NightBeetle
Turbo Justice!!!!
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THE GREEN ZONE: Bigger, Faster, Stronger

CBR News: Hulk stories in general - and the Hulk stories you've been crafting over the past several years - often deal with the idea of "Might Makes Right." In terms of the Hulk, it's not just a catch phrase, since the conflict within the character and his conflict with the military industrial complex always plays with that core conceit. In what ways do "Fall of the Hulks" and "World War Hulks" tackle that basic ideal?
Greg Pak: I tend to think of those themes in terms of the classic Hulk dichotomy between hero and monster. Jeff nailed it when he said the Hulk is a character that everybody can relate to, because everybody has those feelings of pent up anger and frustration. Everybody can vicariously enjoy the Hulk Hulking out, because that's what we wish we could do at some point in our lives. But the next step to that in some of these stories, is that the kind of anger that makes us want to Hulk out is childish and stupid, and sometimes we've just got to grow up and learn you can't Hulk out. But other times, there's such a thing as righteous anger, and there are things that can only be solved when righteous anger is judiciously meted out.
At the same time, if you're the kind of person who says, "I am the righteous one, and I get to decide when and where to wield my wrath," you become a monster rather than a hero. There's a really thin line between how far you can go. That's a constant refrain in Hulk stories. It's a struggle for Banner right now, for the Hulk-less Banner. How far can he go? He's one of the most brilliant guys on the planet, and he thinks thinks he knows what's best, but how far can he go in making decisions for the entire world by himself before he's crossed a line to become a monster to everyone who sees him? Those are the same struggles that Skarr and Red Hulk deal with. Whenever you have a character with a capacity for world-changing action, and who also within him has that kind of rage, you have the potential for great heroism or great horror. That tension is one of the great things about the Hulk in general.
One of the elements that you guys have seemed to play with across the board during the past few years of Hulk stories is growing the Hulk cast. The X-Men and Avengers franchises have been built up with tons of guys for years, and even Spider-Man has a pretty large supporting cast, but I think this is the most people we've ever seen in the pages of the Hulk's world. Was this a gap in the Hulk series that you wanted to fill, or has it just been a natural introduction of a lot of elements?
Pak: There was an opportunity here, and I think each of us just ran with it. Here's one thing I'll say regarding Skaar specifically – as we were building the story of "Planet Hulk" I saw early where it was going to end and that there was a perfect little place there to create a Son of Hulk. I pitched it to Joe Quesada as Editor-in-Chief, and he immeadiately got it on the same level I did. He thought it would be a ton of fun, and we went for it. On the one hand, it's just fun to have a big, barbarian son of the Hulk rampaging on an alien planet. That would be a real fun story to write. But on a deeper level, I think the reason I was so drawn to it was because I knew eventually Skaar and his father would have to meet. Not only Skaar and the Hulk, but Skaar and Banner – and this idea that Skaar was going to have multiple incarnations that could interact in different ways with his father. There was just this ripe opportunity to introduce this question of family.