Heavyweight Battle: Spider-Man 2 vs The Dark Knight

Better Film?

  • Spider-Man 2

  • The Dark Knight


Results are only viewable after voting.
Harry: "Bring Spider-Man to me alive"
Ock: "How do I find him?"
Harry: "Peter Parker"
Ock: "Parker?"
Harry: "He takes pictures of Spider-Man for the Bugle. Make him tell you where he is"

Last time I checked, a corpse can't talk :yay:

Also in the actual scene where Ock accosted Peter in the cafe:

Ock: "I want you to find your friend, Spider-Man. Tell him to meet me at the west side tower at 3 O'Clock".

He wanted Peter alive. How else could Peter find Spidey to deliver his message? Again, I don't know how you miss these obvious points, mate.

Not to mention that after Ock says this he then throws Peter into a wall hard enough to make parts of the wall and debris fall on him. Or the fact that Spider-man (who is shown in this movie strong enough to stop a train with the aid of his webbing) is shown to hit Doc Ock multiple times in the head without being able to knock him out, when Doc Ock has no special powers besides his tentacles. Spider-man should realistically be able to backhand ock and knock him silly. In the comics, Ock's tentacles are so fast and deadly that Spidey can rarely get close enough to him to actually tag him.
 
Not to mention that after Ock says this he then throws Peter into a wall hard enough to make parts of the wall and debris fall on him. Or the fact that Spider-man (who is shown in this movie strong enough to stop a train with the aid of his webbing) is shown to hit Doc Ock multiple times in the head without being able to knock him out, when Doc Ock has no special powers besides his tentacles. Spider-man should realistically be able to backhand ock and knock him silly. In the comics, Ock's tentacles are so fast and deadly that Spidey can rarely get close enough to him to actually tag him.

Indeed but that would make a short film if he did such a thing.
 
And TDK did that by showing Batman placing his faith in Harvey Dent as a man who could be a symbol of hope that Batman couldn't be. They showed that in numerous scenes like the dinner scene between Bruce, Rachel, and Harvey. Bruce throwing the fundraiser for Harvey and giving the speech about how he believes in Harvey. Telling Rachel how Harvey locked up half of the city's criminals without wearing a mask. When he catches Harvey threatening the thug with the gun etc

It was hammered into the audience all thru the movie. That's why he took the blame for Harvey's crimes at the end. He didn't want the city to lose that hope.

If you only got the purpose of the movie at the end, then you were not paying attention.

Yeah ansd those scene were just as bad. Don't you get that film is a visual art? That you tell your story in a visual way and not through dialouge. Orson Wells once said that you should be able a film with the sound down and know what is going on. In TDK you wouldn't have a clue because you need lines like "You either die a hero..." or "He's a watchful protector."

Go and watch a movie like Citizen Kane, when you find out what rosebud is you know exactly why it means so much to him, without anybody saying why. At the end of Radiers of the Lost Arc when Indy and Marion are on the steps Indy calls the "top men" fools, they don;t know what they got. Then Marion asks him to go for a drink, he looks back at the top men before leaving, we know from that scene that Indy doesn't realise what he's got in Marion, we don't need a voice over to know that their relationship wouldn't last because Indy was still more interested in his job than his woman.

My point is, in classic films, the truely great movies the story is left to unfold through visuals, and if dialounge is used it has subtext. In TDK and BB for that matter, we are told everything we need to know, we don't need to work anything out for oursleves.

Harvey was the one who gathered the evidence. If he was exposed as a criminal, murderer, unbalanced etc. Then the criminals could appeal based on various grounds like they could say the so called evidence was faked, doctored, by Harvey. That Lau was in collusion with Harvey. Anything.

There would be grounds for doubt, suspicion etc. Not to mention the public scandal.

No, because you would need to have actual proof. And the only evidence that mattered was Lau's testomoney anyway.
Wrong. He was not on trial. He was there as a witness against the mob. He was getting immunity from prosecution and a chartered plane back to Hong Kong in exchange for testifying against them.

It was said in plain simple terms in the interrogation room scene with Rachel.

