CaptainCanada
Shield of the True North
- Joined
- Jul 26, 2006
- Messages
- 4,608
- Reaction score
- 1
- Points
- 31
Avengers/Invaders #1
Sure to cause a bunch of continuity headaches, we have: the Invaders, time-travelling to the present set sometime before "Secret Invasion", but concluding in May of next year, when "Secret Invasion" will be long over. Alex Ross (credited here as co-plotter), is best known as an artist, but hes only on covers here, which Im sure will disappoint some people, although Steve Sadowski has been advertised as artist since the start; speaking of covers, though, thats a really awesome cover (and it wouldnt be a bad Avengers team either, though Id dump Luke Cage). Ill register mild (moderate, even) disappointment that Union Jack II and Spitfire sit this adventure out, but hopefully their (well, Jackies) present self will put in an appearance. The story spends about the first half introducing the Invaders in World War II (not a bad idea, since over half of them are very obscure characters), before they get mysteriously transported to the present (minus the two Brits, since Brian got himself shot), in Time Square, where they pummel the Thunderbolts, who were trying to catch Spider-Man. Spidey promptly calls the New Avengers, while the issue ends with Iron Man being alerted to the Invaders arrival. Its a decent setup issue, I think, with good art and writing; Kruegers scripting, much like in Justice, has a great way of capturing a characters essence in a few descriptive sentences; hes said in interviews that he finds Spider-Mans dialogue fun to right, and its pretty much non-stop jokes, apart from his reaction to Invaders-Cap. Looking forward to the rest of this series.
Detective Comics #844
We get the lengthy origin of the New Ventriloquist (just in time for her to die, seemingly), and Dini throws a seeming wrench in the Batman/Zatanna relationship works, although I kind of suspect well be getting back to this after Morrisons whole "Batman RIP" story concludes. The backstory given to Peyton is quite well-done, and she becomes quite sympathetic, especially given the end; this leaves Scarface in an interesting place. Given that I highly doubt DC is going to retire him permanently, something must be in the works; I had previously found him very lame, and he still kind of is, but Dini here does a good job of making him/her psychologically interesting, even creepy. Dustin Nguyens art remains an interesting choice for a superhero title, especially a detective story like this, although his rendering of the dames is very stylish.
Invincible Iron Man #1
Just in time for the movie, we get this all-new series, which is a bit like the movie in some ways, but its still very much entrenched in the current status quo, including spotlight Iron Man as Director of SHIELD; it does have appearances by Pepper and Rhodey though, things the Director of SHIELD title doesnt have (interestingly, given Larrocas love of photo-reference for his photo-realism, nobody looks like their movie counterpart, although Rhodey could yet take off his helmet and reveal Terrence Howard). Iron Man is interrupted in his attempt to get laid by a terrorist attack in Africa employing some super-advanced technology, while the new big villain, Ezekiel Stane (Ezekiel is one of those Bible names that you only ever see on villains now), kills some cigarette executives (Joey Q approves, Im sure) and plots to fight Iron Man; the issue is framed by Tony narrating his "five nightmares" (also the arc title), which, apart from an alcohol relapse, all revolve around the possession and employment of his technology. As debut issues go, this is a pretty good one, although Stanes supposedly super-advanced tech so far just doesnt look anywhere near as impressive as Iron Mans, so the idea that were on the verge of a whole new technological revolution perhaps isnt conveyed as much as Fraction might want. Larrocas art is wonderful; hes perfect for Iron Man.
Mighty Avengers #13
Following on last months (really, two weeks agos) Nick Fury issue, this issue basically follows Daisy Johnson as she makes the rounds in the Marvel Universe, picking out various people Nick Fury has identified as superpowered characters who cant have been gotten to: apart from Alexander, Ares son (with the power of Phobos, God of Fear, a very cool reference), theyre all new characters, albeit, in many cases, with connections to old characters (the original Ghost Rider, Doctor Druid, some villain, etc.); oh, and Layla appears, turning down Furys approach. Beyond introducing the characters, not much to say about the plot; Maleevs art doesnt work as well here as it did last issue, I think. And, on another art note, the photo wall now no longer has Namor circled blue; Iron Man is instead. Overall, this is a decent two-parter, although the second issue isnt as good; Fury is definitely poised to make a big splash when he enters Secret Invasion.
