This is the first time I've posted my Bought/Thought in parts rather than just wait 'till I had enough time to post one long one. Anyone like this way better? Or you prefer one big, long, single helpin'?
DREAD'S BOUGHT/THOUGHT for 11/15/06: Part III (which means I get to fight Thunderlips and Clubber Lang)
More CIVIL WAR #5: I went on a long review last page, but I figured I'd add that even though, yes, it is nice that Millar has remembered that Reed is a human being and has emotions, one panel of the 5th issue is a bit too little, too late. Reed still comes off, at best, as a short-sighted whiner in CW, and at worst, as an enabling Nazi doctor who's lost sight of his morals. He now bemoans "why, oh why did it have to be this way, with all the angst and losing my wife", but Reed did nothing to prevent making it so. Millar & Co. still can't avoid the fallacy that Reed Richards has been acting WAY out of character. For the last 20 years he's become a very humanistic guy who'd put his family first before all else, yes, even the gov't. He also should be someone who, even though a scientist, has a solid grasp of history and while cooperative with the government, wasn't a lacky. Now, in the aim of "restoring his good rep", he's surrendered all of his morals, much like the X-Men did by allowing SENTINAL SQUAD ONE to basically turn their mansion into a mutie concentration camp. Mr. Fantastic is the one who co-created "Clor". He has done absolutely nothing to "fight it from the inside" as he has claimed is required whenever someone questioned him. All he did was follow orders. While Iron Man at least has some past manipulative moments that you could point to and go, "this is just taking that to an Nth degree", Mr. Fantastic is not as easy to justify. WIZARD tried, but the best they could do is digging up issues from Lee & Kirby's first 80 issues; while a landmark, that's almost like claiming Batman should still be icing mobsters by digging out the Golden Age stuff where he'd kill them randomly if he could. It was like some issues of ASM where Spider-Man'd go, "gosh, all of this is so nasty, I wish there was some other way" while simeltanously doing nothing but following orders like a good little minion. The only difference is that Spidey has finally chosen his family & convictions, and Mr. Fantastic has all but abandoned both for the sake of "reputation". One would think that Reed would immediately quit to try to find Sue so he could protect her from being killed in cape-killer battles, but you'd be wrong.
And CW does have some simularities to KINGDOM COME, but I wouldn't go so far as to call it a rip-off...yet. There are many differences.
GHOST RIDER #5: Texeira's art really rocks, and this issue retells the origin of Ghost Rider for fans who may be new, although I doubt many of the readers really are. Once again, the biggest "elephant in the room" of this story is the glaring retcon of making it be "The Devil", and not Mephisto, as has been started in, oh, the past 25+ years of Ghost Rider, be the demon who is tied to his origin. You can't undo over a generation's worth of books like that. It just smacks of someone who scimmed half a wikipedia bio to get the origin "down" and did the rest. And it's a shame because without this glaring, iceberg-sized flaw, the book is entirely readable and enjoyable. Ghost Rider is led back to his old circus ground by Lucifer and...argh, see, you can't go 5 seconds without that crap. This reads like it's trying to be Ultimate Ghost Rider, but smacking it in front of 616 as if the Mephisto stuff never happened. Anyway, more emotional turmoil from Satan, more Ghost Rider hack 'n slashing, another hellfire explosion, another "I'll drag you back to Hell for the mind-****ing" from Blaze, and the finding of a mysterious Bible. I like the art and I can even live with the writing, but the massive retcon and the sense of meandering are starting to ware on me. Still, I gave BLUE BEETLE a good 9 issues (and counting), so GR may get some more.
MOON KNIGHT #6: With the last, oh, 4 issues running later than originally solicted, MK finally staggers, bloody and bruised, to the end of it's first relaunch arc, just as Husten would like it. His story isn't perfect but he, frankly, manages to do what Way hasn't on GHOST RIDER; merged the old stuff with new stuff and made it all work out. New MK fan? His origin was retold a few times and you now know all you need to know. Old MK fan? His past history is maintained and it still works, only now you have what could be the equalivent to Frank Miller (back when he was good) on DAREDEVIL. Husten is almost born to write this sort of gritty, violent, bat-crap crazy vigilante like no one else. The biggest flaw? The one everyone narrowed in on; Taskmaster became a wuss. Husten apparently misread his trait as "doesn't stick around for a pointless brawl if he can escape" as "too cowardly to fight a match that wasn't stacked in his favor". Untrue. This is a guy who has outfought half the Avengers, even Iron Man twice. At first I was interested in the "David vs. Goliath" style of this match-up, but instead Husten took the lame way out and just made Taskie a jobber. I suppose someone could argue that Moon Knight's "unearthly" grit aura just so happened to terrorfy Taskmaster like no one else (especially when he takes a few arrows to the chest and barely even pauses), and that arguement would have some water. I don't buy it, but one could make it. However, the crux of the matter is that Moon Knight crashes the Committe's pad, gets his vengence, and has another talk with "Khoshu", and it turns out the God of the Moon was behind some of the manipulations that Specter thought the Committe were behind, just to get his sorry butt back in the cape bloodying his knuckles again. Huston's approach to trying to make Moon Knight the un-Batman (and Daredevil) is to make him someone who is both manipulated by a god and insane, and who apparently is a vigilante not so much as to make the world a better place, but because he enjoys beating the piss out of bad, scary people, and the god enjoys empowering him to do so. It's the best Moon Knight in ages, really, and I'm sticking with it. Even if you've never given Moon Knight a try before, if you like gritty, urban vigilante action like SIN CITY, some Batman stuff and even DC's underrated BLOODHOUND, pick this up on trade and buy #7. And yeah, Finch's always going to be late, something his stints on Ultimate X-Men and New Avengers showed, but he's not nearly as slow as Cassaday or Hitch, if that means anything these days.