Well that courtroom scene must of just confused me, you know the one that in which Harvey brought charges against him, the scene that takes place before the interrorgation. Oh and if there were nno charges against him, why would he even need immunity?
Harry: "Bring Spider-Man to me alive"
Ock: "How do I find him?"
Harry: "Peter Parker"
Ock: "Parker?"
Harry: "He takes pictures of Spider-Man for the Bugle. Make him tell you where he is"

Last time I checked, a corpse can't talk :yay:

Also in the actual scene where Ock accosted Peter in the cafe:

Ock: "I want you to find your friend, Spider-Man. Tell him to meet me at the west side tower at 3 O'Clock".

He wanted Peter alive. How else could Peter find Spidey to deliver his message? Again, I don't know how you miss these obvious points, mate.

Oh i see it's a case of Harry says, Ock does. Harry also says don't hurt Peter, yet Ock through into that wall pretty hard, and all the debris fell on him, that would have hurt any non-spider-man pretty badly. Ock's plan was obvious, kill Peter to draw Spidey out for revenge. Otherwise why would Peter help him, he has no levrage.

But then he finds Peter, and his pretty little girlfriend, and a plan forms. This is better, I have levrage know over Peter, I kidnap his girlfriend and he has to get Spider-Man.

This is shown when he walks into the cafe and says "Peter Parker... and the girlfriend" Remember what I said about subtext? There is a little example.
And what's your beef with it? You think just because Gordon didn't tell his family or Dent that he couldn't cover it with the help of people who were not his friends or family?

I'm not interested in if he could do it, I care about how he did it. It was an important plot point, that led to everything else in the movie and they just ignored it and hoped people would be to dumb to question it.
What are you talking about? We saw Harvey willing to kill a criminal because they had named his beloved Rachel as the Joker's next target.

No we don't. He said he would kill him if the coin lands on tails, it was a double headed coin. He was just trying to scare information out of him.
Are you seriously trying to say that having the love of your life brutally killed, and having yourself horribly disfigured in the process wouldn't push someone over the edge like that?

But he wasn't at the edge. If the edge in question was the Grand Canyon, before Rachels death etc he was in london many, many miles from the edge.
Alot less have caused people to snap. Harvey's fall from grace was extremely well done. "Tell your boy he's going to be ok, Gordon. Lie, like I lied".

See another rubbish line, pointing out everything you need to know.
And yet he had not come to any decision about being Spider-Man again when he went to see Aunt May. That was shown with the little kid, Henry:

Henry: "Spider-Man will be back, right?"
Peter: "I don't know"

Even when he went and tried to jump the rooftop, his powers had no returned because he didn't really want to be Spider-Man, and he fell flat on his ass like a fool. "Strong focus on what I want". And the powers didn't return.

It took MJ being kidnapped to make them return.

EXACTLY. It was growth not chance. No one scene led to his change of heart, it was a combination of many scenes. A lot had to happen until Peter was in the right frame of mind to put the red and blue back on. That is great, great film making.


One scene where Alfred tells him about some men who are not looking for anything logical. Whoop de doo.

Batman is still in the early years of his career, and he has not met anyone like the Joker before. How dare he not know what kind of a man he is.



So what?

Does a characters past have to be spelled out to you in order for you to believe they've had a life previous to the situation they're in now?

No offence, Jack, but you sound like the kind of viewer who needs everything spoon fed to them in a movie in order to get it or believe it. Was it such a big leap for your imagination to believe Alfred was not a butler his whole life lol?

You have to set something up to pay it off. Even simple stuff. In Back to the Future Marty McFly invents the skateboard when he goes back in time, that's why he is seen on a skateboard at the start of the film, so it doesn't come out of left field when he uses it in 1955. In Indianna Jones and The Last crusade, they mention at the start of the film that the Holy Grail gives eternal life, so that when Indy uses it to save Henry Sr, it makes sense. All they had to do was earlier in the film ahve Alfred mention something similar but less out there. Because up to that point he was just a butler and used as comic relief up to that point.

