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Bought/Thought for 9/6/07; SPOILERS INSIDE!!

Dread

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Small week with only 4 titles (and a day late due to Labor Day), but next week will have at least 10, so I'll enjoy it while I can. A decent week all around, but one that proves that I am one of many fans with no conviction or backbone.

As always, Full Spoilers ahead.

Dread's BOUGHT/THOUGHT for 9/6/07:

AMAZING SPIDER-MAN #544:
Yes, yes, Part 1 of the 4 part crossover ONE MORE DAY, that will end in "bold new directions" for Spidey and seek to tighten up his books by having all of them merged into ASM, the one that has always outsold them and been the focal point of Spidey. Granted, ASM in one way or the other has been involved in crossovers for over two calender years, which helps it stay atop. I was 50/50 on getting this and I really, REALLY wanted to just say "F You!" to Joe Q and his mad dream to end the Parker Marriage and officially screw up EVERYTHING about Spider-Man during his tenure (hey, at least Peter was still married and had a secret ID when clones were running all over). But despite my resolve and the $3.99 pricetag, I bought it anyway. I'm a spineless, pathetic fan at heart sometimes, I know. There are two covers and I got the non-Joe Q one because I liked it more; technically the price tag is justified because the story has 2 extra pages and a 7 page handbook style Bio on Spidey, who out of all heroes likely didn't need another; he has had Handbook bio's in 2004, 2005, and 2007. The 2004 one was rather lengthy and inserted most of the recent retcons, and the rest covered recent events and power boosts (he's had two power boosts in the last 3 years). Still, it is well written and brings things together, covering all the main beats of his life. The story so far is naturally from JMS and has art by Joe Q, who to give credit, unlike Todd McFarlane of years past, still seems eager to do artwork on the side of running the comic company. Some of his covers ranged from mediocre to awful but the art here isn't bad. It continues from last issue with May being shunted to another hospital and Peter still on the run now that he has no ID (and makes zero attempt to hide it; he rarely wears his costume anymore and any supervillain who says, "Parker" to him, Spidey all but confirms it, tells them his middle name and social while he is at it), and his life has hit rock bottom since he deliberately had to assault a cop to escape last issue. Fortunately, they conveniently run into a doctor at the new hospital who owes a debt to Spider-Man and is willing to help Peter stall the authorities as best he can. With no options, Peter breaks into Stark Tower to appeal to Tony's heart to provide money for top care for May, who remains comatose (judging by that handbook Bio, May's been laid out on a deathbed for a good dozen times by now). Either he intended to beg Stark for money or sought to steal some if he couldn't find it, it isn't revealed because immediately Iron Man battles him. Considering this man just manipulated the entire nation and beyond to win the Civil War, expecting him to appeal to aiding a felon out of mercy is somewhat laughable to a jaded fan (Stark used his dead friend Cap to trick the New Avengers, including Spidey, into an arrest attempt not long ago in NA, and I could go on), and I can only agree with Peter's narration that all of this is his fault because he chose to be Stark's toadie, unmask, and got punished for it when what everyone knew was going to happen since CW #2 happened. Still, Stark allows Peter to escape and Jarvis trots out to provide a blank check for May's care. Nothing medically can be done to save her, but Peter dashes out, seeking other superhero means, like perhaps Dr. Strange or pretty much other allies he knows. Iron Fist has used his "chi" to heal people before. The list goes on. It is more of the same that Peter has been on lately, all dark and depressing and whatnot, and it still doesn't negate the belief among many that Spider-Man should have known better than to have made the choices he made pre-CW. Nearly 1 out of every 2 friends or loved ones he has ever had has been injured, attacked, and/or killed because of identity issues and he thought unmasking was a good idea!? He's been on the wrong end of the law dozens of times and yet he felt siding with the fed wouldn't eventually bite him in the arse!? Some of his own enemies have been offered deals by the fed (like Venom)! But, after a year that is water under the bridge at this point, especially with the hotly anticipated Slott due to arrive on the title he was seemingly born to write. Part of me still feels a mention of the 90's when May was believed dead for years in real time (and at least months in Marvel Time) would make for some interesting dialogue besides, "I gotta do anything I can for May, wait here, MJ, off I go" in various ways for the 100th millionth time. Still, I understand Peter being desperate to save May and being emotional about it and all that. And, well, so far MJ hasn't been revealed to be a Skrull yet or whatnot, so it's not bad. Good money is still on this event undoing the Parker marriage, Joe Q's top priority in life (at least from what he says on Joe Fridays), which will likely suck, at least until Jackpot. Part 1 of 4 in the can and it's plenty readable. I just am disgusted with myself that I couldn't thumb my nose at my childhood hero one more time when an event came around seeking to upheave his universe. It's been upheaved enough.

