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Tron Blu-ray Review
http://www.blu-ray.com/movies/Tron-Blu-ray/10546/#Review
Try not to think about Tron too hard. You risk realizing how silly it is and spoiling all the fun. I know, I know... take a breath. "Silly" is a bit harsh, I'll admit. Naively nonsensical perhaps? Deceptively brainy? Endearingly campy? Whatever the case, it's safe to say the film's psychedelic silliness, existential mumbo jumbo and spongy ideas haven't exactly withstood the test of time. But it's precisely these things that make Tron such a nostalgic blast from the past. Between its groundbreaking, still-inimitable visuals, grandiose set pieces and charismatic Jeff Bridges performance, it's easy to overlook all its plot holes and even easier to shrug off its script issues, uneven pacing and low-fi CG. It isn't an indispensable classic, but it is a tried-and-true cinematic milestone. It isn't a mind-boggling trip down the rabbit hole, but it asks plenty of lofty questions. Its plot practically invites criticism, but not enough to undermine the spirit of the adventure. All that is to say this: Tron isn't perfect, not by any means. But what early '80s sci-fi head-scratcher is?
This is the story of two worlds and the beings who inhabit them. One of these is our world... the one we can see and feel... the world of the "Users." It lies on our side of the video screen. The other, an electronic micro-civilization, lives and breathes just beyond our grasp. This is the world of the "Programs." Because we, the Users, have created this new world, part of us lives there too, on the other side of the screen...
Scorned software engineer and ex-ENCOM employee Kevin Flynn (Jeff Bridges, True Grit) is mad as hell and isn't going to take it anymore. Rival engineer Ed Dillinger (David Warner, The Omen) stole Flynn's codes and programs, presented Flynn's videogames as his own, and rode the wave of subsequent success into a senior executive office. But when Flynn breaks into ENCOM with the help of his friends, Alan Bradley (Bruce Boxleitner, Babylon 5) and Lora Baines (Cindy Morgan, Falcon Crest), he angers the company's Master Control Program (voiced by Warner), a vindictive artificial intelligence system that uses a quantum teleportation laser to transport the intrepid young programmer inside of the ENCOM mainframe. In this virtual world, Flynn encounters a civilization of living, breathing Programs who resemble human beings; entities designed to service the MCP and keep the whole system running at peak proficiency. But not every program is created equal. The MCP's right-hand-program, Sark (Warner), begins hunting the renegade Flynn; one of Bradley's security programs, Tron (Boxleitner), helps Flynn escape Sark's clutches; and Tron's would-be lover, Yori (Morgan), who also devotes herself to serving the Users. Racing to defeat the MCP and find a way home, Flynn encounters heavy resistance, competes in a series of gladiator games, and comes face to face with Sark and the godlike MCP.
It's a bit like opening the hood of your Corolla and finding a colony of grateful gerbils -- some more militant than others -- have been keeping everything running smoothly for you all along. The ideas at the heart of Tron are big and frothy: programs as blue collar workers and dutiful soldiers, circuits as freeways, religious zealotry punishable by death, videogames as gladiator battles, data streams as energy-renewing water, Pong reimagined as a bitter fight to the bloodthirsty end, security measures as deadly war machines. Writer/director Steven Lisberger's sophomore outing (remember Animalympics?) sometimes feels like a brainstorming session gone haywire, but his seemingly limitless imagination fuels Tron every step of the way. Likewise, while some of his narrative threads lead to undeniably dizzying dead ends, others are eerily prescient. Moreover, his surreal, neon-steeped visions and flights of circuit-board fancy are the stuff of '80s childhood legend. Tron not only paved the way for the CG spectacles we so readily indulge in today -- Tron: Legacy among them -- it did things that had never been done before or since; things that continue to resonate artistically well into the 21st Century.
