^not even sure what you are getting at with this edit tbh.
I don't think that's their job
^not even sure what you are getting at with this edit tbh.
Their job eh.
So you read the post and the context in which I responded to did you? One that generally has nothing to do with this movie but the preferential slope of grading film?
I don't think a film like sharknado get's a better score than basketball diaries or Interstellar in any sort of consistent grading system. You tax films for lacking substance and character development, award films without the conversation even coming up.
I don't think that's their job, to grad stuff based on personal qualifiers, the audience maybe but not what we present critics as. Their job should strive for a consistency of qualifiers, otherwise there is no point. Otherwise this truly is a system in which the industry bending to the fickle and every changing "likes" of 200 bloggers. Learned analysts grading achievement in the supposed rules of art and film making is what I'd imagine.
And all of that with me mostly agreeing with most critics on SS. Me liking what they say has nill to do with my issue. It's the aforementioned along with their influence tbh.
And the trend continues, audience score has dropped another percentage today.
My point wasn't a retort of the definition you decided to inject into my converstaion, but rather one I see all to often, especially around here. One that has proliferated through our society and into the avg movie goer. One that can even be found in the various dictionaries, and legal definitions. That of: their job is ..the analysis and evaluation of films. Film reviews by the critic often analyze and discuss a film's details, its content and characters, assessment of the performances, camera work, directing, editing, production, and script. To which I questioned consistency in doing so, for the value diminishes based on how loosely the term 'good' becomes. It has to be more than that poster said, 'prefer'. To think studios and careers and generations of celebrated art live and die on what some handful prefer on any given first viewing? It has to be about quality is my point when I assert their job.Their job is to recommend or not recommend films. That's what they are doing. Get over yourself.
No, I get that at the end of the day you may very well be correct in suggesting that's all their say amounts to
but that's simply not the current understanding from the people I'm addressing. Their(critics) say is seen as a measure of quality, and or accomplishment in the craft.
It shouldn't matter which films critics prefer?To which I assert in the post in question, that it shouldn't matter which films critics prefer, rather which one one a consistent measure of quality favors.
So this is, like most other complaints against film critics I see around here, rooted in the fact that movies you like are consistently lambasted by them, and people bring this up in discussions.
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It shouldn't matter which films critics prefer?
Do you hear how ridiculous that sounds? Again, their entire job is to tell you whether or not they think a movie is good, and "good" can take many forms, from "well-crafted" in terms of generally accepted conventional story-telling, to mindlessly entertaining, to a good time-waster. Their job is to tell you whether or not they enjoyed watching the movie, and most importantly, why.
But no, a consistent measure of quality, you say. So what do you suggest? Should we require each critic to state their own criteria in their review and have certain boxes that must be checked before they can reasonably say it was a recommend? Should this personal criteria be permanent and never allowed to change or adapt given the movie in question, therefore applying the same standards to Sausage Party, The Raid, Mad Max, and The Revenant? Or should we take out any outliers, and just send out a rigid, standardized system to all professional critics that they must adhere to, thereby assuring that the films that most fit this standardized criteria excel? Who should decide this criteria? What if a critic finds a movie that checks all the right boxes is still incredibly boring, uninspired, or unoriginal? Are they allowed to say as much in their review, or do they just go through the motions and recommend it? What if a majority of critics feel this way, but aren't allowed to express as much given that, according to you, "it doesn't matter which films they prefer"? Doesn't that negate the entire point of film critics?
Or maybe the old system of letting them say whatever they like about the film, including why they did or did not respond to a particular movie, is really working just fine?
I'd like to, again, remind everyone that this discussion started because 14 people gave the first Sharknado a recommend.
Yes, it shouldn't matter what critics prefer. Their preferences aren't my business. I don't care if they prefer lighter movies. I don't care if they prefer Spider-Man to Batman. I don't care if they want Superman to smile instead of being depressive. I don't care if they want a comedic film over something more serious. I don't care if they don't like too much violence. Those aren't valid measurements of quality in film, but we're consistently seeing it being used by movie critics. If i want that type of criticism, all i have to do is to call a friend. I don't need a stranger to tell me about their personal preferences. They're meaningless.
