I haven't changed my mind about a thing.
Which I will continue to do as long as you address me until you get it.
You think a Turquoise person looks like an Almond person, which is really galling.
Not sure how wrapped in delusion you had to get to come to that conclusion about anything I said...I'm pretty sure I was the one telling you the difference between colors.
1) You have your own definition of black that is different from that of society at large.
No, they're actually formed from what society's are at large.
You think it's my reality to see light brown "black" people and biracial people as "black" even though they are always put in that box. Terrence Howard, Beyonce and the like are unambiguously black, and they look more like Johnny Depp and Nichole Scherzinger than they do Chris Rock and Octavia Spencer.
Continue....
no one who does casting for any reputable agency sees things this way. It's just you and your personal definition.
Most of the names you listed don't look "white" either and could not be mistaken as such...some of them are lighter skinned black/etc...they still do not look white. Not sure what your point was with this.
Are there chocolate "black" people? Are there "black" people who look very different from most "white" people? Yes! But your "logic" is that because SLJ/Chris Rock/MLK/That Guy from that One Comic Appearance don't look like most "white" people, that no "black" person looks like Wally West... this is simple deductive fallacy.
Here's some more Neal Adams drawing of a black male:
(^^ Last one is not by Neal Adams but my point remains the same)
There's nothing ambiguous looking about that. He is black. Gardner (and Hal) is (are) white.
But then again, the artists probably just have the same "distorted" perception that I do...
And no black person will look like Wally West (unless they go the Tropic Thunder route) because Wally West is white.
2) Just as you regard all black people as the same, you regard all white people as the same.
If you're black you're black, if you're white you're white - different shades of the same skin tone are not tantamount to a change in ethnicity.
Wally West is never colored white.
You mean like the color of paper? I'd have to agree there, but he
is colored the human equivalent of white because that is the color/race/"ethnicity" he is.
He's been varying shades of light brown, different shades, but you seem to think he's always been the same exact color, even though he has not.
He is always white because that is the race he is. Just because the color of paint that is used for white in 1963 is not the same as the paint being used for white in 1986 doesn't make him at all any less white - he is the same character, coloring is something that is updated all of the time in comics, but what is supposed to be white is always white, whether they use the 63 coloring or 86 coloring for each artist - this is not the equivalent of changing the character's race.
You say that all the different noses he's had are the same nose,
Except he's not had "different noses" - nice try.
and all the different skin tones he's had are the same.
He is always white - caucasian, because that is the race he is.
This is observably not true
Please show me what you cite as "proof" for this. I would love to see it.
but you count artists interpretation as the same, so an artists interpretation of Wally West as black should carry the same weight. Mysteriously it doesn't.
Because Wally West's race doesn't change every time someone new draws him.
A new artist isn't drawing Wally with a black nose or a snub nose or a nose like the Penguin, they're drawing him how they draw a human white person's nose, their version of human white Wally.
3) You make uneven comparisons.
The Sinestro thing is just bad, you basically had to just ignore my statements and repeat yourself (that's the main reason why this conversation is ending, btw). The whole equating big differences with little differences is also bad, but you're not going to shake that one.
Awfully ironic coming from the person who says that because one artist draws the same character more or less simplisticly than another does and because the colorist is different from book to book (akin to different directors using different lighting and picture styles) it's the same thing as changing a character's race, sex, and sexual orientation.
How's that for uneven?
In your mind, "black" is "chocolate" and everyone sees it that way (despite countless films and comics But what's really funny is the height thing. You note that changing the height can change the story,
It can, as can race, sex, and sexual orientation.
so here's the real kicker, what really strikes me:
Does making Wally West "black" change his story? Even if they do make him dark brown, does that change anything about anything he does?
It might.
Is he less heroic, less lovable, less impetuous?
He is less Wally West.
Changing his height can change the story, make it more or less dramatic, like you stated,
I wasn't talking about him specifically when I said that, but it may also in the case of Wally West...
but does changing this aspect of Wally West change anything other than his skin tone, and maybe hair texture?
You say that muscles define Arnold and height defines Coleman, it has determined what roles they can play in their chosen profession of acting. That actually makes sense, okay. But does "white" define Wally West? Is there anything about Wally West as a person that requires being "white?"
