Sound Editors Nominate ‘Wonder Woman’, ‘Tenet’, Others For Golden Reel Awards – Deadline
Outstanding Achievement in Sound Editing – Live Action Under 35:00
Brooklyn 99: “Lights Out”
NBC
Supervising Sound Editor: Danika Wikke, MPSE
Dialogue Editor: Joe Schiff
Sound Effects Editor: Mark Cookson
Foley Artists: Jonathan Bespoke, Ben Parker
Foley Editor: Julia Huberman
Music Editor: Tessa Phillips
Dead To Me: “If You Only Knew”
Netflix
Supervising Sound Editor: Walter Newman, MPSE
Supervising ADR Editor: Darleen Stoker
Sound Effects Editor: Ron Salalses
Music Editor: Amber Funk, MPSE
Homecoming: “Giant”
Amazon
Supervising Sound Editor: Kevin Buchholz
Music Editor: Ben Zales
Sound Effects Editor: Dan Kremer
Sound Designer: Daniel Colman, MPSE
Dialogue Editors: Polly McKinnon, Helen Luttrell
Foley Editor: Mike Marino
Foley Artists: Dominiquie Decaudain, Pam Kahn
I May Destroy You: “Eyes Eyes Eyes Eyes”
Warner Bros. Television
Supervising Sound Editor: Jim Goddard
Sound Designer: Joe Beal
Dialogue Editor: Tom Deane
Foley Editor: Alex Sidiropoulos
Foley Artist: Anna Wright
A Parks and Recreation Special
NBC Universal
Supervising Sound Editor: J. Brent Findley, MPSE
Music Editors: Jason Tregoe Newmann, Bryant J. Fuhrmann
Dialogue Editor: Michael Jesmer
Servant: “2:00”
Apple+
Supervising Sound Editor: Sean Garnhart
Sound Effects Editor: Mark Filip
Dialogue Editor: Michael Feuser
Music Editor: Lesley Langs
Foley Editors: Julien Pirrie, Gareth Rhys Jones
Space Force: “The Launch”
Netflix
Supervising Sound Editors: Bobby Mackston, Paul Hammond
Sound Effects Editor: Sean Garnhart
Music Editor: Jason Tregoe Newman
Foley Artist: Vincent Guisetti
Ted Lasso: “The Hope That Kills You”
Apple TV+
Supervising Sound Editor: Brent Findley, MPSE
Sound Effects Editor: Kip Smedley
Dialogue Editor: Bernard Weiser, MPSE
Music Editors: Sharyn Gersh, Richard Brown
Foley Artists: Sanaa Kelley, Matt Talib
Outstanding Achievement in Sound Editing – Episodic Short Form – Music
The Alienist: “Belly of the Beast”
TNT
Supervising Music Editor: Ali Hawkins
Hollywood: “Hooray for Hollywood”
Netflix
Supervising Music Editor: David Klotz
Selena: The Series
Netflix
Music Editor: Max Cremona
Snowpiercer: “Trouble Comes Sideways”
Netflix
Music Editors: Michael Baber, Alex Heller
The Umbrella Academy: “Valhalla”
Netflix
Music Supervisor: Jen Malone
Music Editor: Lodge Worster
Vikings: “The Best Laid Plans”
Amazon
Supervising Music Editors: Yuri Gorbachow, MPSE; Mikaila Simmons
Music Editor: Lise Beauchesne
Zoey’s Extraordinary Playlist: “Pilot”
NBC
Supervising Music Editor: Jaclyn Newman Dorn
Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR
Babylon Berlin – Season 3 – Episode 12
Netflix
Supervising Sound Editor: Frank Kruse
Supervising ADR Editor: Benjamin Hörbe
Supervising Dialogue Editor: Alexander Buck
The Flight Attendant “Other People’s Houses”
HBO Max
Supervising Sound Editor: Mike Marchain
Dialogue Editors: Julie Altus, Vince Tennant, Doug Mountain
Locke & Key: “Crown of Shadows”
Netflix
Supervising Sound Editor: Dustin Harris, MPSE
Dialogue Editors: Jill Purdy, MPSE
