A Necessary Evil
One. Bad. Day.
- Joined
- Nov 15, 2010
- Messages
- 9,217
- Reaction score
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- 31
I love the score, but I wish Hans hadn't decided to have the tracks crossfade.
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Let Her Go: When Gwen's falling in the clocktower.
Guess I'll have this, then.
The ones that I remember:
There He Is - The very first music in the whole movie. Plays during the opening with the Marvel logo and everything. I love it, btw.
Cold War: The Aleksei chase.
The Electro Suite: The scene where we see Max's room with all of the Spidey stuff on the walls.
Look At Me: Max's transformation
My Enemy: Times Square fight
I'm Spider-Man: The first shot of Spider-Man in the movie
Ground Rules: Peter and Gwen's date.
I'm Moving To England: Peter and Gwen's date, again.
Let Her Go: When Gwen's falling in the clocktower.
You're My Boy: A really emtional scene between Peter and Aunt May.
I Need To Know: Peter in the subway where he finds his dad's hideout.
I Choose You: Peter and Gwen on top of the [BLACKOUT]Brooklyn Bridge[/BLACKOUT]. The scene's in the trailer, it's when he says "this is my path".
Still Crazy: The power plant battle with Electro.
You're That Spider Guy: The very last track in the entire movie.
Phew...........
I'm Goblin: Goblin at the Powerplant/Clocktower fight
Sum Total: Menken and Harry at Secret Projects/Harry transforms into Goblin
The Rest of My Life: [blackout]Gwen's death and aftermath.[/blackout]
Awesome, I'll add those to the list in the future.
I love the score, but I wish Hans hadn't decided to have the tracks crossfade.
Man, the feels during that scene.
What about "We're Best Friends"?
I actually like the crossfading.
A non-crossfading-version of the album wouldn't hurt, tho.
It makes such wonderful music such a pain to listen to, as I'll be listening to the Melancholy ending of "The Rest of my Life", and as soon as it gets a bit uplifting...cue abrupt restart of the track, instead of a nice fade out. Zimmer isn't the only one to do this, but I hate when any composer does it.
He does it on other soundtracks, designed to be an album experience. The best hope of contained cues lies in the scoring sessions.
He does it on other soundtracks, designed to be an album experience. The best hope of contained cues lies in the scoring sessions.
Now that you mention it, I suppose it could get pretty annoying.
Still, I think it's a nice touch.
I've got my fingers and toes crossed as well.*Hopes sessions leak asap for better listening experience, however.
My favourite rendition of the theme is in Cold War, 2.53 onwards. Just so fun and Spidey-esque.My only small problem is that the theme just isn't long enough, another loop of it would be perfect.
I've got my fingers and toes crossed as well.
My favourite rendition of the theme is in Cold War, 2.53 onwards. Just so fun and Spidey-esque.
No Place Like Home is heartbreaking in the context of the film - 19 seconds to 1.20. It's Gwen giving her graduation speech about life being precious because it ends, and Spidey trying to wrap up the Rhino chase quickly to be with her. A foreboding, poignant moment perfectly captured by Hans.
What about "We're Best Friends"?