The Vendetta mask had facial features.V for Vendetta proved you don't need to constantly see a character's face to empathize with them.
Spidey's mask does not. Apples and Oranges
The Vendetta mask had facial features.V for Vendetta proved you don't need to constantly see a character's face to empathize with them.
You are correct, I've never failed to connect with the characters in those other mediums. However, they are exactly that... OTHER MEDIUMS. In comics, as I mentioned, artists distort the mask in order to give Spidey's masked face emotion. Cartoons do the same thing. Novels have no visuals at all, so you as the reader create those images in your head, and they are perhaps the most powerful because every character looks exactly as you would have them look.
In the movies however, Spidey's mask is static. Actually Rami experimented with animating the mask, changing the shape of the eyes for emphasis to get that same comic feel, but felt in live action it didn't work. So, with no moving features, Spidey runs the risk of becoming a puppet. Ever notice that Kermit the Frog almost NEVER stands still. He's always moving bouncing a little, that's because if he stops moving he's no longer perceived as a living thing. The same rule applies to the masked Spidey. Even if he's talking, if he's not moving you run the risk that the audience will fail to associate the voice with the image.
I do not underestimate the power of speech. However as both an actor and a teacher I can tell you with some authority, the power of visuals trump the power of speech nearly every time.
In cartoons they slow down the action, pause and create time for characters to talk to themselves.
If they did that in the movies, you'd wonder why Doc Ock stopped fighting for 45 seconds so Spidey could have an internal monolouge.
The Vendetta mask had facial features.
Spidey's mask does not. Apples and Oranges
Who exactly do you "disagree" with here? Both Zanos and Blind Fury make a great deal of sense concerning an incredible character, who in fact, has been quite watered down in Spider-Man 2. He's robbed of his trademark wit, charm and charisma. It saddens me to know that the full extent of the character is not being used here, but rather neglected.I disagree
To correct you. Spidey's "Facial Expressions" Were occurring way before Todd ever touched the web slinger.Actually distorting Spidey's mask to produce expressions is somewhat new. It wasn't often if ever done until McFarlane started drawing Spider-man. Then more artists started copying his style. It was never done in any of the cartoons at all. It's really nothing more than a creative decision. The removal of the mask serves a function in the film but it's a crutch which Raimi created for himself. Audiences only end up connecting with the character within the context of the scene he's removing his mask in but outside of that he's still a faceless mute for the next 2 hours. In the comics Spider-man is smart, witty, charming and charismatic. Movie Spider-man/PP is mute, dull and socially ******ed. Sensory starved audiences may actually NEED to see his face every now and then to remind themselves it's a real person and not some cartoon up there.
To correct you. Spidey's "Facial Expressions" Were occurring way before Todd ever touched the web slinger.
Carry on.
Both of them. I disagree with Blind Fury's assertion that "a mask is a mask" We are naturally more sympathetic to things with faces. The V for Vendetta mask had features, Spidey's mask is featureless. No human eyes, no pupils, no mouth which makes it harder for an audience to sympathize.Who exactly do you "disagree" with here? Both Zanos and Blind Fury make a great deal of sense concerning an incredible character, who in fact, has been quite watered down in Spider-Man 2. He's robbed of his trademark wit, charm and charisma. It saddens me to know that the full extent of the character is not being used here, but rather neglected.
Okay, granted. In the first film we did have a few Spidey wisecracks. As a matter of fact, I am a huge fan of the first film. However, in the Spidey 2, aside from Spidey tossing back a bag of money at Doc Ock and saying,"Here's your change", that was all we really got out of tight lipped Tobey. I still think it's Spider-Man who's short-changed here.Both of them. I disagree with Blind Fury's assertion that "a mask is a mask" We are naturally more sympathetic to things with faces. The V for Vendetta mask had features, Spidey's mask is featureless. No human eyes, no pupils, no mouth which makes it harder for an audience to sympathize.
Mask or no mask, personality goes a long way. This is one of the traits which have always made Spider-Man unique. Much of Parkers supressed inhibitions come out through his alter ego. His wisecracks are also something he uses to mask his own fears. And what if someone is blind. They go on personality and not on expression.
Zanos' and I also disagree on how much Spidey-Banter can be inserted into a movie without sacrificing pacing and action
Actually, it's all a matter of creativity and timing. It is possible.
And as long as I'm on a role here, I disagree with you. I don't think Spider-Man's character is being neglected. Spidey's wisecracks were still in these films, just not as frequent as you might like. Besides, I think the heart and soul of Spider-man has always lived in Peter Parker, and Rami had the insight to craft a film that's about an average guy who happens to get superpowers, instead of making a movie about a superhero who sometimes pretends to be normal.
Both of them. I disagree with Blind Fury's assertion that "a mask is a mask" We are naturally more sympathetic to things with faces. The V for Vendetta mask had features, Spidey's mask is featureless. No human eyes, no pupils, no mouth which makes it harder for an audience to sympathize.
I disagreed with Zanos' statement that MacFarlane was the first artist to distort the appearance of Spidey's mask in order to convey emotion, which Won 08 pointed out.
Zanos' and I also disagree on how much Spidey-Banter can be inserted into a movie without sacrificing pacing and action.
And as long as I'm on a role here, I disagree with you. I don't think Spider-Man's character is being neglected. Spidey's wisecracks were still in these films, just not as frequent as you might like. Besides, I think the heart and soul of Spider-man has always lived in Peter Parker, and Rami had the insight to craft a film that's about an average guy who happens to get superpowers, instead of making a movie about a superhero who sometimes pretends to be normal.
Actually, it's all a matter of creativity and timing. It is possible.
Yes, but Marv and almost every Sin City character are plum-nut-crazy and I love that. So I can understand hearing them talk to themselves no mtter what their doing. Not to mention that its a staple of film noir. The Spider-man comics and cartoons only really used it as a crutch to inform people of what happened in past issues and shows. Also the stories in Sin City are so short they were able to put 3 whole stories word for word in 1 movie. As I said the Spider-man movies are trying to cover stories that took place of 1000's of comics. So they really can't do that. I think the spearing use of Peter talking to himself has lead to some of the most powerful moments in the movies (the "great power, great responability" and "Spider-man no more" scenes).Precisely, ppl act like they've never seen examples of it in other films. Marv from Sin City barely stopped talking during the entire time he was on his murder spree.
Through the film Spider-mans mask is taken off 5 times some are not needed and some are, so i wonder if this is some technical reason.
1. When Spidey first loses his powers and falls on the pipes, he stands up and takes his mask off - not needed
2. When he falls after trying to climb the wall he takes it off again - not needed
3. When trying to save the train, it gets burnt and he takes it off - whether that was what was meant to happen or not i dont think that was needed
4. Harry takes it off - needed obviously
5. when he shows doc ock who he is - also needed