ANNIHILATION CONQUEST: WRAITH #3: The Prenultimate chapter of SPACE EMO arrives and it is chock full of action after some exposition last issue revealing his emotastic origin and powers. Wraith continues to fulfill the role played by Drax last time, that is of a stoic warrior of great power and few words who get wrapped up in the epic event not because he wants to fight in it, but because he wants to kill a single person (in this case, the Kree with the Ring who killed his parents). In a way Wraith is reminding me of Dante from DEVIL MAY CRY; a character who seemingly seems to have traits that seem to provide checks in a "Coolness Checklist" to try too hard to be cool. The fancy origin, revenge motive, dark fashion, emo past, even a nifty weapon and being the second alien other than Lobo to fly around space on a flying motorcycle. Despite all this, however, the series is still enjoyable enough to read from Grillo-Marxuach, who makes sure to have Wraith free his pet characters from the last mini he did, Super-Skrull and Praxagora. The Phanalax have hooked up the Supreme Intelligence's corpse to their machines to hypnotize all Kree in one fell swoop and Ronan is unable to resist them. That leaves Wraith, Super-Skrull, Prax, and a bunch of Kree on a space-faring flying pirate ship who seem to be affected by a FINAL FANTASY virus to stop their conquest. The fact that it can be buried in so many flashy cliches and still be readable is commendable. Still, out of all of the AC titles, this is still the worst. But that doesn't mean it is terrible. Just more flash than substance. Wraith could make a good bandmate to Dante and Vampire Hunter D at this rate.

