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This is a continuation thread, the old thread is [split]498547[/split]
We know that Feige asked for Galactus and the Silver Surfer in exchange for an extension of the DD character rights. And that Ike Perlmutter took all FOX controlled characters out of Marvel licensing after talks broke down last year. So yes, Marvel wants the First Family back home.
Any cash payout to FOX for character rights gets added to film budgets, so I don't see Disney writing a big check. But there's other deals that can be made, and I'm optimistic something will get done.
So what are we guessing is the break even target based on $122mil, plus marketing?
I'd usually go with a ww gross of 'double the budget' (or thereabouts) but Hollywood accounting can be more a matter of convenience than accuracy.
I'd guess around $300mil ww would be around the mark, so anything over is a profit. Personally, the less it gets the better though.
I think we can only guess at the break even point (particularly since there's at least some value in maintaining the rights for future negotiations, marvel getting some cut of the BO, no associated merchandise, etc.), but I can't imagine if this film makes less than ROTSS (as it's projected) that Fox management will consider it a success and rush ahead with a sequel.
If every single FF film has made less than the one before (again, as this one is projected to do), I can't imagine the Fox suits saying: "This is going well. Let's make a fourth."
On top of that, Batman has had good films in the past while F4 films have been mediocre to bad. They are nowhere near similiar at all.Trying to catch up, but a couple of things confuse me. Sithborg said "Besides, a roughly 4.3 million a year as an extension of the FF movie rights doesn't sound like a bad deal. Unless you don't think the FF is worth that much."
Well, it sounds like a bad deal to me if the result of the deal is a breakeven movie. Meaning if those losses were absorbed over time....which they weren't....in order to do a bunch of work and not make any money at the end of the 7 or whatever years, that sounds like a deal I'd pass on.
EDIT: Also, unless I'm mistaken, Fox didn't have to pay anything for any extension. They already HAD the rights. I'm thinking I must be missing the argument here.
The other thing is that ANY comparison between Batman Begins and FF strikes me as sort of crazy. The ONLY thing they have in common is that a couple (or more in the case of Batman) of the movies weren't well liked. Making a really good movie (BB) will make up for a lot of past sins. If the only comparison was that they had some heavy lifting to do, I'll agree with that.
The point is the losses they could make here can be seen as a small fee for an extension.Trying to catch up, but a couple of things confuse me. Sithborg said "Besides, a roughly 4.3 million a year as an extension of the FF movie rights doesn't sound like a bad deal. Unless you don't think the FF is worth that much."
Well, it sounds like a bad deal to me if the result of the deal is a breakeven movie. Meaning if those losses were absorbed over time....which they weren't....in order to do a bunch of work and not make any money at the end of the 7 or whatever years, that sounds like a deal I'd pass on.
EDIT: Also, unless I'm mistaken, Fox didn't have to pay anything for any extension. They already HAD the rights. I'm thinking I must be missing the argument here.
The other thing is that ANY comparison between Batman Begins and FF strikes me as sort of crazy. The ONLY thing they have in common is that a couple (or more in the case of Batman) of the movies weren't well liked. Making a really good movie (BB) will make up for a lot of past sins. If the only comparison was that they had some heavy lifting to do, I'll agree with that.
The other factor to consider is that there may me some in Fox who no longer see the franchise as worth the effort. There are those rumours that the 3D was cut because Fox used the money for the reshoots, if that was true then it would indicate serious unhappiness by Fox. Studios love 3D, for a few million they can add tens of million to the box office, so refusing the money would be Fox wiping their hands of the whole production. Now its probably not true since time is usually the most likely reason for 3D to be called off but we need to remember that the 3D logos started to be removed about six months ago, so that would mean that six months ago Fox decided that they could not get this film finished in time for a 3D conversion.
I'd say more than that though. What cut does Marvel get?
EDIT: Also, unless I'm mistaken, Fox didn't have to pay anything for any extension. They already HAD the rights. I'm thinking I must be missing the argument here.
Trying to catch up, but a couple of things confuse me. Sithborg said "Besides, a roughly 4.3 million a year as an extension of the FF movie rights doesn't sound like a bad deal. Unless you don't think the FF is worth that much."
Well, it sounds like a bad deal to me if the result of the deal is a breakeven movie. Meaning if those losses were absorbed over time....which they weren't....in order to do a bunch of work and not make any money at the end of the 7 or whatever years, that sounds like a deal I'd pass on.
EDIT: Also, unless I'm mistaken, Fox didn't have to pay anything for any extension. They already HAD the rights. I'm thinking I must be missing the argument here.
The other thing is that ANY comparison between Batman Begins and FF strikes me as sort of crazy. The ONLY thing they have in common is that a couple (or more in the case of Batman) of the movies weren't well liked. Making a really good movie (BB) will make up for a lot of past sins. If the only comparison was that they had some heavy lifting to do, I'll agree with that.
Wait, they have to pay every year to keep the rights even if they don't make film?
I don't think anyone not privy to the contracts knows for sure but it's thought to be better for FF than for the X-Men (and X-Men related movies/spin-offs). I think the X films were cited as giving marvel only 2%, with the FF maybe 5% of the profits.
Bear in mind Hollywood accounting can make what looks like a profitable film not quite so hot when there are other parties to be paid off too.
That's another little factor that would seem to put the crossover talk out of bounds. What cut do Fox give Marvel for that if they can indeed just crossover at their leisure as some supporters are all too willing to assume (just because occasionally someone at Fox say they would like to do it)?
I don't think anyone not privy to the contracts knows for sure but it's thought to be better for FF than for the X-Men (and X-Men related movies/spin-offs). I think the X films were cited as giving marvel only 2%, with the FF maybe 5% of the profits.
Bear in mind Hollywood accounting can make what looks like a profitable film not quite so hot when there are other parties to be paid off too.
That's another little factor that would seem to put the crossover talk out of bounds. What cut do Fox give Marvel for that if they can indeed just crossover at their leisure as some supporters are all too willing to assume (just because occasionally someone at Fox say they would like to do it)?
Nope. The argument is that if this film makes a loss, that loss can be written off by Fox as the cost of securing the rights for the next 7/8 years.
I do recall reading somewhere they do pay Marvel a fee (a rent of sorts) for each year they hold the rights (idea is to encourage the studios to make the films sooner rather sit on them to the wire each time) but I couldn't say for sure that's true.
I SEE SPIDEY said:If anyone still thought that Terminator was going to be a hit after that deplorable synopsis leaked and the horrendous EW photo shoot then they weren't paying attention close enough.
As bad as the original deals were, there is no way that what Marvel gets is based on profit. Profit/loss is extremely easy to manipulate. And Hollywood accounting is very manipulative. Most likely, it is based on income of the films.
They have to make and release a film within the deadlines to retain the rights. That's what they have to pay for to get the next 7/8 years secured. Fail to make it or release it before the timer expires (they get so long between flicks) and they lose them for good. That was what happened with Daredevil. It's thought they cut it close with this one too.
If the film tanks it can be argued whatever the loss might be is the cost of keeping the rights for the next 7/8 years. So say it loses $30mil, divide by 7, you get $4.3 mil a year as the cost for keeping them.
Oh I agree. Keeping the rights at a loss would be stupid business.Not to put the cart in front of the horse because the movie hasn't "lost" anything yet (Nor has it made money yet), but losing 30M on a movie or looking at the 30M as paying for extension of the rights when you already had them for the past 7 years, doesn't sound like sound business practice to me. It still adds up to losing 30M with nothing to show for it except owning a movie you haven't been able to make money on.
If Fox really thought they had something the thought they could do something with, I'm sure they wouldn't have waited until the last minute to remake the movie.