CaptainSpunk
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Someone needs to post the TDKR trailer from Conan...
t:

No, actually, I think it's yours. Most of Batman's movies are fantasy based, but Nolan's isn't at all. The list you linked me to is that of fiction. There is no denying that these movies are fictional, that's an obvious one, but even the sub-genres of fantasy don't apply in Nolan's version. The closest would probably be "urban fantasy", which is what Batman comics and the other movies come close to, but again, by definition, Nolan's don't apply. Urban Fantasy is closer to Hellboy.My use of fantasy is correct. I think your understanding of the definition is the problem here. You're limiting the word to this idea that it can only refer to high fantasy something many people do.
The genre is gigantic and every single Batman film despite where in the spectrum they fall can still be called fantasies.
http://en.wikipedia.org/wiki/Fantasy_subgenres
Urban fantasy describes a work that is set primarily in a city and contains aspects of fantasy. These matters may involve the arrivals of alien races, the discovery of earthbound mythological creatures, coexistence between humans and paranormal beings, conflicts between humans and malicious paranormals, and subsequent changes in city management.
Fantasy is a genre of fiction that commonly uses magic and other supernatural phenomena as a primary element of plot, theme, or setting. Many works within the genre take place in imaginary worlds where magic is common. Fantasy is generally distinguished from science fiction and horror by the expectation that it steers clear of (pseudo-)scientific and macabre themes, respectively, though there is a great deal of overlap between the three, all of which are subgenres of speculative fiction.
Science fiction is largely based on writing rationally about alternative possible worlds or futures.[2] It is similar to, but differs from fantasy in that, within the context of the story, its imaginary elements are largely possible within scientifically established or scientifically postulated laws of nature (though some elements in a story might still be pure imaginative speculation).
No, actually, I think it's yours. Most of Batman's movies are fantasy based, but Nolan's isn't at all. The list you linked me to is that of fiction. There is no denying that these movies are fictional, that's an obvious one, but even the sub-genres of fantasy don't apply in Nolan's version. The closest would probably be "urban fantasy", which is what Batman comics and the other movies come close to, but again, by definition, Nolan's don't apply. Urban Fantasy is closer to Hellboy.
Characteristics of Urban Fantasy are as follows:
Now, the definition of fantasy:
There is nothing supernatural or otherworldly about Nolan's movies. His intent has always been to bring these fantastical characters, and make them plausible in a real world setting. Basically, he's stripped the characters of any fantasy based elements. These movies are actually closer to Science Fiction than anything that has to do with Fantasy.
Actually, the only thing that crosses over from science fiction to fantasy is science fantasy, you must have missed that one. You're just not reading the list correctly. That list is of fiction, not of fantasy. Yes, fantasy applies to fiction, that's why it's on the list, same with science fiction, but science fiction isn't fantasy. The list even explains the cross over. Science Fiction is a sub genre of fiction, which should be a given with the title alone. A cross over of Science Fiction and Fantasy is Science Fantasy.Science fiction is within the fantasy sub genre. You must have missed it.
So once again your understanding of the word was the problem here. You're just arguing semantics at this point.
while science fantasy gives a scientific veneer of realism to things that simply could not happen in the real world under any circumstances
Superman is supernatural....and paranormal....
It has scientific application, it's not completely void of all reason which you suggested. Science itself has vast unexplained phenomena within its own study, after all. It is always improving.Umm I got as far as "everything can be explained by the concept that he can alter his physical inertia and while there's no explanation for this supernatural ability..."
Well I know Nolan's film AREN'T realistic, but technically Two-Face should have died five minutes after leaving the hospital from infections.Unfortunately, every time I watch TDK, Two-Face's existence always makes me go, "Hmm." When he wipes the bit of alky off of his chin, it's super-bad-ass, but.....how? He should have hit the floor, screaming.
Everything else, though, totally believable.
Yeah exactly good film makers make you believe stuff like that.I always think of Two Face being in some type of body shock. I've heard some strange survival stories so it makes me wonder. Luckily it's not something I find completely implausible
Yeah that's pretty plausible in universe as an explanation.Two-Face was in a state of pure rage and hate from Rachel's death. Thats how he carried on... absolute rage.
Point being?
Was there something implausible that a non science guy like me wouldn't notice? Because I don't really see anything wrong.That little Unified Theory of StooperMans powers sounded plauseable until I scrolled down and saw the drawing on page 3...![]()
And probably because his facial nerves were also burned on the left side of his face. That's the main reason why he shouldn't be able to feel pain.Two-Face was in a state of pure rage and hate from Rachel's death. Thats how he carried on... absolute rage.
PROBLEM/QUESTION about the Prologue
This is regarding the "body count" that Bane expects on the plane.
First off, none of this below will be relevant if the CIA *****e actually called in 3 MEN on top of Dr. Pavel.
The People on the Plane:
1) CIAs men - all of them, will be accounted for. None of them leave the plane whatsoever.
2) Dr. Pavel - replaced by man in the body bag
3) Bane and 2 men - Bane escapes and is replaced by one of the men, what happened to the 3rd guy????????? nobody was actually thrown off the plane., nor did we see another guy escape via harness aside from Bane and Pavel
He doesn't.After his warning, the CIA Agent took one prisoner to the open door. When the prisoner wouldn't talk, the CIA Agent shot him and he fell out of the plane.
He doesn't.
He pretends to shoot him and throws him into the back of the plane.
Anyways, Nolan obviously never feels the need to show us EVERYTHING, only the important stuff. Like how did Batman get back up to the Wayne penthouse fundraiser? How did Joker escape? No need to show us, it wasn't important to the story. And it doesn't necessarily make it a plot hole. Continuity error, maybe. I still think they must have done the blood transfusion for longer and that the rest of the goons escape then.Anyway this is obviously what Nolan wants you to focus on - that Bane told one of his men to stay and he willingly did. Who cares if we see what happens to the others, it's assumed they escaped.
He doesn't.
He pretends to shoot him and throws him into the back of the plane.
Anyways, Nolan obviously never feels the need to show us EVERYTHING, only the important stuff. Like how did Batman get back up to the Wayne penthouse fundraiser? How did Joker escape? No need to show us, it wasn't important to the story. And it doesn't necessarily make it a plot hole. Continuity error, maybe. I still think they must have done the blood transfusion for longer and that the rest of the goons escape then.Anyway this is obviously what Nolan wants you to focus on - that Bane told one of his men to stay and he willingly did. Who cares if we see what happens to the others, it's assumed they escaped.