deathfromabove said:
first of all when fox shows up after bruce is gassed he is clearly trying to play up the dumb playboy act. and the day after he jumps from the gpd he should sit around and mope instead of finding a solution to his problem?
this is batman and he is a very driven and focused character.
yeah having bats run down and kill a pedestrian would be really heroic and would have really helped the plot along.
his connection to his house and his legacy was touched on multiple times in the movie. and again would bruce just give up and mope because his house was on fire? i mean he was crying until alfred reminded him of his fathers words. what more did you want to see?
again bruce wayne/batman is a superhero. he is very driven and is on a mission. driven and focused people dont tend to get all emo when things dont go as planned. i think it is unlikely that much would slow him down for very long.
he's batman. should he reply: "****, your right gordon we are really screwed. i dont know how we are ever going to fix this!" ?? he came back to gotham to be an positive example and to "shake people from their apathy" not be apathetic himself.
it seems to me you wanted every setback to put bruce/bats into some kind of depressed emotional state. im sorry, thats just not batman to me. he channels his anger, sadness, and selfdoubt into action. he doesnt let these things slow him down. he doest sit around and mope and ponder his existence and the meaning of life and death to a degree that hinders his ability to act.
i think im beginning to understand your screen name.
remember we are talking about BATMAN.
not SANDMAN.
Rather than pick this apart piece by piece, it occurs to me that it would be better to explain what I wanted out of this film a bit more. While I desperatly want to see a Sandman movie, that is not what I wanted from Batman. What I wanted from Batman was something with the air of a good Sherlock Holmes novel, a touch of the macabre from The Shadow's old radio shows, and the moral ambiguity that defines the character in general.
You say that Batman is a superhero. Right here, I think we find the biggest discord between our interpertations of the character; Batman will never be a superhero to me. Superheroes are, at their core, ideological paragons; if Superman stands for the American way, it is because the man-who-is-more-than-man understands that way, and by extension those who implement it, to be inherently right. Likewise, Captian America not only legitimizes the ideology of America, but of militray supperiority, while Captain Marvel legitimizes the supperiority of Western Civilization. They are designed, from their appearence to their motives, to be infallible, thus making what they stand for unimpeachable as well. Captian America's costume is the American flag, and his
indistructable shield protects him from all that would threaten it. Superman fights for truth, justice, and the American way because he understands these things to be
inherently right. Batman is much more complex.
Let's start with his costume. Sure, it fits the general blueprint for a superhero costume, but it's of a bat. He doesn't dress the way he does to inspire veneration, but rather to strike terror. More to the point, he assumes the role of a monster and phantom to accomplish his ends. His totemistic representation carries with it connotations of malevolence within Occidental mythology. Now, most argue that he only does this to scare criminals, but there are three things wrong with this argument: the first is what he represents regardless of his motives, the seconed is that I will argue his motives themselves are far from righteous, and the third is its context within the film.
To start with the first problem, regardless of who he intends to terrorize, his entire identity is a horrific one. His macabre nature disturbs even those who trust him. So it doesn't matter who he wants to be a monster to, because in the end he is a monster to everybody.
Batman's motives, however, are what seperate him most from the definition of a superhero. While Superman does what he does because it's the right thing to do, and Spider-Man does it out of a sense of repentance, Batman does it for retribution.
He is driven by a desire for vengeance. He couldn't find retribution from the man who killed his parents, so every night he becomes a monster and
preys on criminals who take that man's place. Like The Shadow, it's not only about stopping criminals, it is about giving them nightmares for the rest of their lives. On another level, it's psychosexual. Batman is more or less a man-child. His obbsession with his mission took away a chance for him to develop into a fully functioning adult. He may be rationally intelligent without peer, but emotionally he is incredibly unstable. So he creates a routine that includes a variety of expressions for what he can't do as himself: dress up/role play/fetish (and the role he chooses hides in the dark; his fetish, the object that he siphons his desires into is the icon of a bat), and domination (otherwise known as control). Such motivations are selfish ones, and though he may protect the innocent and accomplish heroic deeds, I don't believe that is the reason why he goes out every night to hide in the shadows among the depraved.
The film tried to rationalize what he was doing by making him an "uncorruptable symbol" that would "shake the people of Gotham out of their apathy". I don't buy this because he chose a symbol that inspires fear. His rationalization for what he did in the film was in line with the idea of the superhero as ideological paragon, which, as I have argued, is incongruent with Batman's nature.
So, if Batman is not a superhero, what is he? First and foremost, he is a detective, and, as Sherlock Holmes was, a testament to the rational mind (I should also point out that though Holmes's intellect was marvelous and his mission just, he was also an opium addict). He also has a great deal in common with the heroes of the pulp serializations and the Western "hero in a black hat". For most of this response, I will focus on Sherlock Holmes because it best illustrates what I meant when I said in the previous post that I wanted to see more reflection.
You say that Batman is a man of action, I agree. However, he is not a man who acts rashly. He contemplates issues, examines them, thinks them through, and comes to a conclusion, based on which, he acts. Sherlock Holmes did the same, and between each exploit or encounter, he would reflect on it with Watson. These reflections were about more than simple exposition, they were an invitation into the mind of the great detective and they were not to shy away from an occasional look at the philisophical implications of what was happening and his choices. Now, Begins had two
great characters who could have been Batman's Watson: Alfred (who is exactly that in the comics, as is Robin) and Fox. However, Fox is wasted on typical humor and needless exposition, and even though Alfred played the role, they never had Batman play the counterpart. Now, this is Batman Begins, so he should make mistakes, and he should act rashly, but he shouldn't be able to get away with it to the extent that he does in this film. I would rather see him learn to become the rational detective through his mistakes, but he doesn't.
While we are on the subject of Holmes, I feel they wasted the oppertunity for a Moriarty figure by tying up Ra's story in this film. Remember that though Moriarty, Holmes's equal, was always behind whatever mystery Holmes was embroiled in, they met only once, for a climactic confrontation late into the series. This, I feel, would have been a far more memorable style of confrontation for Batman and Ra's. It would have also left more space to deal with the reflection, given Scarecrow more time to be explored and juxtaposed to Batman, and made Batman's first triumph a little less of a spectacle which would have been nice considering he is just starting out. Most importantly, however, it would have set up a fantastic path for the movies, as each mystery within a single installment, would be part of a larger conspiracy slowly being picked apart and that would be a fantastic way to write a trilogy.