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Concluding
Totally. This is what I can't stress enough. Nolan re-worked this "villain", really more of anti-hero, and made him way more intelligent, with added layers of depth never seen. No longer a corny, cliched bad guy who flips a coin on whether or not to rob a bank. He doesn't talk to himself through split personalities in an obvious way showing his duality. He's Two Face in that the duality is one side of him wants justice, the otherside wants order. The fact that he doesn't want to live past these circumstances is a great realistic psychological profile as well.I don't think you emphasize the duality of Dent's situation. Dent fought alongside with these guys trying to stop corruption. He doesn't want to hurt a child. But in his deranged state of mind he believes it to be a just action. ("Its not about what I want, its about whats fair"") Half of him wants to to show mercy because he knows he just as guilty as they are. The other half needs justice. He needs order but the Joker has convinced him that the only order is chaos, an impossiblity. And all this without a split personality disorder, though one might result from this. Does he feel remorse? Half does.
Chris was born in London, and his family moved to Chicago. Chris is a duel citizen of the US and Britain. After the move, Jonah was born. Jonah is 100% American born and raised.Also, Chris and Jonah Nolan were both born in London, and a good number of Chris's regular crew is also British.
That scene got many ovation where I was. And it climaxed with that. Given the way the bike operates, that wasn't unrealistic in the slightest.1. Cut the bat-pod flip up the wall. Yes, this is a minor nit-pick, but it took me out of the moment just a little. It was such a great action sequence - it felt entirely REAL- until the bat-pod turn up the wall.
Dent didn't turn "psychotic" ... Dent's story arc was the point of the movie. Bruce and Dent were the focus of the story. Not the Joker.2. Left Two-Face a mystery. Harvey Dent was great, and I found it a little ridiculous that suddenly Dent would turn psychotic. He needed to disappear, and reemerge in the next film as Two-Face.
Uhh TDK's ending was by far the most non cliched comic book movie ending of all ...3. The film should have ended with the Joker. The joker is the most personal and dangerous villain to Batman. The ending of the film should have symbolized that dynamic. It should have been INTIMATE, PERSONAL, and extremely DANGEROUS. The whole ferry scene should have been CUT. The whole Batman in the building using sonar should have been CUT. "When the chips are down these civillized people will eat each other." This should have been a more intimate and personal attack. I would have loved to have seen the Joker go after Gordon in the end and Batman save the day. Maybe at Gordon's house and/or a shut down amusement park in the rain. It would have been an awesome end. Gordon almost broken from the Joker killing a family member in front of him - Batman comes in, saves the day - The Joker is just laughing as the cops arrive. Gordon is sobbing. Dent is missing. Some how the death is connected to Batman. He flees. THE END.
Would have been cool if Nolan ditched the cliche that the third act has to be the biggest and boldest, and just settled for an intimate end...without all the cgi, etc.
Then why does his IMDB page claim he was born in London?Chris was born in London, and his family moved to Chicago. Chris is a duel citizen of the US and Britain. After the move, Jonah was born. Jonah is 100% American born and raised.
I just saw an AICN talkback where they offered "flipped the batpod" as a new catch-all phrase to describe something awesome, like the opposite had been christened "nuked the fridge" thanks to Indy4.That scene got many ovation where I was. And it climaxed with that. Given the way the bike operates, that wasn't unrealistic in the slightest.
To go further for screenwriting buffs, the film's ending answers one proposed Central Dramatic Question (CDQ): Can Gotham stop the Joker?Uhh TDK's ending was by far the most non cliched comic book movie ending of all ...
And the showdown with Dent / Gordon / Gordon's Family and Batman. THAT was personal. The showdown with Joker? That was of epic proportions. There were large themes at work in Batman v.s. the Joker. With Batman / Dent / Gordon, it was much more personal and concise.
You know how it is with the media - do good and nobody blinks. But if you misstep, it's all over.while i agree with you Anita, i find it hard to believe that when the clock struck 12 and they didn't blow up no one on them ferries would think "oh batman has stopped joker, hes saved the day again!!" i mean why not? people in Gotham might not like Batman but i think they should know that the only person who can stop Joker is Batman. thats my only nit pick about the ending aswell. yea Batman has taken the blame for Dents crimes, but if i was a citizen of Gotham i wouldn't hate Batman, because i would know deep down that he stopped Joker.