Secret Invasion #2
Speak of the devil, heres the second issue. After the first issue, which spanned pretty much the whole Marvel Universe (apart from the eternally ghetto-ized X-Men), the focus here is ultra-tight, and I think the issue suffers from it a bit. Apart from the last few pages, this is all about the Avengers and the ship-crew in the Savage Land; lots of Skrull accusations are exchanged, at least two of the people in the ship are confirmed to be Skrulls (Hawkeye and Spider-Man), and everyone wants us to think that one, Mockingbird, is not, although the information that Hawkeye treats as absolute proof should be available to the Skrulls (or any telepath) quite easily; if it is true, it will buy Bendis some cred with classic Avengers fan, although thats a deficit he can probably never make up at this point. Iron Man has a cool moment with Ms. Marvel, sending her home to rally everybody while he, with his armour and technology compromised, vows to build a new suit from components in the old mutate compound. Yus art continues to be quite surprisingly good; maybe an inker and a great colourist do make all the difference. The final few pages see the Skrull Armada land in New York, spearheaded by a squad of heavily-armed Super-Skrulls, with only the Young Avengers (sans Stature) on the scene.
Young X-Men #2
Hmm, theres a lot more to like about this issue than there was in the previous one (starting with the cover, which has Terry Dodson drawing two hot chicks, which pretty much cant go wrong). Inks dialogue is much less annoying, we get a bit more character interaction, and its basically confirmed that Cyclops isnt actually Cyclops, which quiets a lot of concern about the series central conceit. After some training, the kids are sent out after Dani Moonstar (depowered) and Magma, the least powerful of the foursome of New Mutants (as compared to Cannonball and Sunspot, in the case of Magma, lady of the living volcano), but who are nevertheless much better combatants. Meanwhile, the idea that theres a traitor on the team comes to a head rather quickly, and, of course, its one of the new characters (and since Greymalkin hasnt appeared yet, then logically it is...). If the series continues on the improvement curve that its one from #1 to 2, this may yet be a much stronger series than I had suspected when reading #1. Paquettes art is good; its a bit bland, maybe, but its solid superhero art, which, given the imminent of arrival of Greg Land on Uncanny X-Men, must be appreciated.
Sure to cause a bunch of continuity headaches, we have: the Invaders, time-travelling to the present set sometime before "Secret Invasion", but concluding in May of next year, when "Secret Invasion" will be long over. Alex Ross (credited here as co-plotter), is best known as an artist, but hes only on covers here, which Im sure will disappoint some people, although Steve Sadowski has been advertised as artist since the start; speaking of covers, though, thats a really awesome cover (and it wouldnt be a bad Avengers team either, though Id dump Luke Cage). Ill register mild (moderate, even) disappointment that Union Jack II and Spitfire sit this adventure out, but hopefully their (well, Jackies) present self will put in an appearance. The story spends about the first half introducing the Invaders in World War II (not a bad idea, since over half of them are very obscure characters), before they get mysteriously transported to the present (minus the two Brits, since Brian got himself shot), in Time Square, where they pummel the Thunderbolts, who were trying to catch Spider-Man. Spidey promptly calls the New Avengers, while the issue ends with Iron Man being alerted to the Invaders arrival. Its a decent setup issue, I think, with good art and writing; Kruegers scripting, much like in Justice, has a great way of capturing a characters essence in a few descriptive sentences; hes said in interviews that he finds Spider-Mans dialogue fun to right, and its pretty much non-stop jokes, apart from his reaction to Invaders-Cap. Looking forward to the rest of this series.
Detective Comics #844
We get the lengthy origin of the New Ventriloquist (just in time for her to die, seemingly), and Dini throws a seeming wrench in the Batman/Zatanna relationship works, although I kind of suspect well be getting back to this after Morrisons whole "Batman RIP" story concludes. The backstory given to Peyton is quite well-done, and she becomes quite sympathetic, especially given the end; this leaves Scarface in an interesting place. Given that I highly doubt DC is going to retire him permanently, something must be in the works; I had previously found him very lame, and he still kind of is, but Dini here does a good job of making him/her psychologically interesting, even creepy. Dustin Nguyens art remains an interesting choice for a superhero title, especially a detective story like this, although his rendering of the dames is very stylish.