Mandalorian S2: Chapter 13: The Jedi
Disney+
Supervising Sound Editors: Matthew Wood, David Acord
Dialogue Editor: Richard Quinn
ADR Editor: James Spencer
Marvel’s Agents of S.H.I.E.L.D.: “What We’re Fighting For”
ABC
Supervising Sound Editor: Daniel Colman, MPSE
Supervising Dialogue Editor: Stefani Feldman, MPSE
Dialogue Editors: Fernanda Domene
The Right Stuff: “Flight”
Disney+
Supervising Sound Editor: Walter Newman
Supervising ADR Editor: Brian Armstrong, MPSE
Dialogue Editors: Darleen Stoker
Snowpiercer: “Trouble Comes Sideways”
TNT
Supervising Sound Editor: Sandra Portman, MPSE
ADR Editor: Eric Mouawad, Francisco Frial
Dialogue Editors: Eric Mouawad
The Umbrella Academy: “The End of Something”
Netflix
Supervising Sound Editor: John Benson
Dialogue Editors: Jason Krane, MPSE
Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley
The 100: “The Final War”
The CW
Supervising Sound Editors: Norval “Charlie” Crutcher, III, MPSE; Vince Tennant
Sound Designer: Peter D. Lago, MPSE
Foley Editors: Clayton Weber, Adam DeCoster, Jacob Houchen, MPSE
Foley Artist: Sanaa Kelley
Hanna: “The Trial”
Amazon
Supervising Sound Editor: Joe Beal
Sound Designer: Steve Browell
Foley Editor: Philip Clements
Foley Artist: Anna Wright
Locke & Key: “Head Games”
Netflix
Supervising Sound Editor: J.R. Fountain
Sound Effects Editors: Dashen Naidoo
Foley Artist: Steve Baine
Mandalorian S2: Chapter 13: The Jedi
Disney+
Supervising Sound Editors: David Acord, Matthew Wood
Sound Effects Editors: Benjamin A. Burtt, J.R. Grubbs
Foley Editor: Richard Gould
Foley Artists: Ronni Brown, Jana Vance
Marvel’s Agents of S.H.I.E.L.D.: “What We’re Fighting For”
ABC
Supervising Sound Editor: Daniel Colman, MPSE
Foley Editors: Randall Guth
Foley Artists: Pamela Kahn, Dominique Decaudain, Nancy Parker, MPSE; Mike Marino
The Right Stuff: “Flight”
Disney+
Supervising Sound Editor: Walter Newman, MPSE
Sound Designer: Kenneth Young
Foley Editor: Peter Reynolds
Foley Artists: Sanaa Kelley, Adam DeCoster
Snowpiercer: “Trouble Comes Sideways”
TNT
Supervising Sound Editor: Sandra Portman, MPSE
Sound Designer: James Fonnyadt, MPSE
Sound Effects Editor: Gregorio Gomez
Foley Editor: Dario DiSanto, MPSE
Foley Artist: Maureen Murphy, MPSE
Outstanding Achievement in Sound Editing – Episodic Long Form – Music / Musical
Better Call Saul: “Magic Man”
AMC
Music Editor: Jason Tregoe Newman
The Boys: “Nothing Like It in The World”
Amazon
Music Editor: Christopher Brooks
Bridgerton: “Shock and Delight”
Netflix
Music Editor: Brittany Dubay
Ozark: “Kevin Cronin Was Here”
Netflix
Music Editors: Jason Tregoe Newman, Stephen Lotwis
The Queen’s Gambit: “Adjournment”
Netflix
Music Editor: Tom Kramer
Raised By Wolves: “Pilot”
HBO Max
Music Editors: James Bladon, Lewis Morison, David Menke
Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue/ADR
Better Call Saul: “Something Unforgivable”
AMC
Supervising Sound Editor: Nick Forshager, MPSE
Supervising ADR Editor: Kathryn Madsen, MPSE
Dialogue Editor: Jane Boegel
Dark – “Life And Death”
Netflix
Supervising Sound Editor: Alexander Wuertz
Supervising Dialogue Editor: Thomas Kalbér