NEW AVENGERS #25: Nice to see Jimmy Cheung on NA, as his vibrant style really works for it. Civil War has been a godsend to NA as it has given him a reason to abandon trying to write a 4-6 issue team arc and write one-shot character issues, which are his forte. This one features Iron Man has he basically is held hostage by a disgruntled employee who disagrees with his stance on the SHRA, and nearly blows Stark Tower to the Negative Zone (or where ever) before Agent Maria Hill does what all Bendis-written heroines in a skin tight outfit do; succeed, without any difficulty, and make wisecracks while they do it. Yes, every one. Name me ONE heroine Bendis has ever written who ever read like something she was doing was an actual challenge, and she wasn't just a wisecracking perfection machine. I mean, it's a good way to play Hill, I just see it in, literally, every costumed heroine Bendis writes to the point that they all seem interchangeable. I defy you to say Hill acted any differently than, say, Ultimate Sable or something. And there's something about the fact that a random schmoe named "Lenny" did all this that just feels...anti-climatic. Hell, considering Cheung's "same face -ism", I almost thought Iron Man's foe was Arno Stark or something, which would have been muddled but probably more poetic and superior (especially since he could've died at the end). But maybe after MTU, one alternate reality Iron Man is enough per year. Aside from that, it's another strong, solid solo issue of NA, and I'll miss this terribly when Bendis eventually goes back to attempting team arcs, because he'll just fail miserably. I've forgotten THE COLLECTIVE already. The concept of Hill being head of SHIELD so the gig could fall out of Stark's hands is interesting, even if Bendis uses teenage pop-culture to explain it. He'd write Uatu and Galactus chatting about ONE TREE HILL one of these days...
ULTIMATE FANTASTIC FOUR #36: With USM hitting the conveluted skids of a writer out of ideas, and Ult. XM being the worst thing Kirkman writes, I hesitantly suggest that UFF is once again the best Ultimate ongoing (I refuse to count ULTIMATES 2, which exists in 13 issue volumes and ships less often than Hailey's Comet, an ongoing), if only by the process of elimination. Ferry's art is lovely as usual. And while Carey's GOD WAR is lost in a lot of confusing gobbledegook, he at least is trying to get the Fantastic Four out of generic superheroics and out to be explorers. Sort of like what Millar did with his NAMOR arc, only crappier. And with more exploration. He's ambitious, but the story is suffering from it a little. Anyway, the Four and Dreamcatcher continue on their way, with Thing & Dreamcatcher creating a riot freeing some folks about to be executed, while Reed & Sue try to revive their big fighter, who can "fight on all planes of reality". And Thanos is revived, and apparently he posesses people and burns out their bodies in the process. Despite all the hassles, methinks that if the story read exactly the same, but instead of Carey, they put "Morrison", people would be bending over backwards to call it "naunced". Silly Carey. Only Europeans are allowed to be confusing and overrated. Like I said, I honestly don't loathe the story like I do the other two Ultimate books, but Carey's trying too hard to be too complicated here. Still, an ambitious failure is sometimes better than a story that doesn't try enough. And a good finale could still save it.
X-MEN: FIRST CLASS #3: A pointless series in a line that is already stretched thin, but a fun series that makes you not care; I can easily see this becoming a digest and selling to some of the same crowd who laps up stuff like SPIDER-MAN LOVES MARY JANE and EMMA FROST or whatever. Y'know, all 27 of them. Anyway, this is good simple fun with stories about the original X-Men, only with more modern approaches to writing and drawing them (they were a bit crude in the early 60's). In this issue Xavier tests out a prototype Cerebro that looks like it does in the movies (instead of a big radio like it did back then), and things go haywire when the students are stuck inside Xavier's mind, fighting his psyche. If done poorly, it could've been horribly pretentious, but it's played lighter and thus more fun, if not a little more generic. Not as good as last issue with the Lizard, but good to see Cyclops get some narration on Page 1. I enjoy fun books like this because they break the mold of dark emo angst. And no, NEXTWAVE wasn't fun like this to me. Plus, it's a mini, so by the time I get bored of it, it'll end. It's a surprising mini as it seems to have no dominant storyline and instead tells "one and done" stories like DETECTIVE COMICS. Considering issue #1 sold at a dismal #50 on the Top 100, I predict this book being barely in the Top 85 by the time it finishes, but I'll still be aboard.