Well Wally is from a small town out in the midwest (Blue Valley, Nebraska) which statistically probably makes more sense for him to be white...if he were from Baltimore or the Bronx or Kenya where there are historically a higher percentage of blacks, then yeah, it probably would make less sense for him to be white (or equal sense for him to be black) (not that there can NOT be blacks from small midwest towns, that's not what I'm saying at all - I don't even consider blacks to be exclusively "urban", and would not even use that term to describe a black person, as you do a little below, but let's table that for now), but the big thing is, and you're still missing this, is that he is
NOT. He is white. He has red hair. He is a human being. He has two arms and two legs. He is mobile. He can see. He can hear. He can speak. These are other things that make him Wally West that should not even have to be pointed out in addition to his skin color.
Or put another way, if Wally West got transferred into a "black" kid's body, would he be any less Wally West? Would he no longer be himself? Would you like him more? Less?
No, he'd be Wally West in that black kid's body - he would not be "black Wally West".
I'm sorry you're so hung up on the idea of changing a character's race so much - is the character Wally West black in something I missed? Is Wally a shapeshifter? Did I miss those issues?
Bonus) This pandering thing is so inconsistent. Casting "white" actors (or adapting "white" properties) is never called pandering, even though it is,
How?
Adapting something the way it is isn't pandering, it's called getting it right.
Adapting a black property isn't pandering, either.
and no other change from source material is called pandering, fanservice isn't even called pandering,
By who? Little easter eggs that are unnecessary, "fan service", you could call that pandering, sure, I agree with that.
but this change? "This is pandering, and can only be pandering."

There are a dozen reasons for race changes: the creators like black people, the creators like diversity, the creators want a more
urban feel,
Why does black equate "urban feel" to you? I always hate when people describe blacks as "urban", as if there are no upper class black people and blacks who don't dwell in the city, that right there - THAT is a stereotype.
the creators want to be different, the creators have a specific actor in mind, the creators think/know they can get "black" actors cheaper... and all these come in to play. And even if it is pandering, the same pandering that happens with white actors and girls in skimpy clothes and only casting attractive people... why is it a bad thing, exactly? No reason.
So...pretty much what you're saying is even if there's "no reason" for it, it's still okay to you.
And that is where we disagree - there IS no reason for it, it is unnecessary, it is stupid, because Wally West is white.
So yeah, I enjoyed this discussion, but when you stop addressing my counterpoints
Where you twist what I say?
and start repeating yourself,
Which I will continue to do until you get it.
I can confidently say it's not going anywhere, that you're not looking for information,
Not from you, no, a person who thinks how a white person is colored in a comic is how a black person is colored, no, I don't think I need information from that person.
you just want to win, in which case:
You win. Martin Luther King Jr. shouldn't play Wally West, and the only thing Martin Luther King Jr. is good for is pandering to black people.
Yeeeaahhh....try a little harder with the race bait next time.
"KS thinks MLK's irrelevant!!"
Twist my words...nice thing to go out on with your argument.
Glad you think so.
I haven't seen big deals made over any hair changes on the same spectrum, so they can't be that big a deal,
People dye hair all the time, it's not what I want but it's not quite the same as changing a character's race, even if it is almost as bad in some cases.
In today's world two people that look like that could very well could be brothers.
Not a chance, but even so, out in Hicksville Nebraska? I mean I guess anything is possible, but that doesn't mean it is likely.
Regardless, the change in skin tone is roughly equal to the change in hair from Comic book Ollie to Arrow Ollie. No worries there, so no worries here either.
In no way in hell is it at all "roughly equal" to racial change at all.
That's what's really odd about these comparisons. Are you saying that black Wally West is different from white Wally West because Michael Jai White is different from Warren Beaty? That it's not that they're from different eras with different skill sets and interests and families... no, it's one being white and one being black, that's what makes them different!?
No, because black is different from white.
And incidentally, being black and white is what also makes Michael Jai White different from Warren Beaty, too.
If it's on... you... why would I take you to school!? It's on you.
Smug.
Like... seriously? People still believe this?