Supervising ADR Editor: Benjamin Hörbe
Dialogue Editor: Gaston Ibarroule
ADR Editor: Clemens Nürnberger
Fargo: “The Pretend War”
FX
Supervising Sound Editor: Nick Forshager, MPSE
Supervising ADR Editor: Tim Boggs
Supervising Dialogue Editor: Todd Niesen, MPSE
Ozark: “All In”
Netflix
Supervising Sound Editor: Nick Forshager, MPSE
Dialogue Editor: Todd Niesen, MPSE
ADR Editor: Steve Grubbs
Star Trek: Picard “The Impossible Box”
CBS All Access
Supervising Sound Editor: Matthew E. Taylor
Dialogue Editor: Sean Heissinger
The Crown: “Fairytale”
Netflix
Supervising Sound Editor: Lee Walpole, MPSE
Dialogue Editor: Jeff Richardson
ADR Editors: Tom Williams, Steve Little
The Queen’s Gambit: “End Game”
Netflix
Supervising Sound Editor: Gregg Swiatlowski
Dialogue Editor: Eric Hirsch
ADR Editors: Wylie Statemen, MPSE; Leo Marcil, Eric Hoehn
Westworld: “The Mother of Exiles”
HBO
Supervising Sound Editor: Sue Gamsaragan Cahill
Dialogue Editors: Jane Boegel-Koch, Tim Tuchrello
Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley
Better Call Saul: “Bagman”
AMC
Supervising Sound Editors: Nick Forshager, MPSE; Kathryn Madsen, MPSE
Sound Designer: Todd Toon, MPSE
Sound Effects Editor: Matt Temple
Foley Editor: Jeff Cranford
Foley Artists: Gregg Barbanell, MPSE; Alex Ulrich, MPSE
Devs Episode 3
FX
Supervising Sound Editors: Glenn Freemantle, MPSE; Ben Barker
Sound Designer: Glenn Freemantle, MPSE
Sound Effects Editors: Danny Freemantle, Nick Freemantle, Rob Malone, Dayo James
Foley Editor: Lilly Blazewicz
Foley Artists: Peter Burgis, Zoe Freed
Ozark: “All In”
Netflix
Supervising Sound Editor: Nick Forshager, MPSE
Sound Effects Editors: Matt Decker, Matt Temple, Mark Allen, MPSE
Foley Editors: Amy Barber, Jonathan Bruce, Julia Huberman
Foley Artists: Jonathan Bruce, Ben Parker
The Queen’s Gambit: “End Game”
Netflix
Supervising Sound Editor: Gregg Swiatlowski
Sound Designers: Eric Hoehn, Patrick Cicero
Sound Effects Editors: Eric Hirsch, James David Redding III
Dialogue Editor: Wylie Stateman, MPSE
Foley Editor: Rachel Chancey
Raised By Wolves: Episode 1
HBO Max
Supervising Sound Editor: Victor Ennis
Sound Designer and Effects Editor: Jamey Scott, MPSE
Foley Artists: Alicia Stevenson, Dawn Lunsford
Star Trek: Discovery “That Hope is You, Part 1”
CBS All Access
Supervising Sound Editor: Matthew E. Taylor
Sound Designers: Tim Farrell, Harry Cohen, MPSE
Sound Effects Editor: Michael Schapiro
Foley Editors: Clay Weber, Darrin Mann
Foley Artists: Alyson Dee Moore, Chris Moriana
Star Trek: Picard “Et in Arcadia Ego, Part 2”
CBS All Access
Supervising Sound Editor: Matthew E. Taylor
Sound Designers: Tim Farrell, Harry Cohen, MPSE
Sound Effects Editor: Michael Schapiro
Foley Editors: Clay Weber, Darrin Mann
Foley Artists: Alyson Dee Moore, Chris Moriana
Westworld: “The Mother of Exiles”
HBO
Supervising Sound Editor: Sue Gamsaragan Cahill
Sound Designer: Benjamin Cook, MPSE
Sound Effects Editor: Shaughnessy Hare
Foley Editor: Brendan Croxon
Foley Artist: Adrian Medhurst
Outstanding Achievement in Sound Editing – Single Presentation
A Christmas Carol
FX
