As always, full reviews are up at my Examiner page in the link, yada yada.
This was a slow week, let's get it over with.
DREAD'S BOUGHT/THOUGHT FOR 9/30/09:
THOR #603: The true sign that a new season is coming, a shift from summer into fall, is not a date on a calendar or a change in temperature or the amount of sunlight; it is an issue of THOR shipping. For the record, the last issue came out at the end of June. That makes this one about 3 months behind, and that is only because September had a 5th Wednesday, otherwise this would have crept into October. While this title is not as slow as some others from Marvel, such as ASTONISHING X-MEN, nor is the latest of JMS' remaining projects (THE TWELVE #9 is ten months late and counting), it does make JMS' decompressed style of storytelling look worse than it is, almost to the point of undoing the goodwill of any issue.
Surprise surprise, after three months Coipel doesn't draw a page, either; Marko Djurdjevic returns on interior art, and does his usual fine job. I almost mistook it for Alan Davis until I looked at the credits a second time, which says something good. He's hardly the fastest artist but has remained somewhat reliable as fill-in talent since about halfway through JMS' launch of this title. This would be issue 16 if the numbering was not boosted. The last page promises the finale, in a separate one-shot, in "30 days". They had the nerve to promise the next installment in exactly a month for a title that has been shipping one issue every 2-3 months now for over a year. Now, Image has run into that problem with DYNAMO 5, but more issues of that have shipped this year than THOR, and they don't demand $4 for the honor. It's certainly possible that Coipel or whoever has finally had enough lead in time to get in JMS' 17th and final issue within exactly one month, but if not, there is going to be a lot of laughing at Marvel's expense.
17 issues is an awkward number to call it a run with; not quite a year and a half's worth of issues (on a title that relaunched exactly 2 years ago this month), but to give credit, JMS seemed to ask that his THOR be reasonably "left alone" by the rest of Marvel for at least 7-8 issues; Marvel more than doubled that. In sales the book has been a hit; June's issue sold just shy of 70k, still more than double what it sold in 2004. Still, it makes you wonder how well it would be selling if it was on time, and actually featured the lead character more often.
The last issue had a lot of pages with Thor, and this one apparently corrects that mistake; JMS must have felt ill. Blake arranges for Sif to stay at his Oklahoma hotel under a false name, which creates a cute scene with his land-lady. The Warriors Three also happen to show up in town looking for Thor, and take over working in "William the Third's" breakfast shop. The comedy elements help and are well done, even if some of the fat jokes are starting to feel repetitive. They still amused me.
This issue gets things moving a bit, revealing exactly what Loki and Doom are exchanging in their unholy alliance. Loki gets asylum for the Asgardians away from Thor and prying heroes, as well as a squad of specially made "Thorbuster Doombots", if you will, about to be launched at Donald Blake. Doom not only gets Latveria protected by Asgardian warriors, but also freshly delivered Asgardians to dissect so Doom can possible clone them, and perhaps discover a physical means to duplicate their immortality. Granted, Doom mastered the alien Ovoid technique, which sends his mind into a new body every time his own is killed, so in way he is rather close to immortal already; I suppose this would be an upgrade, Immortality Vista. Bill, Kelda's human lover (or "pet") last issue figured out in one issue what Thor and Balder haven't in about 15; that Loki is up to no good, that Dr. Doom is evil, and that there is no good way this situation will end well. While Thor and Balder hem and haw and do absolutely nothing to stand up for themselves, Bill at least wants to strike out and act. Kelda makes a point about how immortals see things one way and thus sometimes are slow to act or change, but it is something I heard about a year ago in INCREDIBLE HERCULES and it seems like too easy an excuse for inaction. While Bill is armed with a magical sword and manages to take down one Asgardian brute, three others seem to gut him rather quickly. Balder, however, witnesses it. Will this finally spark the dipstick into action? If JMS wasn't leaving after the one-shot, I'd say no. But he is, so my answer is "probably, maybe". I have a sinking felling he could pull a Bendis on DAREDEVIL; leave the story in a narrative corner and expect the next guy to handle it. That's how ASM was practically left.
I'll save a final analysis about the pro's and con's of JMS' THOR run for the next one shot. Suffice it to say, his ideas were solid and a lot of his execution isn't too bad, but the pacing is very slow and his choosing of having Thor and Balder all but allow Loki to trick them rather than create a smarter plot device makes them look like fools. Which is a shame, really. Loki would look smarter if he was outwitting rivals of any intellect. A blind puppy could fool this lot as written. Being saddled with two slow artists hardly helped matters, either.
Another major con, having looked back at my THOR collection, is that out of 16 covers, about 12 are the most stale, stock, generic Thor covers you could possibly image. Just various versions of Thor standing there, holding or swinging a hammer, with a thunderbolt or two in the background. They're inter-changeable. They're akin to some of the first few years of Ultimate covers. The notion that comic covers should be boring stock poses was a Bill Jemas idea, with the intention to resell them as posters. But for heaven's sake, Jemas has been gone from Marvel for about
five bloody years, and that hasn't happened. This is hardly the only book with that problem; how many covers of CABLE feature something different than Cable, with a large gun, holding a baby/child? The TITLE DRESS tells everyone what book it is, do something creative! Granted, assuming fans are slack jawed idiots who can't tell what book it is by title alone is about the story for Marvel editorial. Why else would ULTIMATUM have made it past draft stage?
In the time since I started reading THOR, I caught up on INCREDIBLE HERCULES, and while THOR even at worst is still a decent book, the gap in quality and energy between THOR and HERCULES is at least a hundred miles. The humor is better, the pace is more kinetic, and it doesn't take itself as seriously. The morals actually hit home when they come, rather than seeming like pretentious preening. THOR, however, is probably more important to Marvel as a whole; it hinted at something not right with Steve Rogers, and had Loki & Doom team up before Dark Reign started. My mother was a huge Thor fan, but so far HERCULES > THOR. Hopefully, though, the climax attempts to live up to two years of build up.
Come to think of it, has JMS ever delivered a satisfying climax to anything he has written professionally within the last eight years? His ASM ended in shambles; Joe Quesada practically wrote ONE MORE DAY. Everyone used to rave about RISING STARS, and that kind of faded into nothingness. His first issue of BRAVE AND THE BOLD didn't exactly light the universe aflame. There was SUPREME POWER...but that was years ago. He's frankly another dud from Loeb territory; an overrated talent who sells but can't deliver in the end. And that would be a shame. Hopefully his THOR run breaks that trend.
VENGEANCE OF THE MOON KNIGHT #1: This came out two weeks ago, but as I said, this was a slow week. I was curious about some of the reviews and gave it a try; I did read the last volume of MOON KNIGHT for about 18-19 issues (and one annual) before giving up on it. It was bleak and gritty to the point of parody and was a mire to read. Specter became a sociopathic psychotic, and while that played with his foibles, it made him a victim of them. Gregg Hurwitz, however, seems to realize this. None of the last run is forgotten; the stuff still happened. Specter still mauled criminals for months. He still killed some of them, and the Thunderbolts (under Osborn) still framed him for a murder he didn't commit (although he did kill Black Specter at least, along with Killer Shrike, last run). He still is haunted by Khonshou, in the form of Bushman, acting like an evil Jiminy Cricket urging Marc to kill people. But it's more subdued. Or rather, Moon Knight wants to try to be a proper hero again, despite himself, his god, and the rep. He makes his start foiling a bank robbery in Time's Square in broad daylight, catching the attention of the police, the news media and even the Fantastic Four. Normally this would look mundane, but Jerome Opena's art with Dan Brown's colors make it look good enough to be a movie storyboard.
The issue ends with Osborn siccing Sentry at Moon Knight, which is overkill considering he recently felt only Venom was enough to handle the Fantastic Four, that included the Human Torch. If the book has any flaw it is that while everything is executed well enough, it doesn't quite pop and scream of excellence. The reprint of MOON KNIGHT #1 circa 1980 to boost the price to $4 didn't help either. Debut issues should be cheap as possible to attract readers, but what I like about Marvel is they stick to all ideas, good or bad. I also am curious when Moon Knight will be moved to a triple digit number. How far away is he from issue 200? And would they include issues of WEREWOLF BY NIGHT or MARVEL TWO-IN ONE? Not including those, we're only three issues from MOON KNIGHT #150. C'mon, Marvel, fulfill my cynicism and prove you're beyond parody.
So far I was hardly majorly impressed, but I still liked it enough to probably give the next issue a chance.
I also bought
MARVEL MYSTERY HANDBOOK, but haven't read it yet. It looks packed with data, and I always enjoy them. If I could find pleasure in a MARVEL PETS HANDBOOK, then this one is a cinch.