Invincible Iron Man #1
Just in time for the movie, we get this all-new series, which is a bit like the movie in some ways, but its still very much entrenched in the current status quo, including spotlight Iron Man as Director of SHIELD; it does have appearances by Pepper and Rhodey though, things the Director of SHIELD title doesnt have (interestingly, given Larrocas love of photo-reference for his photo-realism, nobody looks like their movie counterpart, although Rhodey could yet take off his helmet and reveal Terrence Howard). Iron Man is interrupted in his attempt to get laid by a terrorist attack in Africa employing some super-advanced technology, while the new big villain, Ezekiel Stane (Ezekiel is one of those Bible names that you only ever see on villains now), kills some cigarette executives (Joey Q approves, Im sure) and plots to fight Iron Man; the issue is framed by Tony narrating his "five nightmares" (also the arc title), which, apart from an alcohol relapse, all revolve around the possession and employment of his technology. As debut issues go, this is a pretty good one, although Stanes supposedly super-advanced tech so far just doesnt look anywhere near as impressive as Iron Mans, so the idea that were on the verge of a whole new technological revolution perhaps isnt conveyed as much as Fraction might want. Larrocas art is wonderful; hes perfect for Iron Man.
Mighty Avengers #13
Following on last months (really, two weeks agos) Nick Fury issue, this issue basically follows Daisy Johnson as she makes the rounds in the Marvel Universe, picking out various people Nick Fury has identified as superpowered characters who cant have been gotten to: apart from Alexander, Ares son (with the power of Phobos, God of Fear, a very cool reference), theyre all new characters, albeit, in many cases, with connections to old characters (the original Ghost Rider, Doctor Druid, some villain, etc.); oh, and Layla appears, turning down Furys approach. Beyond introducing the characters, not much to say about the plot; Maleevs art doesnt work as well here as it did last issue, I think. And, on another art note, the photo wall now no longer has Namor circled blue; Iron Man is instead. Overall, this is a decent two-parter, although the second issue isnt as good; Fury is definitely poised to make a big splash when he enters Secret Invasion.
Secret Invasion #2
Speak of the devil, heres the second issue. After the first issue, which spanned pretty much the whole Marvel Universe (apart from the eternally ghetto-ized X-Men), the focus here is ultra-tight, and I think the issue suffers from it a bit. Apart from the last few pages, this is all about the Avengers and the ship-crew in the Savage Land; lots of Skrull accusations are exchanged, at least two of the people in the ship are confirmed to be Skrulls (Hawkeye and Spider-Man), and everyone wants us to think that one, Mockingbird, is not, although the information that Hawkeye treats as absolute proof should be available to the Skrulls (or any telepath) quite easily; if it is true, it will buy Bendis some cred with classic Avengers fan, although thats a deficit he can probably never make up at this point. Iron Man has a cool moment with Ms. Marvel, sending her home to rally everybody while he, with his armour and technology compromised, vows to build a new suit from components in the old mutate compound. Yus art continues to be quite surprisingly good; maybe an inker and a great colourist do make all the difference. The final few pages see the Skrull Armada land in New York, spearheaded by a squad of heavily-armed Super-Skrulls, with only the Young Avengers (sans Stature) on the scene.
Young X-Men #2
Hmm, theres a lot more to like about this issue than there was in the previous one (starting with the cover, which has Terry Dodson drawing two hot chicks, which pretty much cant go wrong). Inks dialogue is much less annoying, we get a bit more character interaction, and its basically confirmed that Cyclops isnt actually Cyclops, which quiets a lot of concern about the series central conceit. After some training, the kids are sent out after Dani Moonstar (depowered) and Magma, the least powerful of the foursome of New Mutants (as compared to Cannonball and Sunspot, in the case of Magma, lady of the living volcano), but who are nevertheless much better combatants. Meanwhile, the idea that theres a traitor on the team comes to a head rather quickly, and, of course, its one of the new characters (and since Greymalkin hasnt appeared yet, then logically it is...). If the series continues on the improvement curve that its one from #1 to 2, this may yet be a much stronger series than I had suspected when reading #1. Paquettes art is good; its a bit bland, maybe, but its solid superhero art, which, given the imminent of arrival of Greg Land on Uncanny X-Men, must be appreciated.