Supervising Sound Editor: Lee Walpole, MPSE
Sound Effects Editors: Saoirse Christopherson, Andy Kennedy
Dialogue Editor: Ian Wilkinson
Foley Editors: Catherine Thomas, Anna Wright
Music Editor: Cecile Tournesac
The Comey Rule: Episode 2
Showtime
Supervising Sound Editors: Andrew DeCristofaro, MPSE; Darren “Sunny” Warkentin, MPSE
Sound Effects Editors: Mike Payne, MPSE; Hector C. Gika, MPSE
Foley Editor: Alexander Jongbloed
Music Editor: David Metzner
Hamilton
Disney+
Supervising Sound Editor: Tony Volante
Sound Effects Editor: Dave Paterson
Sound Designer: Nevin Steinberg
Music Editors: Dan Timmons, Derik Lee
Into the Dark: The Current Occupant
Hulu
Supervising Sound Editors: Roland Thai, MPSE; Justin W. Walker, MPSE
Foley Editors: Amy Barber, Julia Huberman, Richard Wills
Foley Artist: Jonathan Bruce
Music Editor: Mark Skillingberg
Self Made: Inspired by the Life of Madam C.J. Walker: “The Fight of the Century”
Netflix
Supervising Sound Editor: Bobbi Banks
Sound Designers: Ezra Dweck, Paul Menichini, MPSE
Dialogue Editor: Bernard Weiser, MPSE
Foley Editor: Butch Wolf
Foley Artist: Sanaa Kelley
Music Editor: Stephen Lotwis
Unorthodox: “Part 1”
Netflix
Supervising Sound Editor: Daniel Iribarren
ADR Editor: Toby Bilz
Sound Designers: Sebastian Morsch, Paul Rischer
Foley Artist: Victor Shcheglov
Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form
Batman: Death in The Family
Warner Bros.
Supervising Sound Editor: Devon Bowman
Supervising ADR Editor: Mark A. Keatts
Sound Effects Editors: George Peters, Alfredo Douglas
Dialogue Editors: Kelly Foley Downs, Patrick Foley
Sound Designer: Robert Hargreaves
ADR Editor: John Reynolds
Music Editor: Christopher Drake
The Boss Baby: Back in Business: “Get That Baby”
Netflix
Supervising Sound Editor: Jeff Shiffman, MPSE
Sound Effects Editors: Greg Rubin, Ian Howard
Dialogue Editors: Kerry Iverson-Brody, Xinyue Yu
Foley Editor: Carol Ma
DuckTales: “Let’s Get Dangerous!”
Disney
Supervising Sound Editor: Jeff Shiffman, MPSE
Sound Effects Editor: Katie Maynard
Dialogue Editor: Xinyue Yu
Foley Editor: Carol Ma
The Epic Tales of Captain Underpants: “The Xtreme Xploits of the Xplosive Xmas”
Netflix
Supervising Sound Editor: Jeff Shiffman, MPSE
Supervising Dialogue Editor: Kerry Iverson-Brody
Sound Effects Editors: Greg Rubin, Jessey Drake, MPSE
Dialogue Editor: Xinyue Yu
Foley Editor: Carol Ma
The Loud House: “Schooled”
Nickelodeon
Sound Effects Editors: Brad Meyer, MPSE; Tess Fournier, MPSE; Tim Vindigni
Dialogue Editor: John Deligiannis
Foley Editor: Carol Ma
Mortal Kombat Legends: “Scorpion’s Revenge”
Warner Bros. Animation
Supervising Sound Editors: Rob McIntyre, MPSE; D.J. Lynch
Supervising ADR Editor: Mark A. Keatts
Sound Effects Editors: Lawrence Reyes, Roger Pallan
Dialogue Editors: Mike Garcia, Kelly Foley Downs, David M. Cowan, Patrick Foley
Sound Designers: Marc Schmidt, Evan Dockter
ADR Editors: Mark Mercado, Jon Abelardo
Foley Editors: Roberto Allegria, Derek Swanson
To Your Last Death
Coverage Ink / Quiver Distr.
Supervising Sound Designer and Editor: Michael Archacki
Sound Editor: Matthew Schaff, MPSE