Bridges, Warner and Boxleitner keep it all clipping along, and it's hard to imagine Tron without them. (Morgan is okay, but her vacant gaze is best suited for Yori, not Yori and Lora.) Even amidst the frenzy of light trails, plink-plonking data bits, and seizure-inducing flashes of red and blue insanity, the actors infuse their characters, User and Program alike, with genuine soul. Bridges and Boxleitner compete for screentime, but seem more than eager to step aside and allow the other to work. The Dude plays Flynn as a descended deity determined to intervene rather than interfere, and his slack jawed awe, genial grin and innate decency make Flynn a genius worth rooting for. Boxleitner toys with dual roles, creator and in-his-own-image creation, and the similarities and differences between Bradley and Tron are all the more intriguing for it. Warner oozes sleaze as Dillinger, growls convincingly as Sark, and makes the MCP a threat deserving of the fear it inspires. Along with Lisberger's one-of-a-kind visuals and digestible glimpse-into-the-computer, their performances make for a movie that, while terribly flawed and grossly outdated, is able to hold a nostalgic audience captive for the better part of two hours.
Tron Blu-ray, Video Quality 4/5
Faithful. Just keep repeating it, no matter how often Tron's 1080p/AVC-encoded video presentation sends one of your eyebrows skyward. Faithful, faithful, faithful. In truth, Tron -- twenty-nine-years old and counting -- will never look as polished, pristine or striking as its 2010 sequel. Between its budget constraints, production challenges, black-box sets, ground-floor visual effects techniques, and the inherent anomalies that haunt its source, the "Original Classic" seems bound and determined to flaunt its age, regardless of how much tender, loving, faithful care Disney affords it. Honestly though, I couldn't be more pleased with the results. Yes, Tron has lost much of its luster over three decades. Yes, its wow-factor has been severely hampered in the years since its early '80s release. But there still isn't another movie out there that looks anything like it, and I'm ecstatic to report Disney has retained the film's aesthetic charms, flaws and all. You won't find evidence of any unsightly scrubbing, egregious edge enhancement or intrusive clean-up work. Yet countless scratches, blemishes and marks have been carefully removed and the whole of the film has been rejuvenated and renewed. (A quick comparison between the Blu-ray edition and its DVD counterpart reveals just how much of an upgrade Tron fans should prepare for.)
So long as your expectations are in check, detail will prove to be impressive as well. Edges and textures are catalog-crisp and classically refined (barring the various inconsistencies that come with the territory), film grain and print coarseness are present and unimpeded, and Lisberger and cinematographer Bruce Logan's every last intention has been preserved. Faithfully, I might add. In the real world, satisfying saturation, warm colors and rich blacks create a suitably pleasing series of scenes. On the Grid, bold blues, oranges and reds mingle with inky shadows and ghostly grays, all in support of Tron's once-groundbreaking visuals. Granted, a menagerie of noise and ingrained print oddities surge and relent, flickering and contrast irregularities are unavoidable, and black levels are as bullish and oppressive as any well-informed Tron junkie will expect. Even in the real world, shadows are so heavy that they stamp out background detail whenever the lights go low. Early shots of Dillinger arriving at Encom under the cloak of darkness are downright impenetrable. But seeing as Lisberger and Logan are making parallels between Flynn's computer construct and the real world, it's almost entirely forgivable. Welcome even. Better still, Disney's technical encode is sound. While it's a bit difficult to discern inherent anomalies from those, say, caused by compression issues, it quickly becomes clear that Tron has been given its due diligence.
I'm sure a contingent of modern filmfans will write off Tron's transfer from the outset, unsure as to why Disney didn't simply shove it through a computer and gloss over its imperfections. And I'm sure those unfamiliar with the film's endearing charms will scoff at its low-fi effects and the many, many shortcomings that come with them. But film preservation is an art, dearest readers, and what Disney has done here is an art. Faithful, faithful, faithful. That's all the skeptical among you need chant while watching Tron's true-to-its-source high definition debut.
Tron Blu-ray, Audio Quality 4/5
Still chanting faithful? Good, it'll come in handy when listening to Disney's strong and steady DTS-HD Master Audio 5.1 surround track. Nothing is exactly wrong with the studio's lossless remix per se, but the original elements certainly show their age. While dialogue is bright, clear and intelligible throughout, voices have the at-times shallow ring audiophiles associate with twenty-nine-year old films. Ambient effects and music cues sometimes stampede the soundscape, acoustics are thin and limited, and directionality is hemmed in as well. That being said, the track boasts the kind of age-defying precision, LFE strength, rear speaker faculties, and immersive properties that work wonders when it comes to a cinematic artifact like Tron. The mix is front-heavy but decisive, singularly focused but altogether involving, measured but dynamic. And there aren't any jarring distractions to be had, at least none that trace back to Disney's restorative efforts. I'm sure I'll hear some grumbling for awarding Tron's lossless track a higher score, but as far as I'm concerned, the mix deserves praise. It surpassed my expectations, admittedly low as they were, and I have a good feeling it'll surpass yours as well.
