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This is a continuation thread, the old thread is [split]209971[/split]
I agree Parker
THe original screenplay is so much worse though
Yeah, the movie is so much better up until that reveal, it is not a bad twist per se, it's just that that's all the movie is about until the ending with the crooks in the hospital. The big sfx showdown between Hancock and Theron is just so, 'who cares', as it's not a super-hero villan showdown. The first time I saw the movie, I was expecting her to be revealed as a super-villan actually.
But there are a couple of really good scenes in that part of the movie, the scene in the off-license and the ending at the hospital are as good as the opening hour, so I don't feel totally depressed that the movie takes that turn, and it has a strong ending worthy of the beginning.
No, it is. The twist pretty much derailed and ruined the movie. It's as if they had no idea what to do after he redeemed himself. It's as if they looked at the run time, saw they still had another 50 min. to an hour of story left, and wrote this out of desperation.
I never read the original scripts or anything, but I remember reading several fairly detailed plot summaries which suggested that Theron falls for Hancock, cheats on her husband, and a love triangle took up the second half of the film. I thought that would have been amazing. This guy, who took Hancock under his wing and saved him, was now faced with the fact that his wife was in love with someone that was so much more special, and could do so many things that he couldn't. And then, somewhere, somehow, through the miracle of hopefully great writing, she winds up coming back to him and they have to move on with their lives, dealing with and getting past the fact that she was a cheating ****e, while he and Hancock repair their damaged friendship.
Given what actually happens in the film, it's pretty obvious what this turned into.. but I would have loved it so much more had Hancock been the only "special" person in the film.
I laughed too.... t:Tonight, He comes
Smith will play a disaffected and underappreciated superhero in a mid-life crisis. Akiva Goldsman and Michael Mann will produce with Smith and his Overbrook Entertainment partner, James Lassiter.
I never read the original scripts or anything, but I remember reading several fairly detailed plot summaries which suggested that Theron falls for Hancock, cheats on her husband, and a love triangle took up the second half of the film. I thought that would have been amazing. This guy, who took Hancock under his wing and saved him, was now faced with the fact that his wife was in love with someone that was so much more special, and could do so many things that he couldn't. And then, somewhere, somehow, through the miracle of hopefully great writing, she winds up coming back to him and they have to move on with their lives, dealing with and getting past the fact that she was a cheating ****e, while he and Hancock repair their damaged friendship.
Given what actually happens in the film, it's pretty obvious what this turned into.. but I would have loved it so much more had Hancock been the only "special" person in the film.