NEW WARRIORS #4: Another successful relaunch from Marvel is budding into one of my most anticipated monthly titles. The only nagging flaw, besides the fact that Grevioux may be overdoing a good thing with his Night-Thrasher mystery and re-creating B and C list X-characters for his team, is the fact that it has been 4 issues now and not all of the teammates are named. It has made me miss some of those old Claremont issues when he'd bring out some random collection of cliche enemies to fight, and they'd all stand in a stock pose next to a panel with their name on it. NEW WARRIORS needs that. There still is at least one member without a name, and one that finally revealed one is killed this issue. No, it isn't Sophia, Wondra, or Thrasher himself, but a gal named Longstike who was using variants on Stilt-Man's armor (of all things) to have telescoping limbs. It also is revealed that Tempest is actually Angel, the formerly buggy bride of Beak, who has also had some intensive plastic surgery and lipo alongside "Blackhawk" to suddenly look like a different character. If I cared more I would be insulted, but I never did about her, so I don't. It's totally subjective, but I am being honest. Longstrike's brother, FYI, I believe was named Phaser. Aside for that, the mystery of Night-Thrasher continues as the cops he shrunk last issue meet with Yellowjacket and learn that his "shrinking particles" are variants of Bill Foster's tech, not Pym's. Jubilee seems to be the second-in-command of the team and starts to confront Night-Thrasher's mysterious ways, which fits how the last New Warriors went (Dwayne would often confound his allies with mysterious behavior and secret motives that rarely matched their own). Scorpio leads another version of the Zodiak Gang (if you want to see how conveluted this team has become, check out their Handbook bio, they make the Royal Flush Gang look consistent), and after seemingly defeating Slott's Initiative creations off-panel, they have a go with the Warriors and "Cancer" wastes the aforementioned Warrior. They also have the nerve to stage a fight across the street from Sophia's diner sitcom job, causing much destruction. The CSA is also hounding Stark to take down the rogue teen team before they send the Thunderbolts at them, which is an incredible irony; a team of convicted killers and psychopaths being ordered to stop some kids who take down actual villains or actually take steps to protect civilians in the crossfire, all with a federal authority. Night-Thrasher shows off his fighting skills here and seems able to conjure hard-light versions of his sticks as well as a shield to use in combat, presumably from his armor. The trail to who is under his mask even involved Wakanda (since his last armor was made of Vibrainum). As usual, Medina's art is solid and very good for action with superheroes, just like it was for MARVEL TEAM UP some time back. Despite some concerns about overmilking a cute gimmick here and complete re-imagining of C-Listers, Grevioux had created a great book when we all were bashing some of his previews on Newsarama; I wouldn't call this YOUNG AVENGERS calliber yet in terms of the results totally burning low expectations, but it is getting close to me. I like that Jubes/Wondra has so key a role given her experience and while completely redesigning some characters is drastic, I like this new approach rather than keep them in X-Limbo appearing in already clogged X-Books. Scorpio was always a cool looking villain visually and Medina has no issues here, and even his token Zodiak goons look fine. As a last tantilizing bit to the mystery, Jubilee seemingly has an idea of who he really is, but that naturally is kept hidden for now. Hopefully it is revealed by issue #6 because any longer would be too much. Considering what a dead-in-the-water franchise this was, this is really working. Shame some other actual New Warriors couldn't be in on it.

SUPER-VILLAIN TEAM-UP: MODOK'S 11 #3: Technically, a speedy installment as it was only 3 weeks since #2 came out; in the age of late comics that is refreshing, although I always wait for the shoe to drop with inevitable lateness, especially considering Portela's high quality art. This mini also has the best recap page on the racks today; recaps everything with as little text as possible. The "minions" of MODOK infiltrate The Infinicide to steal a Hypernova, which AIM Scientist Supreme Monica Rappaccini believes MODOK will use to undo all life with another Cosmic Cube (the ultimate Marvel MacGuffin device for 45 years and counting). Rocket Racer seems to have been completely omitted this issue, which was bizarre. Chameleon is still Monica's Ultra-Adaptoid spy and Mentallo still seems toasted from last ish. Puma, Living Laser and "Chameleon" breach the Infinicide with Nightshade, Armadillo and The Spot below ground, but as soon as they steal the device, Spot turns traitor and leaves them all hanging, while Puma's tribal elders have finally cut off his connection to their totem, rendering him powerless (and near suicidal). I liked how their individual personalities still come through, from Nightshade's backstory to Laser wanting to be human again and all that. Van Lente FINALLY utilizes the new Mandarin, who was seemingly collecting dust for years, who Portela made VERY cool looking as he repays Spot's services with banishment. Sigh, between backstabbings and ungrateful bosses, this is why villains never organize and win, like they did in WANTED (and even that had backstabbings and ungrateful bosses). This is becoming a fun caper book that seems to have more fun with itself than some of the more doir "Maggia" stories from a year or so ago (like UNDERWORLD). It'll sell terribly, but for what it is worth it will be a good ride. And I loved Monica's dispatching of Hendricks; "double standards", indeed. This is a solid caper story with a lighter tone than many "hero" works these days, shame if you miss it.
 
I was Almost afraid I'd have to start a B/T thread today.
 
INCREDIBLE HULK #110 - I've been scereaming about it since Illuminatti #1; The Hulk's rampages have NEVER killed anyone.

Thank you, Greg Pak, and Eff you, Brian Bendis. :yay:
 
INCREDIBLE HULK #110 - I've been scereaming about it since Illuminatti #1; The Hulk's rampages have NEVER killed anyone.

