since when is earning millions just "decent cash"????
Oh c'mon Excel, you know what I meant. Don't take the syntax so literally. Look at the role.
According to IMDb, Routh collected $1M for SR. Compare that to the $10M Clooney received for B&R, the $11.5M (+gross participations) Affleck received for Daredevil, and the $14M Halle Berry received for Catwoman! Hell, Routh made less than some TV actors get paid for about five episodes of programming.
*cough*
This isn't brain surgery folks. Clearly, newbie actors will have lower compensation deals than established thesps, especially if they have no track record. He will have to prove he's a
guaranteed box office draw before he comes anywhere near landing that kind of dinero. Routh's lucky he got top billing in SR; Reeve didn't even get that.
All that said, I'd imagine it's not about the money for Routh right now, which kinda goes back to my "decent cash" comment. What should matter is getting out there, getting experience in a variety of roles, networking with other talent, learning from them, and generally making connections in the biz.
interesting. well i hope he will not only play light characters. i want him in a dark movie.
Well, now that he's got SR under his belt, I'd think fans would *want* him to play a "light" character. LOL
but i could understand WB since little kids take everything serious. if they see brandon in a movie killing some people they will think superman did this.
I would hope that such a film would be R-rated. Mature audiences can detach actors from the characters they're associated with, so that wouldn't be a problem for little kids. Look at Arnold Schwarzenegger. He was all over the place in his roles but it didn't hurt his career or his Q. And he was a professional bodybuilder when he started acting. Among his many films were Conan, The Terminator, Twins, Total Recall, Kindergarten Cop, True Lies, Jingle All the Way, and even B&R (for which he was paid $25M smackeroos!) That's a pretty eclectic resume of films.
Well maybe, but Routh said something liked he turned the roles down because he prefers playing characters who grow.
How does he explain SR then?
From his interview I took it he had a free choice or not to take the roles.
I dunno. I still believe the studio probably has final say. Plus, he's optioned for two sequels. Certainly, he would have to run anything major by Warners to avoid a possible scheduling conflict.
Routh can't afford to be turning things down. His inexperience as an actor showed in SR - he had a problem with timing on OLTL and it was still there in SR - check out the Clark/Jimmy bar scene for instance.
That scene didn't bother me so much. I cringed at the scene in the beginning with Martha in the living room, and some of the stunted line delivery that sounded like William Shatner w/o his characteristic gusto, "It's... not... easy... for me... to... live my... life..."
Maybe that was why he was given such little dialog?
My money's on it having been printed but left on the cutting room floor, along with all of the other goodies that should have made it into the flick.
Bosworth and Penn are doing projects and all Routh has done is a short with his girlfriend and voice-overs. I find that disappointing.
Meh. Oh well. Maybe he's taking acting courses? Who knows?
He owes it to himself, if not Superman fans, to be working to improve his craft. Stage, film, TV - he needs to be acting in whatever venue he can find.
While I agree in principle, there isn't THAT much time to make significant gains in acting. I think that comes from a few years of steady performances, minimum.
If Singer gets a greenlight to do a sequel Routh will be committed timewise from next fall on. Gives him not a lot of time to be doing other projects. It would be a huge disappointment if the sequel goes forward and Routh has done basically nothing since filming SR. His inexperience would be pretty much the same in a sequel as it was in SR.
Again, I agree in principle, but I think fans are putting too much emphasis on Routh when they *should* be looking at the writing talent. A great script can pull a poor actor up out of the muck, but even the best actors will be buried under a poor script.