52 Week 40
Well, good thing no one died! I mean, except that dude who fell and broke his spine while Beast Boy made sarcastic comments. But hey, he, um, ate people.
A good week, and great payoff for the Steel arc; something tells me that this story isn't quite done yet, though, since the rest of Infinity Inc is still around.
I thought that some of the sequences here kinda awkward, which is sorta forgiveable, I suppose, considering the weekliness of this series probably prevents a lot of meticulous storyboarding; did anyone else notice that at least a good
half of the panels in the issue were just perfectly symmetrical squares side by side, leading to page after page of pages that look like cages, it sends me into rages, until I eat some sages, which I haven't done in ages? No? Just me, then.
(8 out of 10)
X-Men: Phoenix Warsong
I think this series sort of epitomizes the idea of "decent idea, cracked out execution."
Whatever else I think, and for whatever it's worth, I think that Pak has one of the best grasps on the concept of the Phoenix of anyone at Marvel. His concept of the Phoenix as a cosmic guardian of the evolutionary process is quite good, tying it intrinsically to the X-Men concept; well, he took it from Morrison, who took it from Nicieza, but that's why it's quite good

. And the idea of the Phoenix wanting passion, needing to feel, which he took from Claremont...that gives it all a decent human angle. It explains why this cosmic force wants to possess people in the first place, and also why it's so dangerous; when you're the sole judge, jury, and executioner of the entirety of evolution, it's possibly not the greatest idea to be swayed by blind passion all the time. Except that, being life, "blind passion" is all that the Phoenix is. Which, paradoxically, is why it needs Jean Grey, to balance that blind passion. But I digress.
So, really, it should have worked. Why didn't it?
The first reason is clones. The minute you put clones into a story, alarms go off all over the place. "No one likes clones"...well spoken, Peter Parker. And needing clones to drive your story is a bad, bad sign.
Robotic cyborg clones, no less.
The second reason is the Cuckoos. The Cuckoos were great characters, of course, and they interact well with others...but for god's sakes, does anyone
really care about them? Does anyone actually think that they're strong enough personalities to drive a story? Up to this point, no one could even tell them apart, which was sort of the point, and now all of a sudden Celeste is just some tragic female lead? Retconning them into robotic cyborg clones doesn't pique anyone's interest, all it does is signal the Contrived Ship.
And then you retcon them into robotic cyborg clones who just happened to be daughters of Emma Frost, and we're way past the signals.
Look, I love Sublime. He was an awesome Morrison creation. Like most awesome Morrison creations, however, he doesn't quite work in others' hands. And he
especially doesn't work in others' hands when they make him into a talking computer screen for a billion issues.
And finally, factor in the Phoenix. The Phoenix is a hard concept to handle at the best of times, and even though Pak lucked out in Endsong, it doesn't mean she shouldn't be handled delicately anyway. She's really more of a "less is more" character. Otherwise, people get tired of her. There's only so many flaming destructive firebirds you can see before you just get damned tired of it.
So basically, you've got robotic cyborg clone daughters of Emma Frost comprised of the Cuckoos who no one cares about channeling the Phoenix Force who everyone is tired of being controlled by a talking computer image of a man possessed by intelligent bacteria. And then the X-Men are there for some reason, doing
something, with a SHIELD agent.
...
Recipe for success right there, folks.
(6 out of 10)
(5.2 out of 10 for the entire series)
Shazam: The Monster Society of Evil
I had mixed feelings about this.
The art is cute beyond the measure of words to describe, and the plot is pretty good; astonishingly simple, but good. Billy's characterization is good, as well as the Wizard's and, uh, Captain Marvel's, and I look forward to seeing Mary. The whole focusing on Billy as an street urchin thing is a good way of giving him a bit of pathos and darkness -- Jerry Ordway did it too with the Power of Shazam reboot -- without a mophead haircut, having urban chicks give him tubular tattoos, and sending him to fight in the Middle East for seven issues or something. Gosh, whatever might I be referring to with those cynical barbs?
Some of the changes in the canon still struck me, though. So now Billy isn't "Captain Marvel," but Captain Marvel is this...separate personality that Billy hosts? Almost like the Wizard
implanted something inside him? This is incredibly interesting, and very original...but it's also a bit disturbing. Almost like Shazam and Marvel are just using Billy's body for their own ends, and I don't even mean that in the perverted way. It feels less like, "Billy I give you the power to fight evil as is your destiny, use it well" and more like "Well, you're a suitable host for my
actual champion to tag along with. He's with you now. Have fun!" It almost felt like Ultimate Captain Marvel, at times.
It's still about a dozen degrees more likeable and enjoyable to read than Winick's tragedy, though. It sort of galls me all the time that while people are handling the Marvel family so nicely in 52 and in here, the "main canon" Marvel family as handled by Winick is sort of vomitting all over itself right now.
(8.6 out of 10)
The All-New Atom #8
I like Ryan more now that his personality is a bit more apparent so we don't have to necessarily rely on WACKY SCIENCE to make the story interesting. The plot here is good, with the dystopian future caused by some time snafu, though admittedly it's something we've seen before. And the more allusions to Ray Palmer, the better.
(7.6 out of 10)
Fallen Angel #12
Once again, the best series you're not reading. I have to admit, I kinda wish Lee were acting more badass here, but I see why she wasn't, what with her
son there and him being in the right and everything. And PAD works great with ensemble casts, even if you don't like most of the characters.
(7.9 out of 10)