Oh and to say that I need everything spelt out to me, while defending a movie that does spell every plot point out to you is laughable.
Why the hell would he lie to him? He's a lowly employee working in a basement by himself for years. What does he have to gain by saying he knew Bruce's father? Bruce had no control over Wayne Enterprises at that point. He could hardly be accused of sucking up to the boss by saying he knew his father.

What does he have to gain? Well by the end of BB he's the second most powerful man in the company. So i would say he gained alot, so imagine if he was lying.
If I trusted him, yes. But then Batman doesn't take his mask off in front of crowds of strangers on a train, does he? :yay:

He would if his mask was burning his face.


Yeah, I said I agree about the Bruce/Rachel thing.

But then the Batman movies are not "All about a girl".

Neither are Spider-Man movies. Remember what i said about subtext, what Peter thinks and says are not always true.
 
Points should go to Spiderman by the end of the second movie as the girl he loves is not dead......
 
Yeah ansd those scene were just as bad.

Your opinion. Not a fact.

Don't you get that film is a visual art?

Of course I do. But I don't need visual art to tell me Harvey Dent is the symbol of hope Gotham City needs.

That you tell your story in a visual way and not through dialouge. Orson Wells once said that you should be able a film with the sound down and know what is going on. In TDK you wouldn't have a clue because you need lines like "You either die a hero..." or "He's a watchful protector."

LOL! And Spider-Man 2 does all that does it with it's corny monologue speeches, over the top extras screaming they love Spidey, singing violin ladies singing about Spider-Man and asking where he's gone, visiting Uncle Ben in the heaven car and listening to more monologues about power and responsibility etc.

LOL!

My point is, in classic films, the truely great movies the story is left to unfold through visuals, and if dialounge is used it has subtext. In TDK and BB for that matter, we are told everything we need to know, we don't need to work anything out for oursleves.

Considering you just said that you didn't get the point of the movie until the end with Gordon's dialogue, that's a lie. The point of TDK just flew over your head all thru the movie.

You wanted a movie that told you a story thru visuals instead of the power of the characters and their emotions enforcing the story. That's your personal preference. Not a flaw of the movie.

No, because you would need to have actual proof.

Which could be put into question as being faked, or obtained thru illegal means which would make it inadmissable, if it was revealed the District Attorney who obtained it was a corrupt, unbalanced criminal.

And the only evidence that mattered was Lau's testomoney anyway.

Who could be accused of being in collusion with Harvey if Harvey was revealed as a criminal.

Well that courtroom scene must of just confused me, you know the one that in which Harvey brought charges against him, the scene that takes place before the interrorgation. Oh and if there were nno charges against him, why would he even need immunity?

Alot of things seemed to have confused you :cwink: There was no courtroom scene with Dent and Lau. Dent never charged him. Don't where you got that from. Lau was held in the MCU until he was due to testify.

He never made it to court because Joker kidnapped him and burned him alive.

Oh i see it's a case of Harry says, Ock does. Harry also says don't hurt Peter, yet Ock through into that wall pretty hard, and all the debris fell on him, that would have hurt any non-spider-man pretty badly. Ock's plan was obvious, kill Peter to draw Spidey out for revenge. Otherwise why would Peter help him, he has no levrage.

LOL! That's the point. It was bad writing that made no sense. How would killing Peter draw Spidey to Ock? How would Spidey know where to even find Ock, or vice versa? The Bugle headlines said the Police had a citywide man hunt on for Ock. Is there a directory manual for where six armed villains hang out? :woot:

That was the whole flipping point. Spider-Man had QUIT. That's why Ock needed Peter to find him and deliver a message. Spidey's not coming out to stop any crime in the city. It was up 75% according to the newspapers.

How would Spidey know where to meet Ock? Psychic signals? LOL! He needed Peter alive. Raimi just sacrificed the logic of the plot for visuals. Probably why you loved it :cwink:

But then he finds Peter, and his pretty little girlfriend, and a plan forms. This is better, I have levrage know over Peter, I kidnap his girlfriend and he has to get Spider-Man.

That's all your own speculation. The scene was played out that Ock threw a car at Peter when he deliberately went to him to to get him to find Spider-Man.