Tron Blu-ray, Special Features and Extras 3.5/5
Tron arrives on Blu-ray with the same gratifying special features fans of the film have been privy to for years: a filmmakers commentary, a feature-length documentary, production materials, deleted scenes and more. Disney has even tossed in two fresh, exclusive featurettes (presented in high definition, no less).
Audio Commentary: Director Steven Lisberger, producer Donald Kushner, associate producer and visual effects supervisor Harrison Ellenshaw, and visual effects supervisor Richard Taylor share a candid look-back courtesy of this engaging audio commentary. They touch on the genesis of Tron, the development of its mythology and visuals, the challenges the filmmakers faced during production, the film's characters and performances, and its reception over the years.
The Tron Phenomenon (HD, 10 minutes): The cast and crew of Tron Legacy discuss -- what else? -- the legacy of the original Tron in this recently produced exclusive.
Photo Tronology (HD, 12 minutes): Tron director and Legacy producer Steven Lisberger and his son, Carl, visit the Disney archives in this second Blu-ray exclusive to dig through the concept art and materials the studio saved from the original Tron. It's exceedingly classy and exceedingly unexpected.
The Making of Tron (SD, 88 minutes): While repurposed from Tron's DVD release, this feature-length documentary covers all bases, from the film's effects and visuals to its story and characters, from its production to its final cut, from its failures to its successes, and from its place in Disney history to its influence on cinema as a whole.
Development (SD, 8 minutes): The disc's first collection of previously released DVD featurettes includes a look at "The Early Development of Tron," an "Early Lisberger Studios Animation" logo, a "Computers are People Too" television short from 1982 (with a sneak peek at Tron), "Early Video Tests" commissioned by the studio, and a "Development Gallery" of original concept art, sketches and storyboards.
Digital Imagery (SD, 12 minutes): Witness the creation of Tron's "Backlight Animation," learn about the use of "Digital Imagery in Tron," watch an excerpt from a television special called "Beyond Tron," unravel the "Role of Triple I" and watch a bizarre and hilariously antiquated Triple I computer animation demo.
Music (SD, 8 minutes): The lightcycle scene and end credits are presented with the full, original music Wendy Carlos composed for each.
Publicity (SD, 13 minutes): This collection includes a National Association of Theater Owners sample reel of the film, a work-in-progress trailer, four finalized trailers, and an image gallery of marketing materials.
Deleted Scenes (SD, 6 minutes): Three deleted scenes are available -- "Tron and Yori's Love Scene," "Tron and Yori's Love Scene #2" and an "Alternate Opening Prologue" -- with an introduction by Lisberger.
Design (SD, 3:34 minutes): Lisberger introduces this four-part look at the design of Syd Mead's lightcycles, Magi's animation tests for the bikes, and brief letterbox and full-screen presentations of Space Paranoids footage.
Storyboarding (SD, 9 minutes): Delve into "The Storyboarding Process," the "Creation of Tron's Main Title" (with Moebius storyboards), a gallery of additional storyboards, and a storyboard-to-film comparison of the "Lightcycle Chase" with storyboard artist/animator Bill Kroyer.
Galleries (HD): View hundreds of images spread across four categories: "Design," "Early Concept Art," "Publicity and Production Photos," and "Storyboard Art."
