BatLobster
Trailer Timewarper
- Joined
- Mar 18, 2012
- Messages
- 16,501
- Reaction score
- 10,721
- Points
- 103
@KRYPTON INC.
Hey man, I respect your opinion about the movie but I fundamentally disagree about what Ghostbusters can be and I think that is at the root at our opposite reactions to the movie.
Ghostbusters is something that transcends genre IMO. It is a comedy yes, but the lore was always interesting and Aykroyd and Ramis really cared about that part of it. That was the secret sauce. The whole "oh they're like exterminators only it's ghosts, it's all a joke"...yeah, that gag is there on some level but it's not even that funny of a gag. That part of it skips right past mildly funny into cool. Proton packs are cool. The trap is cool. The Ecto 1 is cool. The firehouse is cool. The flight suits are cool. Ghostbusters is freaking cool. To me, Egon/Peter/Ray/Winston always felt real. They were all playing extensions of their real personalities, which- while very funny together, actually heightened the sense of reality. Those relationships felt lived in, because they were.
Now yeah, GBA is a movie ABOUT how ghostbusting is cool, as seen through the eyes of kids like we were when we fell in love with jt. Which I suppose you could argue, in itself isn't cool and gets a bit touchy feely. That I get. But again, after 30 years, I think it felt appropriate. There is a lot of emotional baggage and I don't think you can shy away from it at this point. I really think the franchise needed a film like this if it's going to live on in some way.
And you can dislike the film all you want, but I think it is becoming clear that this is a hit with diehard fans, and has good general audience word of mouth that is helping propel an impressive box office run. I don't really get the argument of you can't/shouldn't approach the movie in this way. Doesn't a positive audience response vindicate the approach? Is it not having the desired effect on a lot of people, enough to likely warrant a sequel?
End of the day, I think Ghostbusters endured because it makes people feel all the things. It's funny, it's fun, it's scary, it's an endearing story about nerd power and underdogs saving the day, the guys feel like a family and it has great iconography that is just as synonymous with childhood as the Millennium Falcon, the Batmobile, etc. for a lot of people. Yes, Pete Venkman is a sarcasm incarnate and there are a few raunchy jokes that haven't aged well, but that is not enough to negate the wide array of stuff that GB brings to the table and prevent it from evolving.
Hey man, I respect your opinion about the movie but I fundamentally disagree about what Ghostbusters can be and I think that is at the root at our opposite reactions to the movie.
Ghostbusters is something that transcends genre IMO. It is a comedy yes, but the lore was always interesting and Aykroyd and Ramis really cared about that part of it. That was the secret sauce. The whole "oh they're like exterminators only it's ghosts, it's all a joke"...yeah, that gag is there on some level but it's not even that funny of a gag. That part of it skips right past mildly funny into cool. Proton packs are cool. The trap is cool. The Ecto 1 is cool. The firehouse is cool. The flight suits are cool. Ghostbusters is freaking cool. To me, Egon/Peter/Ray/Winston always felt real. They were all playing extensions of their real personalities, which- while very funny together, actually heightened the sense of reality. Those relationships felt lived in, because they were.
Now yeah, GBA is a movie ABOUT how ghostbusting is cool, as seen through the eyes of kids like we were when we fell in love with jt. Which I suppose you could argue, in itself isn't cool and gets a bit touchy feely. That I get. But again, after 30 years, I think it felt appropriate. There is a lot of emotional baggage and I don't think you can shy away from it at this point. I really think the franchise needed a film like this if it's going to live on in some way.
And you can dislike the film all you want, but I think it is becoming clear that this is a hit with diehard fans, and has good general audience word of mouth that is helping propel an impressive box office run. I don't really get the argument of you can't/shouldn't approach the movie in this way. Doesn't a positive audience response vindicate the approach? Is it not having the desired effect on a lot of people, enough to likely warrant a sequel?
End of the day, I think Ghostbusters endured because it makes people feel all the things. It's funny, it's fun, it's scary, it's an endearing story about nerd power and underdogs saving the day, the guys feel like a family and it has great iconography that is just as synonymous with childhood as the Millennium Falcon, the Batmobile, etc. for a lot of people. Yes, Pete Venkman is a sarcasm incarnate and there are a few raunchy jokes that haven't aged well, but that is not enough to negate the wide array of stuff that GB brings to the table and prevent it from evolving.
Last edited: