Bought/Thought May 14th, 2008

The fact that more people nowadays read the books because of the creators rather than the characters make it that much harder for an on-going to last a long time, especially when the "good" creators have a hard time staying on one book for more than 12 to 18 issues (and that's pushing the enveloppe).

:csad:
 
I'll say. How a book that bad could last 50 issues is beyond me.

:oldrazz:

EXILES lasted about 100 issues before being rebooted with a new #1.

The fact that more people nowadays read the books because of the creators rather than the characters make it that much harder for an on-going to last a long time, especially when the "good" creators have a hard time staying on one book for more than 12 to 18 issues (and that's pushing the enveloppe).

:csad:

Well, some "big" books seem to have a "built in franchise audience" that will read it regardless of the creator. This may not provide anything record-breaking, but keep the book at a certain level; for instance, Ultimate X-Men from Vaughan to Kirkman has lost a slew of readers but hasn't dove nearly as fast as, say, THE ORDER.

But, yeah, there seem to be a mix of some franchises that have some perennial readers, and those who follow creators.
 
I never understood how with all the diabolical things Norman Osborn has done, that the government would allow and trust him to run his own super-team. Is there no more justice in the world?

The US Government in the Marvel Universe has basically been one of the MU's stock supervillain since time immemorial. As such it sympathizes and identifies with other supervillains and the only practical problem it has with them is said supervillains not wanting to do what it tells them. So any time it can get a given bunch of supervillains to do what it tells them it jumps at the opportunity.

Superheroes on the other hand it ****ing hates, and has always ****ing hated, for all that it tolerates a few for the sake of public relations.

I mean forget the assorted teams assembled out of existing villains; how many villains has the government created itself, out of this Super Soldier program or that Weapon X? Hell the government created Sentinels! A public policy apparatus that looked at five-story-tall pink murder-robots and didn't see any possibility of that going wrong isn't gonna blink twice about putting a measly half dozen psychopaths onto the streets with a government mandate.
 
The US Government in the Marvel Universe has basically been one of the MU's stock supervillain since time immemorial. As such it sympathizes and identifies with other supervillains and the only practical problem it has with them is said supervillains not wanting to do what it tells them. So any time it can get a given bunch of supervillains to do what it tells them it jumps at the opportunity.

Superheroes on the other hand it ****ing hates, and has always ****ing hated, for all that it tolerates a few for the sake of public relations.

I mean forget the assorted teams assembled out of existing villains; how many villains has the government created itself, out of this Super Soldier program or that Weapon X? Hell the government created Sentinels! A public policy apparatus that looked at five-story-tall pink murder-robots and didn't see any possibility of that going wrong isn't gonna blink twice about putting a measly half dozen psychopaths onto the streets with a government mandate.

Exactly.
 
And there's the vague government conspiracy that Millar wrote about in his 12 issue MK Spidey run, wherein he says the government actually provides the means for the creation of a bunch of supervillians.
 
EXILES lasted about 100 issues before being rebooted with a new #1.
So, what are you trying to say here, chief? :cmad:

The majority of Exiles was not bad. In fact, some of it was what I would call downright excellent comics. Read "With an Iron Fist" and get back to me with your duly amended opinion. :oldrazz:
 
I think he's talking about Cable & Deadpool.
 
That was actually one of my favorites books month in and month out.I thought it was great.

It was too jokey for me. That, and Cable's messiah complex got on my nerves pretty quickly.
 
I liked Cable's messiah complex, actually. I wish they'd continued with that. I got bored of it after Cable lost all his powers, but I actually dropped it because I don't think Niceiza wrote a very funny Deadpool. Joe Kelly spoiled me.
 
Exiles was a fun book for awhile when it was "what it should be."

I.E. a randomn group of heroes getting in crazy adventures for a greater good.

But then Clermont came and turned it into one of his niche pieces.

god I hate psylocke.
 
The US Government has basically been one of the world's stock supervillains since time immemorial.
Fixed for accuracy.

Serenity Better Days #3--Ah, this was a darn good yarn. Makes me pine for the fjords of Serenity, when it was on TV. The characterization was nailed, even the obligatory cringeworthy (but vintage Whedon) parts. Whedon's genius has never been in his dialogue per se, but in his ability to make a viewer care about the characters. Not about the story, but about the characters. On the other hand, he can also plot out some great action sequences. My only regret was not getting to see a lot of this play out on screen. The actors were a large part of making the show what it was, which is why it's nice to see them rendered so well. That, and I'd love to see that the end battle scene play out on a screen. 9/10.
100 Bullets #91--SOMETHING HAPPENED IN 100 BULLETS! I haven't felt this good about 100 Bullets in at least 20 issues. On the other hand, Azz basically just confirmed that there's never gonna be anymore nice little one-offs with attache cases. Bummer. That was always the series' strongest point. 8/10.
Batman #676--Love that front page. I imagined Batman yelling that at Rich Johnston. And while I'm (as usual) concerned with where Morrison is going with all this, I'm intrigued by the Batman love interest, and by the Black Glove. 9/10.
Batman Confidential #17--Please, God, don't let Fabian's chapters in Trinity be like this. This is the most blatantly contrived nudity in the history of superhero comics. I mean, I'm interested in the idea of an early Batgirl/early Catwoman clash, but it all just seems to be about surface-level character "exploration" and next issue's obligatory titillation. 4/10.
Booster Gold #9--Nice to see the JLI again, and to see that very interesting roster get some face time as a real superteam, rather than as a situational comedy team. Also fun to see pre-Infinite Crisis written so pitch-perfect. Of course, Johns was duty-bound to humiliate Batman once, which he did, as expected. But it was reasonably justifiable, in-story, and for once you could actually see the point: Booster needed to be taking point. 8/10.
Gotham Underground #8
--Damn, Frank Tieri needs to be put on a Batbook. And if Dini and Morrison aren't leaving Detective and Batman anytime soon, then just ****ing make a new Batbook for Tieri. Bring back Shadow of the Bat or something, and give it to him. This is just an excellent Batman tale. It's taken some very stinky Countdown story elements and turned them into one of the best Batman stories of the last 10 years. This issue, and this miniseries, have covered every single angle of an essential Batman story, and have done it all without being contrived, while adding unique twists to really make the story classic. 10/10.
Green Arrow Black Canary #8--I don't know what Winick is setting Dodger up to be, but I have to admit that I'm interested. And I'm really interested to see what Winick has planned for the character he revealed at the end, [blackout]Plastic Man[/blackout]. 7/10.
Green Lantern Corps #24--I'm sure something was meant by Mongul's statement about Black Mercy being bred to spread hope, but more importantly, he has apparently turned them into organic Sin Corps rings. I'm not even sure what that means, but if the experiences and hallucinations of Sodam and Arisia are an indicator, it means that Black Mercies no longer show you your heart's desire, but rather your greatest fears and despairs. So there that is. As for the team, I know they want to get their people back, but couldn't the Lanterns have sent at least a couple guys to intercept a massive cloud of yellow energy signatures moving really really fast into space? Doesn't it seem like that would have been a priority? I love the bug-Lantern. Little green atom-bombs. So cute. Also nice to see Guy Gardner wryly remark on the excess of his teammates. 9/10.
Huntress Year One #1--I have to admit, Madison has gotten my interest piqued a lot more than I expected she could with a Huntress Year One story. I'm frankly not quite sold on the current spate of Year One stories, and while they've all actually been really good, I'm just not sure how necessary I feel they are. A preferable concept, for me, is the 1995 Annual concept: every book had a Year One story in its Annual. But the redeeming aspect of the Year One glut, and something I just can't argue with, is that the stories have all been excellent. This one doesn't fail to achieve that, at least not yet. 8/10.
Number Of The Beast #3--Number of the Beast seems to so far have spent three issues resurrecting The High. See, he didn't die, he was just captured after he hit the forcefield, and put into this Matrix-style VR simulation, along with hundreds of other heroes and villains, for reasons so far unknown. That's why we haven't seen the real WSU. This is setting up the return of the High and a bunch of other heroes, the ones that all "disappeared" over the years, as discussed in Revelations. And that explosion in the metahuman population is what brings on the future seen in the Armageddon one-shots, as near as I can tell. But I still don't know why the hell New Dynamix is important. 8/10.
Simon Dark #8--I really want this story arc to end, so I can stop reading this book (I'm a ****e, I know.) I can't stand Steve Niles, and I can't stand his Vertigo-like rejection of the mainline DCU in a book that is supposed to be firmly established in the mainline DCU. It's especially rankling because the entire thing should have just been a Hellblazer arc, truncated by a couple issues, enhanced by the presence of an actual multidimensional character in John Constantine, and then maybe spun off into another Vertigo title, and hopefully a title better than the current one. On the plus side, a character finally acknowledged the existence of Commissioner Gordon and Batman for the first time, which is interesting in a supernatural police story set in Gotham. 3/10.
Superman #676--A nice little shot of Alan Scott for those of us jonesing for the original Green Lantern. And a nice little shot of straight-up superhero Superman. I'm looking forward to James Robinson and Geoff Johns on the Superbooks, but it's a bit too often that Superman gets turned into a "concept" to be "explored" by such writers. I like a little Kelly-style superhero Superman every once in awhile.
Titans #2--Benitez is better than Churchill, but still kinda funky. He is drawing males well. OK, not awesome, but fun. I actually like his goofy interpretation of Beast Boy better than any other artistic iteration of the character that I've seen. Wally looks pretty fun too. Nightwing looks appropriately dark by comparison. However, Donna looks like the same fashion model was swiped as reference for almost every shot. The first two times you see her face are almost identical. So to sum up, his males look pretty damn good, but all his women except Argent look like bimbos. The story continues a formulaic approach to an essential Titans tale, with a few interesting twists thrown in. 6/10.
Project Superpowers #3
--This story is soooooooooo confusing right now. I like the pretty pictures, and I like the characters, and I even like the characterization, but the plot is so byzantine and vaguely defined. I sort of knew where they were going after one issue, but it's gotten progressively obscure and twisty. 5/10.
Captain Britain And MI 13 #1
--Wooo, Captain Britain! Woooo, [blackout]they're ****in' killing him! I really don't want a new Captain Britain, which is the obvious suggestion the story is making. Hopefully it's just a red herring[/blackout]. But a good book nonetheless. I'm quite looking forward to it. 7/10.
Genext #1--****tiest X-book on the stands. Hands down. Chris Claremont doesn't need to be writing kids anymore. He's not down with the lingo, or even the concepts. And anyway, who asked for another irrelevant and ultimately unimportant future timeline? Besides the crazies who voted for it, I mean? 2/10.
Wolverine #65--Well, I'm feeling let down here, Jason Aaron. I was reeeeeally looking forward to Mystique being dead. And I personally don't feel that you gave me a dead Mystique, although the ending is certainly ambiguous enough. Anyway, it's been a fun story for updating Wolverine to a post-Messiah Complex world (whatever the hell that means), and it's a pretty good ending. 7/10.
Wolverine Amazing Immortal Man & Other Bloody Tales--David Lapham sows the seeds for some very interesting Wolverine stories. I really hope he gets to reel these out and develop them some more. I was much more pleased with this book than I expected to be.
X-Men Legacy #211--I've been pretty unimpressed with this title so far, but I feel like the concept could really improve, and it's starting to. It's finally starting to feel like it's actually taking place in the present, rather than just constantly flashing back. That was a pretty boring macguffin. I prefer the idea of Xavier slowly peeling back the layers of his past, although it certainly can't be expected to sustain a lot of readership for very long. Also, nice to see Gambit actually looking cool for once.
X-Men Origin Colossus--Pretty good story, I guess. I'm not quite sure why it's necessary, to be honest, but I guess you gotta tell the story you wanna tell. 7/10.
 
I don't think we have to worry about a new Captain Britain. Brian Braddock is too deeply entrenched to just off him like that, and there's always some weirdness when Avalon/Otherworld is involved. I think Brian'll just come out of it changed somehow, like he always does (see his first costume change, Britannic, that funky, long-haired, red-costumed phase, the Excalibur: Sword of Power mini, etc.).
 
The way that narrator/voice in Pete's head, I just don't know, man.
 
I'm more worried about the image of Pete Wisdom drawing Excalibur from the stone on the cover of #2. I mean, really... Pete ****ing Wisdom? With Excalibur? Not a good thing.
 
Bought:

Newuniversal: Shockfront #1
Thunderbolts #120
Wonder Woman #20
The Last Defenders #3
Number of the Beast #3
Green Lantern Corps #24
The Twelve #5
Guardians of the Galaxy #1
100 Bullets #91
Amazing Spider-Man #559
Captain Britain and MI 13 #1
Booster Gold #9
Thor: Ages of Thunder one-shot
Popgun, volume one

Iron Man: The Inevitable #6
Annihilation: Ronan #4
The Emissary #2
Doctor Strange: The Oath #3
The Programme #3

Thought:

Good week. Was only able to get about half my stuff but none of them sucked. Plus my new shop had several back issues I ordered, allowing me to reduce my "unread series pile" significantly.

Newuniversal: Shockfront - Not much happened but we did see a couple more White Eventers or whatever you want to call them. Jack Magniconte (of Kickers Inc.), and another character who I think is based on a teleporting character that was introduced during The Draft (that's for anyone who remembers the old New Universe comics).There also seemed to be a little gag with the cops being named after Marvel U cops. Stacey, DeWolff, Knight...not familiar with the other two though. Flint and ???

The Last Defenders - It was cool that Casey got Junta's powers and personality right. He is about obscure as it gets.

Wonder Woman - I actually prefer the artist who did the last couple of issues.

Annihilation: Ronan - Uh..yeah. So this series was the Wraith of the original Annihilation. I'd read the first three issues way back when it first came out but I guess the suckitudeness of it must have faded with time. Ah well, I wanted a complete 'space saga' anyway and that was the only issue I was missing.

Doctor Strange: The Oath - Vaughn needs to do another mini...possibly an on-going.
 
So reading Guardians of the Galaxy -

I didn't really like it that much, but that's probably less it's fault than that I'm automatically comparing it to Nova, so I'm holding what's actually a pretty good book to blame for not being a totally awesome book.

One thing I really do hope they fix is it was really, really over narrated. A good example of this is Cosmo the Telepathic Ex-Soviet Astronaut Dog; GotG is the kind of book that feels obligated to tell you "THIS IS COSMO HE IS DOG FROM RUSSIAN SPACE PROGRAM WHO MYSTERIOUSLY GOT TO KNOWHERE AND HAS TELEPATHIC POWERS AND HE IS A DOG AND HE TALKS AND IS RUSSIAN", when really something like Cosmo works best when you just lay him right out there with no explanations offered.

Also it seems like they kind of cheated back on the whole Gamora-Phalanx thing which I thought was a shame cause it was a really potent bit of storytelling. Her reason as shown in Nova for embracing the Phalanx wasn't that she "needed direction", as this book would have it, it was that she was a killer who loved killing but hated herself for loving it and the Phalanx took away that hate and allowed her to revel in all her worst impulses. On the one hand it was probably necessary to whitewash over that a bit if they were going to make her fit into this book but on the other hand I kind of hate that they just whitewashed over all that just to make her fit into this book.

That said, Drax was wonderfully Drax and I do like the plot hook of the Annihilation Wars having fundamentally damaged the fabric of reality, so I'll be sticking with this and see where it goes.

EDIT: Also on the one hand the whole prophecy of death in 9 months thing is cool, on the other hand precognitives who utterly refuse to do anything with their precognition for whatever cockamamie reason are goddamn useless and obnoxious as hell.
 
What comic did you read? Her motivation for joining the Phalanx was the same in GotG as it was in Nova. The whole reason she joined the Guardians is to recapture that sense of purpose she felt with the Phalanx. :huh:
 
Quoting from Nova 10: "You made me feel guilty about what I was! Guilty for being what I was compared to you! I don't have to face that guilt anymore! As a select, I no longer feel it!"

It wasn't that the Phalanx gave her a purpose, it was that it took away her remorse about gleefully murdering people in pursuit of that purpose.
 
Wait, wasn't that the reasoning you ascribed to her in Guardians of the Galaxy? :huh:
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"