Your what if scenario holds no water. Poor excuses for sloppy writing. Fact is that Raimi sacrificed logic for dramatic effect.

This is shown when he walks into the cafe and says "Peter Parker... and the girlfriend" Remember what I said about subtext? There is a little example.

That's not subtext. That's proof Ock had no idea what the scenario was because MJ was not Peter's gf.

Also, you seem to forget that MJ would also have been killed by the car if Peter's spider sense had not warned them. So what exactly was Ock doing? Going to abduct a corpse?

I'm not interested in if he could do it, I care about how he did it. It was an important plot point, that led to everything else in the movie and they just ignored it and hoped people would be to dumb to question it.

Oh you mean you wanted this spelled out to you in dialogue? Just imagine it visually, Jack, that is what you like, right? :cwink:

Nobody except you ever mentioned this before. Why should we give a rat's ass as to the details of how Gordon went into hiding? It's pretty obvious, he made an arrangement with some people, and kept his friends and family in the dark in order to protect them.

"In this town the less people who know about something the better".

No we don't. He said he would kill him if the coin lands on tails, it was a double headed coin. He was just trying to scare information out of him.

And Harvey could just have easily said it landed on tails without showing him.

Even the very fact that Harvey broke the law and abducted a man, tied him up, and threatened him with a gun shows how far Harvey was being pushed when anything he cares for was threatened.

But he wasn't at the edge. If the edge in question was the Grand Canyon, before Rachels death etc he was in london many, many miles from the edge.

Riiiiiiiight. District attorneys are infamous for abducting suspects and threatening them with guns :woot:

See another rubbish line, pointing out everything you need to know.

:whatever:

Ock: "It was my dream"
Spidey: "Sometimes to do what's right we have to be steady and give up what we want the most. Even our dreams"

Oh hello Aunt May's speech again. Are you telling us the moral of the movie again?

Was Uncle Ben back again babbling on about great power and responsibility? You betcha!

EXACTLY. It was growth not chance. No one scene led to his change of heart, it was a combination of many scenes. A lot had to happen until Peter was in the right frame of mind to put the red and blue back on. That is great, great film making.

Wrong yet again.

It was Ock kidnapping MJ that led to it. He was about to relent and kiss MJ before Ock threw a car at their heads.

You have to set something up to pay it off. Even simple stuff.

No you don't. You absolutely do not. An elderly character revealing something about their past does not need building up.

How many people have you seen confused by the fact Alfred was not a butler all his life? Seriously, think about what you're saying.

Oh and to say that I need everything spelt out to me, while defending a movie that does spell every plot point out to you is laughable.

But you just said TDK never explained to you the fine details of how Gordon faked his death. Or why Bruce and Harvey love Rachel specifically etc. [I'd love to know what Peter sees in MJ. She throws her feminie wiles around like ninja stars].

Come now, Jack. If you're going to diss a movie, at least get your facts straight :cwink:

What does he have to gain? Well by the end of BB he's the second most powerful man in the company. So i would say he gained alot, so imagine if he was lying.

Oh you're so right. Lucius must have been psychic the second he met Bruce and knew Bruce was going to topple Mr Earle and secretly buy back all his company's shares and take control of Wayne Enterprises again.

LOL!!!!! This debate is getting beyond the joke.

He would if his mask was burning his face.

And it would have been impossible to put out those little flames quickly put it back on again instead of showing your face to all and sundry.

Oh wait....

Neither are Spider-Man movies. Remember what i said about subtext, what Peter thinks and says are not always true.

But you're dead wrong. It is exactly as what Peter said. His whole world revolves around MJ. He pines after her in school. He follows her to auditions. His best friend dates her and it agonises him. He busts his ass to get to her plays. He saves her from every super villain you can shake a stick at. He loses his powers because he's love sick over MJ:

Otto: "If you keep something as complicated as love stored up inside. It can make you sick"

And I wont even get into the horrors of their relationship in SM-3.

MJ, MJ, MJ. It's all about the girl.
 
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Of course I do. But I don't need visual art to tell me Harvey Dent is the symbol of hope Gotham City needs.