Thank you, Greg Pak, and Eff you, Brian Bendis. :yay:

Unfortunately, other writers have hopped on Bendis' bandwagon. In GAMMA FILES, one woman is there because her son died during a battle between Hulk and Abomination (and she herself was critically injured in their car). It has become a hot-potato topic like "how many mutants are left after M-Day" thing; every writer has their opinion and the editors aren't interested in enforcing one or the other, so we get both conflicting accounts.

Personally, I agree with the camp that you can't find Hulk in any way sympathetic as soon as he starts killing innocent civilians during rampages. The only "anti-hero" who has seemingly killed innocent civilians in attacks and still has appeal is Godzilla, but that has appeal for being cheesy baggy-suit wrestling matches with sparks, not because of any character depth.
 
INCREDIBLE HULK #110 - I've been scereaming about it since Illuminatti #1; The Hulk's rampages have NEVER killed anyone.

Thank you, Greg Pak, and Eff you, Brian Bendis. :yay:

The Hulk's rampages have killed people. Its just that he has never intentionally killed anyone. Even Tony said it wasn't really Bruce's fault when commander Hill got on his ass about it.

There was a death count during the Vegas rampage, that wasn't retconned as far as I know.
 
Unfortunately, other writers have hopped on Bendis' bandwagon. In GAMMA FILES, one woman is there because her son died during a battle between Hulk and Abomination (and she herself was critically injured in their car). It has become a hot-potato topic like "how many mutants are left after M-Day" thing; every writer has their opinion and the editors aren't interested in enforcing one or the other, so we get both conflicting accounts.

Personally, I agree with the camp that you can't find Hulk in any way sympathetic as soon as he starts killing innocent civilians during rampages. The only "anti-hero" who has seemingly killed innocent civilians in attacks and still has appeal is Godzilla, but that has appeal for being cheesy baggy-suit wrestling matches with sparks, not because of any character depth.

Yes, i noticed that. But as Amadeus pointed out; people HAVE occasionally died as a result of various battles the Hulk has been in, but you can make the arguement that he was defending himself (and technically, others) from the Abomination. That's fine. But Bendis made it seem like the Hulk's solo rampages have killed scores of people, which just isnt true.

Anyways; what did you think of Amadeus' plan for "Gamma World"? I like it, myself. This could be a whole new era for the Hulk. :hulk: :up:
 
Yes, i noticed that. But as Amadeus pointed out; people HAVE occasionally died as a result of various battles the Hulk has been in, but you can make the arguement that he was defending himself (and technically, others) from the Abomination. That's fine. But Bendis made it seem like the Hulk's solo rampages have killed scores of people, which just isnt true.

Anyways; what did you think of Amadeus' plan for "Gamma World"? I like it, myself. This could be a whole new era for the Hulk. :hulk: :up:

I only pick up INCREDIBLE HULK for a friend and usually don't read them until I get bored at his house (although I did read PLANET HULK that way).

Yeah, I've never liked the Bendis and "realism" crowd. It works in Ultimate where a messed up mind like Millar has a mass murdering cannibal like Hulk show up and be a hero, but in 616 that doesn't work, you need actual sympathy for the character and that can't happen if he murders civilians.

I also am of the mind that if a hero is fighting a villain and in the course of the fight a civilian is hurt or killed, I tend to blame the villain most times for sparking the incident by either committing a crime or being a fugitive or whatnot. But, hey, guess that makes me different from the "blame anyone but bad people crowd" in the MU, or some writer seats, or Extremist Liberals.
 
Uncanny X-Men #490 - I have to hand it to Brubaker. He's gotten me to take Warpath and Hepzibah seriously since the start of this arc. Their relationship and interactions with each other are especially good. It's cute how James is sort of Hep's unofficial guide to humanity, while the physical attraction continues to build.

Meanwhile, Kurt and Charles continue their version of Miller's All-Star Batman and Robin by spending this whole issue in the X-Jet. Their search for Magneto is a good idea for a story, but it's one that if you can't allot the appropriate time for, it's best not to do it all. It just seems like they're both there to take up some pages. Maybe they are.

Storm, Caliban and Skids (I still smile when I type her name; I'm glad Brubaker brought her back :up:) get some new info on just what the hell is motivating Masque and his crew. Things don't go so well, and Storm ends up forced to confront her worst fear, which we'll see play out next issue.

Larrocca's art straddles the line of crappy and good weirdly well. On the one hand, it's basically just pages and pages of outlines for the colorist to fill in. I guess what I'm getting at is that they're really good outlines, and the colorist is a really good one. Somehow, despite itself, it works. I guess that reason to give props, right? :up:

Amazing Spider-Man #544 - It's what you'd expect. That's about all I can say. The spoilers and plot points have already been posted all over the web, so I won't rehash it.

I'll say that I'm not feeling Quesada's artwork. That last splash page is pretty, and he's very detailed (Miki helps that), and he clearly knows what he's doing...I'm just not digging the style. Isanove, naturally does great work on the colors.

I'll also say that this issue pretty much spelled out to me that no one's kicking the can. At least not May or MJ. I just have a really hard time believing that JMS and Marvel have been building to and hyping this story the way they have only to have Peter fail. I mean, what the hell is that supposed to say about life? "Give up kids, you'll fail anyhow." Nah, he'll come through like he always does.

Super-Villian Team-Up: MODOK'S 11 #3 - The humor is at about 70% from previous issues, but the stakes just doubled and the backstabbing is at an all time high. things are started to come together from the various storylines and it's nice to see some payoff. Obviously, MODOK is going to **** this up somehow btu the fun is in finding how and how bad. :up:

New Warriors #4
- I would not have predicted this book to be as good as it is. I love it. Dread mentioned something about this not being Young Avengers caliber yet, and he's probably right. It's an interesting comparison and one that I hadn't even thought about. Considering that we'll likely never see Volume 2 of YA, fans of that book would do well to jump onboard with this book. The premise is simple and the characters are great. The continuity is also surprisingly well handled. It was nice to see the Initiative kids in here, even if all they did was get their asses handed to them. It's also nice to see that these new New Warriors are no pushovers. They've got chops, and while their powers might new, their combat experience isn't.

We get a couple reveals of some identities. The Fire and Ice chick is indeed Angel, Beak's lady. And we get the confirmation that Decibel (worst name ever) is Chamber. He's my one quibble. Let's drop the ****ty name and design and get back to Bachalo's original, yes? When Chamber was created, I remeber thinking that it was one of the best designs I'd ever seen. It still is. He's a great character, and I really don't want to see him wasted or underused as Decibel.

Other than that, this book is a great, fun read. The art's colorful and energetic and the pace is good. :up:

I also picked up Luche Libre #1, Lobster Johnson: The Iron Prometheus #1 (hell yes!), The Exterminators #21, Faker #3, Scalped #9, Sorrow #1, Annihilation Conquest: Wraith #3, Daredevil: Battlin' Jack Murdock #4, Miriam #1, Wolverine #57 and Doktor Sleepless #2. Big week.
 
Pak's retcon compromises the core idea of the character: that the Hulk is a manifestation of uncontrolled rage; now, according to Pak, Banner is doing mindbogglingly complex calculations and guiding his every move so that the debris/shrapnel/whatever doesn't hit anyone. Now, I agree with the idea that having him kill regularly isn't a good idea, but the prospect that the character might do that is important to the whole idea of the character. He's now been supplied with a safety net that means he's completely harmless. How many stories were about Banner trying to control his transformations and avoid society to avoid hurting people if a transformation was triggered? It also ignores incidents like the time a whole plane full of people were going to die as a result of the Hulk until the Fantastic Four showed up.

Also, Amadeus Cho is the most annoying character currently appearing anywhere in comics. He's worse than Silver Age Jimmy Olsen.

Ms. Marvel #19

I really wish this series could get a decent cover artist; it's a terrific, fun superhero book, but Greg Horn is continually turning in covers that make me embarassed to be seen with them.

Anyway, part two of three (which is the longest any of Brian Reed's arcs on this series ever get, in a marked difference from most stories) sees Ms. Marvel's "Lightning Storm" team headed to South America, where the Puppet Master's little slave ring continues in full swing; in fact, it's a remarkably unsubtle operation, enough to give Chile the largest missing-persons rate per capita in the world; but then, Chile doesn't have any superheroes, and they generally don't pay attention to "real world" statistic anomalies of that variety. PM spends his time conducting massive brawls for his own amusement (he seems to have gone off the deep end, which would be in line with his eye-stealing antics a while back), and from some of his dialogue he seems to be dying. Anyway, Ms. Marvel goes one way, while Machine Man, Rick Sheridan (Sleepwalker's host) and Agent Sum go another; Ms. Marvel ends up finding PM's base, but is taken down by an entranced Tigra and Silverclaw; the other three see an entranced Arana running errands in town, and manage to defeat her, and find a link to PM's base. The issue ends with Carol herself being taken over by the Puppet Master.

The book continues to be a fun read, with really great art by Aaron Lopresti.

Uncanny X-Men #490

Brubaker's run is really picking up steam here; it's still not at the level of his Captain America work, but the improvement is clear. He's crafted a fairly interesting story here, with the Uncanny team, which is one of the smaller ones in recent memory; essentially two actual X-Men (Storm, Warpath), plus Hepzibah, Caliban and now Skids tagging along -- and then Professor X and Nightcrawler are on the fringes, looking for Magneto (I'll get to that). The Uncanny team are searching the sewers for Masque's little band of Morlocks, in response to a series of terrorist attacks by said group, and their publication of a manifesto saying that mutants still have a chance to rule the Earth. For the last few issues, there have been vague references to some sort of prophecy, which many speculated to be the Books of Destiny, but that's not the case; Brubaker reveals the origin here: a Morlock named Qwerty, who had the ability to essentially see every possible outcome of every possible choice, branching out into infinite combinations; this essentially destroyed her ability to choose, and so she did nothing, until she saw M-Day coming, and scrawled down a very elaborate series of predictions. Masque has these predictions, and knows how to read them; and so does another group of Morlocks, a pacifist sect who live in "Lindisfarne" and are led by an elderly woman named Delphi. In fact, they're so pacifist and religiously-devoted to destiny that they know the exact moment of their own deaths, as related in the prophecy, but do nothing, and indeed seem to be killed to a person at the end of this issue, after having brought Storm and the others as "witness" to their devotion. Moreover, Masque uses the prophecy to essentially predict the X-Men's every action, and capture Warpath and Hepzibah; based on this, I'm not really clear how Masque is going to lose, or even if he will. It's a great little puzzle.

On the Magneto front, we get a brief flesh-and-blood sighting in this issue; all that can be said is that he now looks exactly like Ian McKellen (this being Larocca art), and wears what appears to be a purple trenchcoat and fedora (rock on, Magneto!). Larocca's art is very good at making this all seem exceptionally real, but it's not especially dynamic (the problem with a lot of photo-real art).

Over in "Endangered Species", it's the usual routine: Beast finds a dead end and learns nothing useful, and then has a realization on the last page that sends him off in search of the next one.
 
Anyone pick up Captain America Chosen or Iron Man Enter Mandarin?

I'm not heading to the shop for a few days and undecided if I should pick them up. Any reviews or comments?
 
As much as I am digging New Warriors right now, I think it would be a great moment to see all of them get their mutant powers back mid-fight if M-Day crap ever reverts itself. Down the road, I mean...I'm liking it a lot as is.
 
You know what I don't understand about OMD?

