mego joe
Sidekick
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- Oct 16, 2006
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Easy to learn? HAHA. Some of the hardest lessons to learn are those when you have to accept fault.
Hard to accept fault perhaps, but easy to see what was done wrong. It's harder to accept things and learn and grow when it appears you've done the right thing all along.
Except that it does.
Mony Python again.
And again.And in this case it doesn't.
Sorry my view of the character isn't as narrow as yours.
My view is not narrow. It is deep. Your view is based on the cosmetics of the character. You are not considering the content of his character and the experiences that have developed him into the person he is. Singer didn't consider this either.
As a three dimensional character, there are MANY things he is capable of.
And yet you have to SHOW why and how he is capable of his transgressions against Lois and Jason in order to make this believable, b/c everything we know about SUperman indicates that he would not be capable of such an act. This is what it gets down to. The motivation is out of character as well as the actions. You have to show how and why you get from point A to point B if you want to have a 3-D character. Otherwise, it's just an incorrect portrayal.
Again, showing a side of him that was previously unseen. And then he shows his TRUE character by how he handles the situation.
And there is nothing in his background to make this 'unseen side' believable. Nothing to indicate it would be capable of such a thing.. So where did it come it come from? Bryan SInger's misunderstanding of the character is where. You are blindly accepting of EVERYTHING in the film w/o questioning why he's done thing.
But they don't eschew the essence of the character. He makes a mistake in one moment. ONE MOMENT. That doesn't even happen in the movie. And then he handles the effects of it as his essence would dictate.
If it maintained his essence he would have said goodbye in the first place. Period. THere's no in-character explanation for why he would be in a sexual relationship with Lois and her not know his dual identity and there's no in-character explanation for why he would leave w/o saying goodbye under the circumstances. The rest of the film is inconsequential.
I know exactly what's it for. But I also know what it's been used for.
Care to give an example of when it's been used for the 'emotionally weak' Superman to run off and hide?
I'll concede this point to you. And I'm glad. Because if they didn't he would be stuck being the boring one dimensional character you want to keep him.
THe problem is not one-dimensionality b/c that's what you have with SR. You prefer your characters to be contradictory and to appear to be something they really aren't. Three dimensionality comes from an exploration of the hows and whys of a characters motivation, values and beliefs. That's three dimensionality. Having a inner conflict is just contradicton in a character and it can be either one-dimensional in which the hows and whys are not explored, or it can be three dimensional in which the hows and whys are explored and you understand the motivation of the character.
HAHA. He will always desperately want to be human. Because he will always be alien. This is something that unfortunately is not covered enough. It makes for great drama when they focus not only on the Super but on the Man.
HAHA. He is human. He's fine with that. He's fine with being human DESPITE his alien heritage. To think that it's a problem is to misunderstand the substance of the character. He got over that in his process of growing up.
Wow. It's very existence must drive you up the wall. Set up wrong? Only in your head. For those who understand the character as a 3 dimensional character, not wrong at all.
I'm sorry you've been suckered in by Singer's bastardization of the character.
Except that it's trivial in this case. The story is about the present. You're too busy living in the past. Which if, oddly enough, is what the character did, then you'd have someone self-pitying and sorry.
The set up is not trivial. If it doesn't work then the rest of the film is a waste of time, which is exactly what SR was.
Except that it did. And your best efforts aren't going to change that fact.
Singer suckered you in. It's obvious.
And I got one!
In the comics yes. In the earlier films- yes. In SR? Not even close.
Again, it's called setting up a character arc. You didn't like it. Deal.
I am. By discussing the faults of the film with those poor souls who have been deluded into believing SInger knew what he was doing or that he actually understood the essence of the character.
Tell that to Romeo and Juliet.
Yes, two immature teenagers is exactly how I'd like to compare Superman and Lois's realtionship to. SUperman's not a tragic hero. You are simply unable to distinguish the uniqueness of the essence of Superman's character from anyone else.
Tell that to anyone who has experienced a great loss. Tell that to jealousy. Tell that to anyone who has experienced heart ache of any kind.
I'd be happy to. THe heartache in SR came AFTER he ditched Lois not before.
You're right about one thing. I'll watch a GREAT portrayal of the character that actually tries to DO something with the character and explore him as he deserves to be and not stuck in some rigid fanboys idea of him.
The very fact that this is the ONLY interpretation of the character that works for you is pretty much admission that it is completely different from the valid interpretations, which has been my point all along. Glad you can see it my way.
Read most of For Tomorrow. Boring. I mean the writing itself was good as Azzarello usually is. But talk about brooding. Ugh. Nope. Doesn't interest me. Still focusing too much on the Super and not enough on the Man. Can't relate to it.
If you'd bothered to finish it you might have found out something about the man.
I'm so glad you like the Superman of SR. I think he is the same guy of STM and S2, just more fleshed out and realistic. 
jk