big drawbacks I had with this issue overall:
Even so, a good done in one.
Well, perhaps the idea is that, since all these various New Yorkers will have spider-powers, that also means Peter can display the fact that he has powers without being Spider-Man or even revealing he's Spider-Man. There's been a few preview images which seem to confirm this, as they show Peter web-slinging and what not in his civies and in the open. They may even go as far as having Peter think, "With everybody having powers, I don't have to hide my abilities anymore and still be 'plain old Peter Parker.' Maybe there's no need for me to even be Spider-Man anymore." Which would also mean that Peter may think there's no incentive to have everybody get rid of their spider-powers, thinking who is he to decide that.
Until that is something does happen in which he has to find a way to get rid of them. My guess? The spider-powers being to mutate so that, not only are people growing extra arms, eyes, and fangs, they're turning into mindless "man-spiders." (After all, we've seen images of a Six-Armed Shocker and "Man-Spiders" in some of the preview art) And even worse, the powers become contagious and people start getting them without being bitten by the Jackal's genetically modified bedbugs, which would give a reason as to why J. Jonah Jameson will have to quarantine New York.
the tie-in to Amazing Fantasy #15 in that Aunt May felt as if Peter abandoned her on the night Uncle Ben was killed was a nice touch. It's not any shocking revelation by any means, but that's actually in its favor. Because this is soemthing which makes perfect sense, gives us a different point-of-view without doesn't changing the story in Amazing Fantasy #15 at all, and is something that, sure enough, stared us right in the face.
However, there were two very big drawbacks I had with this issue overall:
The more I think about it, the more I have a problem with how the main story ended. Peter is essentially faced with a genuine moral dilemma: either stop the mugger from escaping justice for what he did to Betty, or let him go and rush to the hospital to be by Betty's side to provide emotional support. In the end, he chooses to go be with Betty, thus reinforcing the "moral" that it's more responsible to be with the people we love when they need us than anything else.
Except in this case, Peter winds up doing virtually the same thing he did in Amazing Fantasy #15--he lets the criminal go. But conveniently, that criminal doesn't leave town despite being told that he needed to, nor does he commit any other crime that would possibly put innocent people in danger. Thus Spidey captures him the next night without having to feel guilty that someone else may have gotten hurt. Likewise, Betty, despite having serious head trauma and other injuries, makes a full recovery, just in time for Peter to keep their movie "date."
Don't get me wrong, it makes for a nice happy ending, but it just seemed like there were no real repercussions to Peter's actions here and that everything was wrapped up far too neat.
And my second problem is the back-up in that Aunt May, along with Jay Jameson, moving to Boston, which means, after Marvel made a big deal about how important Aunt May supposedly is, she's virtually being written out of the supporting cast.
Granted, I'm not upset to see Aunt May apparently leave the books again (if that's what is actually happening), but at the same time, it's a situation which seems like it could have been avoided. Because now that she no longer knows Peter is Spider-Man, along with Marvel deciding to quickly marry her off to J. Jonah Jameson's dad (which I think has proven to be more of problem in hindsight since it wound up giving Peter less obligations and responsibilities to juggle) and considering how her volunteer work at Martin Li' homeless shelter has obviously gone kaput, it seemed as if Marvel realized they've boxed into a corner and couldn't figure out what to do with her yet again.
Except in this case, Peter winds up doing virtually the same thing he did in Amazing Fantasy #15--he lets the criminal go. But conveniently, that criminal doesn't leave town despite being told that he needed to, nor does he commit any other crime that would possibly put innocent people in danger. Thus Spidey captures him the next night without having to feel guilty that someone else may have gotten hurt. Likewise, Betty, despite having serious head trauma and other injuries, makes a full recovery, just in time for Peter to keep their movie "date."
Don't get me wrong, it makes for a nice happy ending, but it just seemed like there were no real repercussions to Peter's actions here and that everything was wrapped up far too neat.
And my second problem is the back-up in that Aunt May, along with Jay Jameson, moving to Boston, which means, after Marvel made a big deal about how important Aunt May supposedly is, she's virtually being written out of the supporting cast.
Granted, I'm not upset to see Aunt May apparently leave the books again (if that's what is actually happening), but at the same time, it's a situation which seems like it could have been avoided. Because now that she no longer knows Peter is Spider-Man, along with Marvel deciding to quickly marry her off to J. Jonah Jameson's dad (which I think has proven to be more of problem in hindsight since it wound up giving Peter less obligations and responsibilities to juggle) and considering how her volunteer work at Martin Li' homeless shelter has obviously gone kaput, it seemed as if Marvel realized they've boxed into a corner and couldn't figure out what to do with her yet again.
Even so, a good done in one.
For additional thoughts, while Marvel and Slott may be teasing SPIDER-ISLAND by claiming that "in a city where everyone has spider-powers, nobody is Spider-Man" is a tad absurd. That's like saying if everyone in WHERE'S WALDO is in the same outfit, nobody is Waldo.
Well, perhaps the idea is that, since all these various New Yorkers will have spider-powers, that also means Peter can display the fact that he has powers without being Spider-Man or even revealing he's Spider-Man. There's been a few preview images which seem to confirm this, as they show Peter web-slinging and what not in his civies and in the open. They may even go as far as having Peter think, "With everybody having powers, I don't have to hide my abilities anymore and still be 'plain old Peter Parker.' Maybe there's no need for me to even be Spider-Man anymore." Which would also mean that Peter may think there's no incentive to have everybody get rid of their spider-powers, thinking who is he to decide that.
Until that is something does happen in which he has to find a way to get rid of them. My guess? The spider-powers being to mutate so that, not only are people growing extra arms, eyes, and fangs, they're turning into mindless "man-spiders." (After all, we've seen images of a Six-Armed Shocker and "Man-Spiders" in some of the preview art) And even worse, the powers become contagious and people start getting them without being bitten by the Jackal's genetically modified bedbugs, which would give a reason as to why J. Jonah Jameson will have to quarantine New York.
Last edited:


