Its been a HUGE Wed. this week, with a good $40 worth of comic books shipping in one dump, plus the debut of SUPERMAN RETURNS (free plug: its good, so long as you're not looking for a Neo vs. Agent Smith esque megabrawl). In fact, this week was so huge that I missed BLUE BEETLE #4. I may get it next week or whatever. I do like the book, but if I end up missing out, I won't shed too many tears. Anyway, this was a heavy CIVIL WAR week with damn near every tie-in issue of the month shipping now. I got a heapload and by now the storyline seems to become more apparent, and more emotional.
DREAD'S BOUGHT/THOUGHT FOR 6/28/06:
52 WEEK #8: DC's weekly serial has managed 2 months worth of comics on time, which should be worth something. It also manages to keep the stories and puzzles trucking along, although you have to get used to some stories taking center stage, and others being forgotten for issues on end. This issue focuses heavilly on Steel and his niece, and on the plerplexing issue on why he's becoming metahuman (re: Luthor actually spiked his blood with his metagene a few issues ago). This drives a wedge between him and his niece, who is desperately trying to "earn" (build) her armor, but ends up being manipulated into Luthor's metagene program. Meanwhile, Green Arrow and Ralph Dibney (who's quite drinking his "rubber" formula) track down another "cult of Conner" hideout, only to find it empty. Off-planet, Starfire, Animal-Man and the still-eyeless Adam Strange are trapped by their planet's giant hunter beings. And in the wake of Booster Gold's umpteenth "fall from grace" storyline, he has to contend with a new hero Supernova grabbing headlines in the wake of his scandal. The downside is that the Question, promised as a major player in the beginning, has barely been seen, and I miss 'im. The upside is that with so much happening, the weekly format is always entertaining, and the pages seem to run out of plot before you're ready for them to. "A series starring the entire DCU" seems to be very accurate right now. Plus, 52 manages to put in a lot of "real world"-esque intrique without being stuck in the mire of grimness, darkness, and mutilation, which in a nutshell is CIVIL WAR. So it feels good to read both back to back.
BRAVE NEW WORLD: DC gained a lot of fame and hype with their last 80-page, $1 special, COUNTDOWN (which featured the now infamous death of Blue Beetle), as well as a prologue to INFINITE CRISIS (which'd been brewing about a year before anyway). Obviously wanting to repeat that tradition, BRAVE NEW WORLD appears to be more pedestrian. Rather than an interweaving story about one character that interacts with many, this one basically seems like an 80-page PREVIEWS edition for DC's latest 6 launches, from a new MANHUNTER mini to ATOM, CREEPER, SHAZAM, OMAC, and FREEDOM FIGHTERS. Much like Marvel's done post DISASSEMBLED, DC is using their event to try to score hits off properties that've TANKED before in the solo realm (Manhunter, Atom, Shazam and Creeper haven't made any money in solo books in what, a decade?). There's some last page threat of a squad of "Moniters" that harkens to more CRISIS crap, but I guess I feel like Storm from ULTIMATE X-MEN #2: Without being as filled in on DC lore, I can't "wet my pants too" about it. 80 pages of comic for a dollar is always a steal, but this is more like an advertisement preview than a story unto itself in any way. I don't really care for all of them to bother buying their mini's really, although considering Marvel's CW/SHRA act, they could probably launch a title simular to FREEDOM FIGHTERS in the near future and have it sell decently.
AMAZING SPIDER-MAN #533: The CIVIL WAR tie-ins begin in full swing, as Marvel's writers are desperate to stay on the same page in terms of continuity in order to make a 70 chapter "event" work. This issue basically has Spider-Man's reactions and fallout to revealing his identity in CW #2, as well as the reactions of J.Jonah Jameson (whose reaction supporters of the move seem to believe justify it). JJJ's given this issue and FRONTLINE #2 to react, basically. Peter of course has a mangled conversation with his family and Reed & Sue, which only seemed to prove my point that had JMS & Co. wanted to get Spider-Man to join the pro-SHRA side by his friendship and closeness to Reed Richards (and the Four), it would have seemed more natural and less "lackey-inducing" than MANUFACTURING a frienship with Tony THAT NEVER EXISTED BEFORE within the span of maybe 4-6 months prior to CW. But Marvel always wants to make things harder than they have to be at times. Of course, Stark, the Richards', MJ and May are proud of his decision. JJJ's furious about being lied to after all these years and is suing Peter for back-wages paid to him as well as other matters, to the tune of $5 million; an interesting plot point. The downside, of course, is much like I predicted in the "DEVELOPMENT VS. RETCONNING" topic on the matter. The public still doesn't really support Spider-Man, as they seem him as being "freaky" regardless of what his real name is. In fact, this knowledge has only seemed to give those who hate Spider-Man for whatever reason (and after Stamford, superheroes themselves aren't popular currently), which is shown by a lone gunman nearly shooting Peter & MJ as they step out for fresh air. Flash Thompson reverts to his de-facto position on the matter (not believing Peter really is Spidey so he can continue to rag on him like he's done since 1964 without any change), and Spider-Man's villians (Doc Ock, Vulture, and a "conviently not dead anymore because SPIDER-MAN 3 is 11 months away" Eddie Brock are shown by panel, before the splashes) seem to be all but overjoyed at the revelation, thus making Spider-Man's life a dozen times more dangerous. This is a fact Spider-Man should have known, and the fact that it seems to surprise him makes him seem like the slowest learner in the Marvel Universe. If ONE supervillian knowing who he was could cause him trouble, imagine ALL of them knowing? Some scientist, Pete. On the plus side, Stark pulls a reversal, instantly claiming that since Spider-Man is his b!tch when it comes to registering and revealing themselves publically despite that NOT being part of the SHRA, he'll also be on the squad that arrests now-criminalized heroes, something Peter finds apalling. The last page displays "The Narc Squad" of the Thunderbolts (former criminals all), She-Hulk, Doc Samson, non-hospitalized Four members, Ms. Marvel, Yellowjacket, and Wasp; none of whom have to worry about having families (a point FRONTLINE #2 makes later, and Stark admits to in this issue). In a way, desides the reveal and the "instant celebrity" status merely adding to Peter becoming a more Generic Superhero (or the fact that since apparently all storyline with his civilian guise are "exhausted", it became time to abandon it completely by having his superhero life overrule it, a point I disagree with), the "inner child" in me is sort of disturbed that all because of a free armor costume, free rent, and a few buddies to fight in battles with, Spider-Man sold out. Joe Q I am sure would get snippy and go, "he sold out when he married a supermodel", but dude, its not the same (nor has MJ always been a successful model/actress; many times during the 90's her career was on the skids; its a fickle industry after all). I know Spider-Man is one of the central figures of CW and I also know that means he has to be "taught a refresher lesson in pain" to sort of "showcase" that the SHRA is wrong. But, shouldn't Spider-Man not need any more "lessons"? He's lost a good half dozen people he's cared about during his career. I just fondly recall the lone hero who wouldn't take being treated like a "rookie" from even Cap and the Avengers during team-ups in the Silver Age and now he's simply joined The Man. I know it won't last, but that doesn't make it swallow better either. Just because a broken leg heals in a few months doesn't make it a fun thing to have. Still, JMS writes a good issue, although I can easily see the "revelation" storyline running out of steam after a few months, much like some of DC'S OLY stories.
FANTASTIC FOUR #538: Boy, Reed & Sue seem to be fighting more and more since CW started, aren't they? Could it simply be the stress of the current act (as Reed is all gung-ho for it and Sue is conflicted, especially since it got Johnny pounded into a coma by a mob), a reverting to their "endless bickering" during the 90's, or an organized plan to cause the end of their marriage, as Joe Q seems to have a vendetta against any married superhero (except for Black Panther & Storm, of course, which makes SO much sense that it requires a mini, a few arcs of BP and endless retcons to make work, and that Joe is currently pimping out with Hudlin on BET)? Maybe a bit of all of them? Regardless, the F4 CW issues read less like F4 issues and more like a 52-ish chapter of the CW arc, which is crossed with the return of Thor. Quite why of all titles Thor seems set to return in FANTASTIC FOUR and not in, oh, maybe AVENGERS or something is beyond me. Maybe its because FANTASTIC FOUR hasn't been selling in the Top 15 in YEARS before CW? Regardless, most of the issue focuses on Thing, who confronts his old homies from the Yancy Street Gang, who are anti-SHRA and can't see how Thing is "for" it, even when he wants to be "all Switzerland" and be neutral. Considering Slott's THE THING is on the chopping block, and his style of "no events, just superhero fun" is something Marvel doesn't in any way, shape or form believe "modern" comics should still be doing, I didn't mind the Thing-focus. Mad Thinker and Puppet Master also seem set to "capitlize" on the SHRA by "icing some competition", meaning that a full supervillian response is underway (after they've conviently let a lot of past chances, including the crappiest and least-organized Avengers roster since THE CROSSING go by without incident). I can easily agree with the Yancy Streeters; they're about supporting "local" heroes as "one of them", see Spider-Man as a sellout, and so on. Of course, one could argue that as a street gang, they're already on the "fringe" of society and naturally would gravitate towards any cause if it meant rebelling against an authority (which as a gang, they do daily). But the main theme of CW so far is clearly "its worth standing against your country when they make a morally bad choice of action", so relating to the Yancy Streeters is probably the intended effect. The Fantastic Four may not be the same afterwards, and that may not be a good thing. Marvel's seem to have set themselves in the habit of destroying things for sales, but destroying is always easier and lazier than CREATING. It can take years to properly build a character, but only a panel to kill him. That sort of thing. Oh, and Ms. Marvel arrests Perez's pet D-List Avenger, Silverclaw.
FRONTLINE #2: This issue sort of acts like yet another part of the CW #2/ASM # 533 arc of fallout in reaction to Spider-Man's revelation. In it, J.J. seems more genuinely betrayed by Peter's decade long deception rather than outright angered, which is an interesting angle (although again, an angle I can see totally sucked dry and boring in about a year or less, even with the best writing possible). Some fun points include the media "not being surprised that Stark claimed to be Iron Man" for about the second time in 1-2 years, and that Robbie points out that J.J. always treated Peter like crap for years, and only after the betrayal seems to "act" like he was a mentor. Of course, J.J.'s always had appeal as a creep with a good heart (sort of) underneathe miles of rotten exterior to react to a harsh world, sort of like a editorial version of Luie DePalma from TAXI. Ulrich finds himself stuck in the middle of political extremes as a rally seems to crowd around Prodigy, one of the old (and suriving) SLINGERS who opposes the act publically, only to be brutally taken down by Iron Man and anti-metahuman strike troops (Sally Floyd's seen ranting against them). Jenkins naturally is making a great read of FRONTLINE. In the second chapter, Speedball goes through more hell, but a hell in a way that shows how the government seems to react towards superhuman criminals; he'd be granted a full pardon if he agrees to become their agent; if that seems to be extreme, recall that even before SHRA, the U.S. government was willing to make an "agent" out of any damned supervillian who agreed to be a stooge, from Mystique's Brotherhood to Puppet Master to even Venom (and the Thunderbolts currently). Speedball refuses on the principle that he doesn't feel responsible for what happened on Stamford; Nitro is. For that, he's being thrown to the wolves in prison. The last story is more heavy-handed liberal gibberish, this time equating the current struggle to Ceaser's struggles against the Senate in Rome. It has nothing to do with CW, much as the last Internment story really had no connection to Spider-Man angsting about his reveal, only to allow for some "artsey" panels. Thankfully, the rest of CW isn't nearly as heavy handed as the stuff in the last chapters of CIVIL WAR. This one is better than the last, though. Of course, SLINGERS fans will note that out of the four, Ricochet is in Excelsior in RUNAWAYS (although he hasn't been seen in some 12 issues), Hornet was killed by Wolverine during Millar's yearlong arc, and Prodigy is now a victim of the SHRA arrests. Only Dusk remains unseen since the 90's. Norman Osborn seems to flip out about the reveal, too, but it seems that even HE is capable of becoming a gov't stooge if he "tows the line". Its easy to feel bitter when supervillians can be handed out badges in Marvel if they agree to be cogs, but honest superheroes wanting to protect their families and/or being suspicious of the classically corrupt Marvel U.S. government (which is nothing new) are now being hunted with a harsher fury than ANY supervillian has every suffered. Not even MAXIMUM CARNAGE garnered that much attention from the feds. Oh, and poor Firestar quits being a hero due to SHRA in a touching sequence.
MOON KNIGHT #3: Taking a break from CW for a moment comes Huston & Finch's MK relaunch, which is 3 weeks late. Its also working itself very slowly, proving that Huston is still more used to novels than comic books. In a novel, using 66 pages to plod slowly is fine, because most novels are about 200-400 pages on average, and aren't broken into 22 pages a month. But for comics, its torture. For late comics, its even worse. This issue recaps MK's origin as the Committee, a cabal who once sought to manipulate him (and sicced him on Werewolf By Night in his first appearence) want to get him out of retirement, but their plan is starting to backfire, so they've hired Taskmaster to take Spectre out. Taskmaster is back to his "I shop in the same store as Deathstroke the Terminater" pirate gear after getting a more streamlined design from UDON some years ago. Yes, Yes, I know, Taskie predates Deathstroke by a few months or so, but Deathstroke'll always be bigger, and the average fan will always assume Taskie is a knockoff rather than the other way around. A different design helped avoid that trap, but returning to the old pooches it. Oh, and we find out that Frenchie is gay, a plot point not unlike the misspelled ramblings of internet message boards. How original. I get that Huston wants to tell an urban, gritty noir story, but its just moving along too slowly. Hopefully after the next two issues he manages to learn how to tighten things up for comics. They're NOT the same, and Marvel's insistance that ANY writer from ANY medium can "adjust" flawlessly to comics seems to show they have no idea of the complexities of their own medium. Which would just make them seem like mere moneygrubbers, which surely can't be true. I won't accept it. Its faster then Scott Card's ULTIMATE IRON MAN, which took 4 issues to get Stark from birth to middle school, but that's not saying much. MOON KNIGHT's still a good read, I'm just waiting for stuff to HAPPEN.
NEW AVENGERS #21: A week after THE COLLECTIVE ended in yet another Bendis debacle (is their any other kind), NA #21 seems to serve as an issue that takes place bewteen CW #1 and #2, and I wonder if this would feel less like a prologue if the last issue of NA wasn't late (which'd make this issue, what, 2 weeks late?). Its obviously showing Cap's reactions to CW #1 and how he gathered his "strike team", starting with the Falcon and continuing next issue with Luke Cage (Bendy's pet Avenger just CAN'T be sellout like that silly Spider-Man, yo). It also goes to show yet again that Bendis seems much better at writing 1-2 issues stories than he is at writing 4-6 issue arcs, a lesson a smarter writer would take advantage of. Chaykin's art reminds me of mediocre artists who used to draw D-List MALIBU books, but I've seen worse. Cap has an excellent reaction and narration, and he relies on his "good friend" Falcon and attempts to round up Hank Pym, who's honestly surprised Cap bothered, before attempting to capture him. Its a good issue, far better than NA's last one, but it seems to continue the trend of CW leading to nothing but destruction. Destruction of characters (death, defamation, identity revelations), destruction of relationship ties (Sue/Reed, Cap & fellow Avengers, like Pym, Tony, etc), destruction of a distinction between good/evil (something that Marvel seems to enjoy blurring, much like the premise of KINGDOM COME), etc. I'm no optimist but I am almost getting overwhelmed in the sheer direness of everything, and CW's not even a 3rd finished yet. How about CREATING something? Right now the only bright spot in CW is that it does give purpose to a lot of D-Listers, and if they don't die, I could see some efficient relaunches in the future. Only a fool would squander a chance to revive a definitive NEW WARRIORS after the ashes of Stamford, but then again, Marvel's been fools with properties before. Don't be a stickler for the art, and its a good read.
To Be Continued...