Tron Blu-ray, Overall Score and Recommendation 3.5/5
The original Tron is just as flawed as its twenty-eight-years-later sequel and tends to buckle under the weight of its age. Still, Bridges, Boxleitner and Warner's performances and Lisberger's trippy glow-stick visuals make it a trip down memory lane worth taking. Disney's Blu-ray release helps justify the return trip even more. With a faithful video transfer, a solid DTS-HD Master Audio 5.1 surround track, and a healthy helping of special features, Tron stands taller than it might have otherwise.
http://www.blu-ray.com/movies/Tron-Blu-ray/10546/#Review
Try not to think about Tron too hard. You risk realizing how silly it is and spoiling all the fun. I know, I know... take a breath. "Silly" is a bit harsh, I'll admit. Naively nonsensical perhaps? Deceptively brainy? Endearingly campy? Whatever the case, it's safe to say the film's psychedelic silliness, existential mumbo jumbo and spongy ideas haven't exactly withstood the test of time. But it's precisely these things that make Tron such a nostalgic blast from the past. Between its groundbreaking, still-inimitable visuals, grandiose set pieces and charismatic Jeff Bridges performance, it's easy to overlook all its plot holes and even easier to shrug off its script issues, uneven pacing and low-fi CG. It isn't an indispensable classic, but it is a tried-and-true cinematic milestone. It isn't a mind-boggling trip down the rabbit hole, but it asks plenty of lofty questions. Its plot practically invites criticism, but not enough to undermine the spirit of the adventure. All that is to say this: Tron isn't perfect, not by any means. But what early '80s sci-fi head-scratcher is?
This is the story of two worlds and the beings who inhabit them. One of these is our world... the one we can see and feel... the world of the "Users." It lies on our side of the video screen. The other, an electronic micro-civilization, lives and breathes just beyond our grasp. This is the world of the "Programs." Because we, the Users, have created this new world, part of us lives there too, on the other side of the screen...
Scorned software engineer and ex-ENCOM employee Kevin Flynn (Jeff Bridges, True Grit) is mad as hell and isn't going to take it anymore. Rival engineer Ed Dillinger (David Warner, The Omen) stole Flynn's codes and programs, presented Flynn's videogames as his own, and rode the wave of subsequent success into a senior executive office. But when Flynn breaks into ENCOM with the help of his friends, Alan Bradley (Bruce Boxleitner, Babylon 5) and Lora Baines (Cindy Morgan, Falcon Crest), he angers the company's Master Control Program (voiced by Warner), a vindictive artificial intelligence system that uses a quantum teleportation laser to transport the intrepid young programmer inside of the ENCOM mainframe. In this virtual world, Flynn encounters a civilization of living, breathing Programs who resemble human beings; entities designed to service the MCP and keep the whole system running at peak proficiency. But not every program is created equal. The MCP's right-hand-program, Sark (Warner), begins hunting the renegade Flynn; one of Bradley's security programs, Tron (Boxleitner), helps Flynn escape Sark's clutches; and Tron's would-be lover, Yori (Morgan), who also devotes herself to serving the Users. Racing to defeat the MCP and find a way home, Flynn encounters heavy resistance, competes in a series of gladiator games, and comes face to face with Sark and the godlike MCP.
It's a bit like opening the hood of your Corolla and finding a colony of grateful gerbils -- some more militant than others -- have been keeping everything running smoothly for you all along. The ideas at the heart of Tron are big and frothy: programs as blue collar workers and dutiful soldiers, circuits as freeways, religious zealotry punishable by death, videogames as gladiator battles, data streams as energy-renewing water, Pong reimagined as a bitter fight to the bloodthirsty end, security measures as deadly war machines. Writer/director Steven Lisberger's sophomore outing (remember Animalympics?) sometimes feels like a brainstorming session gone haywire, but his seemingly limitless imagination fuels Tron every step of the way. Likewise, while some of his narrative threads lead to undeniably dizzying dead ends, others are eerily prescient. Moreover, his surreal, neon-steeped visions and flights of circuit-board fancy are the stuff of '80s childhood legend. Tron not only paved the way for the CG spectacles we so readily indulge in today -- Tron: Legacy among them -- it did things that had never been done before or since; things that continue to resonate artistically well into the 21st Century.