These are the faithful comic book movies:
Watchmen (64%)[185M]
Watchmen was faithful visually but did not translate anything else, took things away that were important and added things that were out of place and unnecessary and ended up being a poor film. It failed to convey what made the book great, maybe it was doomed from the start. This is a topic that will start a HUGE debate, I am sure, but let's do that another time in some other thread (I know I have at least once before).
Sin City (78%)[158M]
Kick Ass (77%) [96M]
300 (60%)[456M]
Made money, immensely popular with the public, good reviews considering what the source material was to begin with...your point?
You listed this as being true to source material?
Most Successful/Highly Rated Comic Book Movies:
Avengers (92%)[1500M] - Loki, Thor, IM and Hulk being there is the same. EVERYTHING else from personalities to dialogue to relationships to plot points to motivations to powers to you name it is unfaithful, and loved, including a high profile race swap.
What race change? You mean Ultimate Nick Fury? The characters are very much who they are in the comics in that movie, even almost the same visually (although I don't know a single person who hasn't complained about Cap's suit - fan and non fan alike).
The Dark Knight (94%)[1004M] - More faithful than Avengers. The Joker is an insane theatrical criminal, Bruce Wayne calls himself Batman and has martial arts, stealth and gadgets. EVERYTHING else is unfaithful and loved. Extra points for the high profile raceswap in Begins and two more the Dark Knight rises.
What else was unfaithful? They did the same thing the comics did - which is to keep the characters as their "status quo" and tell a new story. Sorry, who was "race swapped" in Batman Begins and TDKR that was such an important character? Commissioner Loeb? I'm pretty sure I wouldn't even be asking if that were the case... Bane is pretty much covered completely and has his voice augmented (besides, Bane was Nolan's own creation more than anything else - and let's face it, TDKR was only as successful as it was because it was TDK's sequel (even put "TDK" in the name - nice marketing), because it was easily the weakest of the trilogy).
Spider-Man 2 (94%)[783M] - More faithful than Dark Knight. He's mostly missing homemade web shooters. He got bit by a spider and got Spider-powers in the first film, he made the transition from high school to college.
Ultimate Spider-Man doesn't have web shooters, so this is moot...
Iron Man (93%)[585M] - More faithful than Spider-Man. Tony's origin is largely the same, and he fights a villain who is actually from the comics in this one
A great all around movie and one of, if not arguably the best, CBM.
(though he ends up fighting really unfaithful amalgams later, and totally pissing off fans in his most unfaithful billion dollar film later).
...which we only had because the first film was so great - it was great because it was true to what Iron Man is. (in fact, the whole MCU can thank Iron Man for this and its success)
So it seems the less faithful something is, the better shot it has at being successful. Ones that take liberties are consistently above 75% fresh at rotten tomatoes. Ones that are doggedly adherent and faithful consistently get below 75%.
Not a chance in hell - you also left out Batman 1989 and Superman: The Movie (adjust for inflation - they are still huge - and even unadjusted, they are still iconic). The only reason there were "better performing" sequels to some of these is because the original films were so good and true to character.
But you're on the right track.
Thought this was about "opinion", not "right" or "wrong"?
There's nothing faithful about Avengers without the Pyms,
Sure there is, the Pyms are not in every Avengers story.
or a Batman who isn't the World's Greatest Detective, or a Spider-Man who isn't brilliant enough to make his own web-shooters... but its still the character, and loved for the same reasons, even when these things that supposedly define them are are taken away, because the truth is everything about a person doesn't define them. The popularity of these unfaithful characters is proof of that.
Well here you're arguing that even intellect and personality don't define a person or character, either - and you're wrong on both.
Here's how Whedon puts it when asked about the unnecessary and disrespectful change of removing Pym from Ultron:
Condescending. How's the air up there?
But what does that scrub who couldn't even get a Wonder Woman movie made know, anyway?
Yeah, so most the things that are good in the comics should remain in the live action adaptations, and the things that are not should...not. That's common sense. Wally West being white isn't one of those things that is dumb or stupid and won't go over well with audiences, so it should be left the way it is.
Hank Pym hasn't even shown up in an MCU film yet, how else were they going to get Ultron with having Pym unestablished? Tony builds machines - it's a no brainer.