- I can't avoid the elephant in the room, so... could this show potentially knock B:TAS off it's 32 year perch for me? I honestly don't think so. B:TAS felt archetypal and beyond iconic. It's visuals, music, voice acting hits you up the face and present a Batman that feels timeless. B:CC feels like a very particular vision with the parameters heavily set. B:TAS was BATMAN. CAPED CRUSADER is... Batman through a 1940's lens (Doesn't mean I don't love it though). Does that make sense to anyone?
Make sense to me!
Even though
BTAS established a new status quo for the Batman universe at the time, it still started from a fairly
classic version. So, by its very nature, it always felt more
definitive.
Here, while
Caped Crusader returns to the character's roots, we also see 80 years of subsequent innovation in this universe sent back through the prism of the initial iteration.
So, like you said, it is a
"very particular vision".
And a beautiful thing! ^^
- I simply have to praise the music again, but I will admit I do miss a more memorable theme for Batman. Regardless, Wiedmann always delivers.
The score is the big surprise to me. I just love it!
I already adopted the new Batman theme. And although Wiedmann's approach isn't exactly exactly the same as Walker, the music adds a lot to the
noir atmosphere.
Oh, and if I'm not crazy, parts of the score in
"Kiss of The Catwoman" remind me of
Batman Returns, so bonus points here!
- As much as I think the animation is beautiful, and I most certainly know nothing about what it takes to make a show like this, can someone tell me how the show has been ''Utilizing state-of-the-art animation techniques and technologies available'' (as stated in the original press release) to differentiate it from anything else recently?
I think the few months the series was on hold had an impact on things... but maybe that statement was about the use of digital tools?
I know Timm said the animation was mostly handmade, but you can clearly spot some digital animation here and there...
In any case, the art direction is great
(the backgrounds are stunning), but what occasionally "hurts" the whole thing for me a bit is the quality of movement.
Timm's style, whether in the roundness of
BTAS or the more chiselled forms of
TNBA, really shines when animated with a certain dynamism
(something also very obvious in his comics work).
Here, things are moving, even fluidly, but it lacks sometimes the elasticity, deformation and all the little "vibrations" you can get in traditional animation.
This is particularly noticeable in quiet scenes, where certain facial expressions, poses and gestures are rather stiff.
On the other hand, the fight scenes are really cool! I loved the ones against Clayface.
So far, I've only watched the first four episodes
(still trying to control myself not to binge) but I do feel like the show looks better and better.
I wonder if things were produced in order, explaining how some adjustments are made along the way. There also certainly must be the influence of each directors...
So, in short : yeah, on the technical side, this new show doesn't seem above DC Animation's latest productions to me either.
It's definitely not as well-made as something like
Justice League : Gods & Monsters.
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To continue my review, I really enjoyed episodes 3 and 4!
"Kiss of The Catwoman" is an episode that I found well-produced, and particularly well-paced and well-thought-out.
There's a nice balance between light adventure with Catwoman and something more serious with the exploration of Bruce's past.
I also really liked the way the writers found situations to bring the characters together : Bruce Wayne's therapy with Harley happens organically.
The flashback scenes are the highlight, both in form and content.
I liked the relationship between Gordon and Montoya in "The Night of the Hunters".
I found a little Year One flavor to this episode with that first meeting between Batman and his favorite commissioner, the fight against the swat in a burning building, etc...
Firebug is short-lived, but his scenes are very well done. Can't wait for Bullock and Flass to fall...
Anyway, a nice episode but overall not as well produced as the previous two.