Bridges, Warner and Boxleitner keep it all clipping along, and it's hard to imagine Tron without them. (Morgan is okay, but her vacant gaze is best suited for Yori, not Yori and Lora.) Even amidst the frenzy of light trails, plink-plonking data bits, and seizure-inducing flashes of red and blue insanity, the actors infuse their characters, User and Program alike, with genuine soul. Bridges and Boxleitner compete for screentime, but seem more than eager to step aside and allow the other to work. The Dude plays Flynn as a descended deity determined to intervene rather than interfere, and his slack jawed awe, genial grin and innate decency make Flynn a genius worth rooting for. Boxleitner toys with dual roles, creator and in-his-own-image creation, and the similarities and differences between Bradley and Tron are all the more intriguing for it. Warner oozes sleaze as Dillinger, growls convincingly as Sark, and makes the MCP a threat deserving of the fear it inspires. Along with Lisberger's one-of-a-kind visuals and digestible glimpse-into-the-computer, their performances make for a movie that, while terribly flawed and grossly outdated, is able to hold a nostalgic audience captive for the better part of two hours.
Tron Blu-ray, Video Quality 4/5
Faithful. Just keep repeating it, no matter how often Tron's 1080p/AVC-encoded video presentation sends one of your eyebrows skyward. Faithful, faithful, faithful. In truth, Tron -- twenty-nine-years old and counting -- will never look as polished, pristine or striking as its 2010 sequel. Between its budget constraints, production challenges, black-box sets, ground-floor visual effects techniques, and the inherent anomalies that haunt its source, the "Original Classic" seems bound and determined to flaunt its age, regardless of how much tender, loving, faithful care Disney affords it. Honestly though, I couldn't be more pleased with the results. Yes, Tron has lost much of its luster over three decades. Yes, its wow-factor has been severely hampered in the years since its early '80s release. But there still isn't another movie out there that looks anything like it, and I'm ecstatic to report Disney has retained the film's aesthetic charms, flaws and all. You won't find evidence of any unsightly scrubbing, egregious edge enhancement or intrusive clean-up work. Yet countless scratches, blemishes and marks have been carefully removed and the whole of the film has been rejuvenated and renewed. (A quick comparison between the Blu-ray edition and its DVD counterpart reveals just how much of an upgrade Tron fans should prepare for.)
So long as your expectations are in check, detail will prove to be impressive as well. Edges and textures are catalog-crisp and classically refined (barring the various inconsistencies that come with the territory), film grain and print coarseness are present and unimpeded, and Lisberger and cinematographer Bruce Logan's every last intention has been preserved. Faithfully, I might add. In the real world, satisfying saturation, warm colors and rich blacks create a suitably pleasing series of scenes. On the Grid, bold blues, oranges and reds mingle with inky shadows and ghostly grays, all in support of Tron's once-groundbreaking visuals. Granted, a menagerie of noise and ingrained print oddities surge and relent, flickering and contrast irregularities are unavoidable, and black levels are as bullish and oppressive as any well-informed Tron junkie will expect. Even in the real world, shadows are so heavy that they stamp out background detail whenever the lights go low. Early shots of Dillinger arriving at Encom under the cloak of darkness are downright impenetrable. But seeing as Lisberger and Logan are making parallels between Flynn's computer construct and the real world, it's almost entirely forgivable. Welcome even. Better still, Disney's technical encode is sound. While it's a bit difficult to discern inherent anomalies from those, say, caused by compression issues, it quickly becomes clear that Tron has been given its due diligence.
I'm sure a contingent of modern filmfans will write off Tron's transfer from the outset, unsure as to why Disney didn't simply shove it through a computer and gloss over its imperfections. And I'm sure those unfamiliar with the film's endearing charms will scoff at its low-fi effects and the many, many shortcomings that come with them. But film preservation is an art, dearest readers, and what Disney has done here is an art. Faithful, faithful, faithful. That's all the skeptical among you need chant while watching Tron's true-to-its-source high definition debut.
Tron Blu-ray, Audio Quality 4/5
Still chanting faithful? Good, it'll come in handy when listening to Disney's strong and steady DTS-HD Master Audio 5.1 surround track. Nothing is exactly wrong with the studio's lossless remix per se, but the original elements certainly show their age. While dialogue is bright, clear and intelligible throughout, voices have the at-times shallow ring audiophiles associate with twenty-nine-year old films. Ambient effects and music cues sometimes stampede the soundscape, acoustics are thin and limited, and directionality is hemmed in as well. That being said, the track boasts the kind of age-defying precision, LFE strength, rear speaker faculties, and immersive properties that work wonders when it comes to a cinematic artifact like Tron. The mix is front-heavy but decisive, singularly focused but altogether involving, measured but dynamic. And there aren't any jarring distractions to be had, at least none that trace back to Disney's restorative efforts. I'm sure I'll hear some grumbling for awarding Tron's lossless track a higher score, but as far as I'm concerned, the mix deserves praise. It surpassed my expectations, admittedly low as they were, and I have a good feeling it'll surpass yours as well.