IDK ... it's like Michael Jordan was born in Brooklyn, but was just born there. He was raised and is known as a North Carolina product. Jonah may have been born in London, but I think he's more a product of America. He was really raised in the Chicagoland area.Then why does his IMDB page claim he was born in London?![]()
Yes, but my point is the Nolans aren't all "woohoo America rah-rah everyone else sucks" like what the previous poster was saying, because they both have a history in England.IDK ... it's like Michael Jordan was born in Brooklyn, but was just born there. He was raised and is known as a North Carolina product. Jonah may have been born in London, but I think he's more a product of America. He was really raised in the Chicagoland area.
Right. Yet they're both American in spirit, and understand the mythos he's telling has a strong connection to the American mentality, etc. Shame Singer was emberassed to embolden the even more American mythology of Superman.Yes, but my point is the Nolans aren't all "woohoo America rah-rah everyone else sucks" like what the previous poster was saying, because they both have a history in England.
I was glad they didn't stick a shot of Batman next to a proudly-waving American flag. (coughSpideycough) That's just too cheesy for words.Right. Yet they're both American in spirit, and understand the mythos he's telling has a strong connection to the American mentality, etc. Shame Singer was emberassed to embolden the even more American mythology of Superman.
Send this review to the Academy/Oscar commitee so they are reminded of how much of a masterpiece TDK really is.![]()
Totally. This is what I can't stress enough. Nolan re-worked this "villain", really more of anti-hero, and made him way more intelligent, with added layers of depth never seen. No longer a corny, cliched bad guy who flips a coin on whether or not to rob a bank. He doesn't talk to himself through split personalities in an obvious way showing his duality. He's Two Face in that the duality is one side of him wants justice, the otherside wants order. The fact that he doesn't want to live past these circumstances is a great realistic psychological profile as well.
how dare you say such things?!?! you are a dispicable person and you will rot in hell.
jokesnice review man, while i don't agree with it i'm not gonna bash you over it.
I just saw the movie a week ago so I know I'm late. I would just like to express how dissappointed I was with the movie. I haven't kept up with these boards lately but I guess the reception has been generally positive. I have no choice but to disagree.
In my opinion TDK lost almost everything that made Begins so awesome in the first place. The fight scenes, the dialogue, the relationships, the pacing...even the acting took a step down from the previous installation but I blame the script for that.
Ledger was good but when he licked his lips for sixth or seventh time, it just got annoying. There were moments when the movie felt rushed. It just bounced from one scene to another. There wasn't enough emotional character moments and when there was one, it felt like they weren't able to reach deep enough. They gave Dent some depth but not enough IMO. The entire Two-Face conflict should've been saved for the third movie. And by the way, the scarred half looked too Mummy-esque. It just felt off.
I wasn't happy with the way they presented Batman/Bruce Wayne. Bruce's inner turmoil was gone. They totally lost that point of view. I mean Batman was there...Bale got plenty of screen time. I just didn't feel like I was watching the character I know and love. There was just some guy in a cape and it wasn't interesting. Also I felt they failed to establish the iconic relationship between Batman and The Joker. The interrogation scene just wasn't enough and the whole thing felt weird...like something was missing.
I dunno...I'm just dissappointed. The movie felt like a montage of random scenes put together. The entire thing with the cell phones just wasn't cool. The love triangle didn't work. The tumbler was completely worthless this time around and the bat pod didn't deliver. The whole incident with Mr. Reese felt unnecessary. The dialogue was forced. Only The Joker had some good lines.
Oh man...I could go on and on. TDK wasn't bad per say...it was very ambitious but there was no subtlety whatsoever. They just threw everything at you. Batman Begins takes TDK to school any day. I can still throw Begins into my DVD player and I can have a blast with that movie. I can enjoy it for the 100th time with all my heart. I doubt TDK will ever be able to create something like that when it comes to me personally. Begins was and still is the definitive Batman movie for me. And I was surprised that TDK didn't even come close.