FilmNerdJamie
Obtainer of wrong opinions!
- Joined
- Feb 4, 2008
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A fair question to ask given one Mr. Kinberg's spotty track-record as a writer-producer and the fact that he bears responsibility for Fantastic Four and X-Men: Apocalypse... but has somehow escaped blow-back.
It speaks volumes that Fox is willing to propel this to Days of Future Past-level budget solely based on getting the First Class cast back (who, yes I prefer to the original cast but judging by BO receipts... the GA vehemently disagrees)... especially the Oscar-winning Ms. Lawrence.
Which in itself presents a narrative problem.
The Phoenix is Jean & Scott's story... with two actors we haven't necessarily warmed up to in the roles (They were fine in Apocalypse but failed to stand out) let alone establish a relationship... hence drama/stakes. But if you're paying $10-$15M to the returning Jennifer Lawrence as opposed to the peanuts at the contractually-obliged Turner and Sheridan, then you know attention will deviate to the higher-paid talent.
It's also just too out-there, given the tone set before them. Yes, DOFP introduced time-travel outta nowhere but Mr. Singer is also adept in establishing rules and sticking to them. Hence why that worked. But throwing in outer-space and more cosmic elements is the kind of "...the bad place?" shift that results in, say, Moonraker.
For all the ungratefulness and smack-talk, fans are going to look back and realize just how good they had it with ol' Bryan.
It speaks volumes that Fox is willing to propel this to Days of Future Past-level budget solely based on getting the First Class cast back (who, yes I prefer to the original cast but judging by BO receipts... the GA vehemently disagrees)... especially the Oscar-winning Ms. Lawrence.
Which in itself presents a narrative problem.
The Phoenix is Jean & Scott's story... with two actors we haven't necessarily warmed up to in the roles (They were fine in Apocalypse but failed to stand out) let alone establish a relationship... hence drama/stakes. But if you're paying $10-$15M to the returning Jennifer Lawrence as opposed to the peanuts at the contractually-obliged Turner and Sheridan, then you know attention will deviate to the higher-paid talent.
It's also just too out-there, given the tone set before them. Yes, DOFP introduced time-travel outta nowhere but Mr. Singer is also adept in establishing rules and sticking to them. Hence why that worked. But throwing in outer-space and more cosmic elements is the kind of "...the bad place?" shift that results in, say, Moonraker.
For all the ungratefulness and smack-talk, fans are going to look back and realize just how good they had it with ol' Bryan.