Tron Blu-ray, Special Features and Extras 3.5/5
Tron arrives on Blu-ray with the same gratifying special features fans of the film have been privy to for years: a filmmakers commentary, a feature-length documentary, production materials, deleted scenes and more. Disney has even tossed in two fresh, exclusive featurettes (presented in high definition, no less).
Audio Commentary: Director Steven Lisberger, producer Donald Kushner, associate producer and visual effects supervisor Harrison Ellenshaw, and visual effects supervisor Richard Taylor share a candid look-back courtesy of this engaging audio commentary. They touch on the genesis of Tron, the development of its mythology and visuals, the challenges the filmmakers faced during production, the film's characters and performances, and its reception over the years.
The Tron Phenomenon (HD, 10 minutes): The cast and crew of Tron Legacy discuss -- what else? -- the legacy of the original Tron in this recently produced exclusive.
Photo Tronology (HD, 12 minutes): Tron director and Legacy producer Steven Lisberger and his son, Carl, visit the Disney archives in this second Blu-ray exclusive to dig through the concept art and materials the studio saved from the original Tron. It's exceedingly classy and exceedingly unexpected.
The Making of Tron (SD, 88 minutes): While repurposed from Tron's DVD release, this feature-length documentary covers all bases, from the film's effects and visuals to its story and characters, from its production to its final cut, from its failures to its successes, and from its place in Disney history to its influence on cinema as a whole.
Development (SD, 8 minutes): The disc's first collection of previously released DVD featurettes includes a look at "The Early Development of Tron," an "Early Lisberger Studios Animation" logo, a "Computers are People Too" television short from 1982 (with a sneak peek at Tron), "Early Video Tests" commissioned by the studio, and a "Development Gallery" of original concept art, sketches and storyboards.
Digital Imagery (SD, 12 minutes): Witness the creation of Tron's "Backlight Animation," learn about the use of "Digital Imagery in Tron," watch an excerpt from a television special called "Beyond Tron," unravel the "Role of Triple I" and watch a bizarre and hilariously antiquated Triple I computer animation demo.
Music (SD, 8 minutes): The lightcycle scene and end credits are presented with the full, original music Wendy Carlos composed for each.
Publicity (SD, 13 minutes): This collection includes a National Association of Theater Owners sample reel of the film, a work-in-progress trailer, four finalized trailers, and an image gallery of marketing materials.
Deleted Scenes (SD, 6 minutes): Three deleted scenes are available -- "Tron and Yori's Love Scene," "Tron and Yori's Love Scene #2" and an "Alternate Opening Prologue" -- with an introduction by Lisberger.
Design (SD, 3:34 minutes): Lisberger introduces this four-part look at the design of Syd Mead's lightcycles, Magi's animation tests for the bikes, and brief letterbox and full-screen presentations of Space Paranoids footage.
Storyboarding (SD, 9 minutes): Delve into "The Storyboarding Process," the "Creation of Tron's Main Title" (with Moebius storyboards), a gallery of additional storyboards, and a storyboard-to-film comparison of the "Lightcycle Chase" with storyboard artist/animator Bill Kroyer.
Galleries (HD): View hundreds of images spread across four categories: "Design," "Early Concept Art," "Publicity and Production Photos," and "Storyboard Art."
Tron Blu-ray, Overall Score and Recommendation 3.5/5
The original Tron is just as flawed as its twenty-eight-years-later sequel and tends to buckle under the weight of its age. Still, Bridges, Boxleitner and Warner's performances and Lisberger's trippy glow-stick visuals make it a trip down memory lane worth taking. Disney's Blu-ray release helps justify the return trip even more. With a faithful video transfer, a solid DTS-HD Master Audio 5.1 surround track, and a healthy helping of special features, Tron stands taller than it might have otherwise.
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