If he needs money, there are so many avenues he can explore other than going right to Stark. Danny Rand is on the New Avengers with him, I'm sure he would be glad to help out. Felicia hardy is still rich right? I'm willing to be J Jonah would help put Aunt May.
 
*sigh* It's simple why peter went where he went. Because JMS didnt want to to go a different way. He's been building up this story in his head, for this world. That's why Strange will be in future issues, because strange was a big part od JMS' early run.
 
*sigh* It's simple why peter went where he went. Because JMS didnt want to to go a different way. He's been building up this story in his head, for this world. That's why Strange will be in future issues, because strange was a big part od JMS' early run.

I know why it's going that route, but the plot holes can't just be ignored.
 
You know what I don't understand about OMD?

If he needs money, there are so many avenues he can explore other than going right to Stark. Danny Rand is on the New Avengers with him, I'm sure he would be glad to help out. Felicia hardy is still rich right? I'm willing to be J Jonah would help put Aunt May.

I figure that Danny's company is under close scrutiny at the moment due to possible involvement with the NA... a large money transaction might raise eyebrows..

Black Cat was rich in the cartoon...she's a cat-burglar in the comics....well off, but not sure if she could write a blank check...

Peter did the right thing. He went right to the main person with the most interest in capturing him, and laid it on the line.
 
I'd be more inclined to believe he went to Stark because it's partially his fault this happened.
 
I mean, it's just as much Starks fault for convincing Pete to out himself to the world as it was his own for being stupid enough to do it, or Aunt May's and MJ's for telling him he should do it. The blame's all over the place here really, so Stark should stop being a *****e and just cover the bills. It's the least he could do.
 
I mean, it's just as much Starks fault for convincing Pete to out himself to the world as it was his own for being stupid enough to do it, or Aunt May's and MJ's for telling him he should do it. The blame's all over the place here really, so Stark should stop being a *****e and just cover the bills. It's the least he could do.

He did. :up:
 
I kind of sorty of partially assumed that Peter was going there to steal stuff for the money, or steal money.....

Either way....has anyone commented that this is pre WWH?...cause the tower is standing
 
Commenting on some points:

- It is correct that Spidey had other avenues to look into besides Stark if he needed money; however, I believe he went more out of confronting the man who bares responsibility for his present lot, in some degree, more than simply because he's loaded (as others have mentioned, Danny Rand may have been able to squeeze out some bucks, heck, I'd bargain Luke Cage may have had more cash than the Parkers at this point). Such a shame Peter couldn't have thought of all this before he unmasked, but, Spider-Chump has been in for a while.

- I highly doubt J.J. would have aided Peter while on the run. This IS the same man who created Scorpian and aided in many Spider-Slayers to take care of Spider-Man. His son John may have been possible...

- As for Chamber/Decibel, I have to admit I am in the camp that I never cared for Jono much as a character, so his design doesn't offend me much. I always thought the "no mouth" bit was a little silly, but I didn't say anything. I mean, superhero designs are full of silliness if you get too critical. I mean look at pirate boots.

- Placement of OMD amidst WWH is a very, VERY good question. My answer? While it is an event, JMS is one of Marvel's Big Three, next to Bendis and possibly Millar. Continuity, even a company wide event, is his to adhere to or ignore, and all his bosses will make excuses for it in interviews. Them's the breaks. I believe OMD takes place after WWH, as in WWH Spidey is still "Back in Black" and now he has switched to his red and blues again (now that the movie is behind us enough; what, we weren't supposed to notice it?).
 
I thought it was Jarvis' money, not Stark's. I'm pretty sure it is, I understand Jarvis is VERY well off thanks to being a "super"butler.

Could be. Looked like Stark asked Jarvis about it either way.
 
Either Stark told Jarvis to pay using his money to keep Stark out of the loop and away from "directly aiding a felon's relative", or Jarvis took his own initiative, which wouldn't have been out of character. Either way, it works.
 

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