There's absolutely no consistency in film criticism. Take Spring Breakers, for example. That movie is an absolute joke, and i really don't know anyone who likes it. And yet, for movie critics that's good. That's better than Man of Steel. Even though it's absolutely shallow, with horrible characterizations and pathetic acting, to them it's good. It's much better than Batman v Superman.
As a user of the site i've felt misled so many times that i no longer put any sort of credit on what they say. I don't understand how they judge movies. I don't understand why two movies with similar problems can be ranked so differently.
We live in a time where many movie critics are also fanboys. Take Faraci, for example. That guy is as biased as you can get. And i believe that there are others like them. He is just the most stupid of the bunch for making it that clear.
Not denying DC movies have problems. But there's a difference between havng problems and deserving a 20% recommendation rate. I'm 100% sure the percentage of people who enjoyed these movies goes way beyond that that miserable number, so there's definitely a disconnection here between what critics think and what the audiences think.
Then what's the problem? ignore their opinion, go watch and enjoy the movie.
As far as whether they're worth making? Absolutely.The last 2 Transformers movies made over $1B each. Were the critics wrong about those movies?
Then what's the problem? ignore their opinion, go watch and enjoy the movie.
Its funny, usually the people who claim they don't care about critics' opinions or say they don't matter, they are usually the ones who are most vocal about them when they bash a movie they enjoyed.
I truly don't understand how one could look at a faceless, unrelated group of hundreds, if not thousands, of film critics all over the world and say "you all are being unfair and/or biased". It makes no sense. It defies logic.
That's painting with such a comically large brush, and it gets even funnier when you realize that it's always rooted in "my favorite movies aren't being well-reviewed, so it must be on you all, and not the film-makers".
It's like the guys who say they don't care much for these films. They're usually the most vocal about them. Maybe they should just ignore Suicide Squad and BvS, if these are such bad movies. Go watch something else. Go think about something else, talk about something else. See? Same thing.
It doesn't defy logic at all. All you have to do is to read a couple of reviews, read the type of criticism that they make, and maybe even compare it to other movies to understand how inconsistent and biased they are in the way they review movies. And when a few of them are well known biased fanboys, it isn't that far fetched to assume that there's a good chance that several others might be it too.
No, its not the same thing. These are movies about characters people are huge fans of. So discussing how badly they were mishandled is only natural for people who care about said characters. Its the same as fans discussing bad comic book stories about characters they love.
Whereas talking about the opinions of people you claim you don't care about, that makes no sense at all. Yet here you are spending all this time talking about critics you say don't matter to you. You are a shining example of the type of person we're talking about.
I care about the opinion of people who can affect the performance of movies i enjoy(or not) and i care about film criticism. I just don't care about bad film criticism. When done right, film criticism can be helpful, and i wish it was helpful. I wish i could go to RT and get a fair assessment on how good a movie is. I wish i could go to RT and not see a movie like MOS rotten and a movie like Sharknado fresh. I wish i could go to RT and find consistency. Theoretically, could be a great tool, but it isn't.
See? Still the same thing. You talk about bad movies because you want them to be good, therefore you aren't happy with the fact that they aren't. I talk about critics because i wanted their reviews to be fair and coherent, but they aren't. When i say "i don't care", i'm saying that i won't watch or stop watching a movie because of them. I'm not saying that it doesn't bother me the importance that they're given.
We talk about bad things when they affect us or something that we like. These guys are given way too much spotlight and they just don't deserve it.
If that's the best you can do, you shouldn't even post here. You are really not offering any valid counter-argument.
For those calling for 'consistency in criticism', how would that consistency look like? Style guides and house styles like we see in journalism and publishing? A system like the Michelin Star rating in food reviews?