No because they tell you, which is bad film making. Which IS a FACT by the way. The art of film is to show not tell.
LOL! And Spider-Man 2 does all that does it with it's corny monologue speeches, over the top extras screaming they love Spidey, singing violin ladies singing about Spider-Man and asking where he's gone, visiting Uncle Ben in the heaven car and listening to more monologues about power and responsibility etc.

None of which tell you the point of the film. They move the plot forward but don't explain it.
Considering you just said that you didn't get the point of the movie until the end with Gordon's dialogue, that's a lie. The point of TDK just flew over your head all thru the movie.

No I got the point, long before the movie came out, when you see a poster with a flaming Bat on a sky scraper, you get what it's about.
You wanted a movie that told you a story thru visuals instead of the power of the characters and their emotions enforcing the story. That's your personal preference. Not a flaw of the movie.

It is a flaw because visuals can do ALL THAT. Visuals can do that, just look at Batman Returns.
Which could be put into question as being faked, or obtained thru illegal means which would make it inadmissable, if it was revealed the District Attorney who obtained it was a corrupt, unbalanced criminal.

No, because you need proof that he attained illegally.
Who could be accused of being in collusion with Harvey if Harvey was revealed as a criminal.

Again the key word is proof. You have to prove these accusations, and since he didn't do it, there would be no proof.
Alot of things seemed to have confused you :cwink: There was no courtroom scene with Dent and Lau. Dent never charged him. Don't where you got that from. Lau was held in the MCU until he was due to testify.He never made it to court because Joker kidnapped him and burned him alive.

I'm pretty sure there was. Whether there was or their wasn't, he was up in charges and had immunity in exchange for his testomoney. Now he would have had an ariment and his lawyer should have got him off easily.
LOL! That's the point. It was bad writing that made no sense. How would killing Peter draw Spidey to Ock?

Revenge

How would Spidey know where to even find Ock, or vice versa? The Bugle headlines said the Police had a citywide man hunt on for Ock. Is there a directory manual for where six armed villains hang out? :woot:

That was the whole flipping point. Spider-Man had QUIT. That's why Ock needed Peter to find him and deliver a message. Spidey's not coming out to stop any crime in the city. It was up 75% according to the newspapers.

How would Spidey know where to meet Ock? Psychic signals? LOL! He needed Peter alive. Raimi just sacrificed the logic of the plot for visuals. Probably why you loved it :cwink:

How did he know about the demonstration? What about the bank? So far Spidey somehow always showed up. And spidey's motivation for coming out of hiding, and innoncent kid dies because of him.


That's all your own speculation. The scene was played out that Ock threw a car at Peter when he deliberately went to him to to get him to find Spider-Man.

Your what if scenario holds no water. Poor excuses for sloppy writing. Fact is that Raimi sacrificed logic for dramatic effect.



That's not subtext. That's proof Ock had no idea what the scenario was because MJ was not Peter's gf.

Also, you seem to forget that MJ would also have been killed by the car if Peter's spider sense had not warned them. So what exactly was Ock doing? Going to abduct a corpse?

He didn't know MJ was there until he walked in. That's why he says "Peter Parler [pauses] and the girlfriend." And he doesn't mean girlfriend literally, he's referring to the conversation that he and Peter had previously.


Oh you mean you wanted this spelled out to you in dialogue? Just imagine it visually, Jack, that is what you like, right? :cwink:

You can mock me all you want about the visual thing, just makes you look like a fool. A first year film student could tell you that you show and don't tell. I was actually at a screenwriting class last week with a guy who writes for skins. He told me that this script was awful.
Nobody except you ever mentioned this before. Why should we give a rat's ass as to the details of how Gordon went into hiding? It's pretty obvious, he made an arrangement with some people, and kept his friends and family in the dark in order to protect them.

"In this town the less people who know about something the better".

Why should we not care? Something massive happens in a film, and we not told how.
And Harvey could just have easily said it landed on tails without showing him.

Yes but he didn't and showed no inclination about doing it.
Even the very fact that Harvey broke the law and abducted a man, tied him up, and threatened him with a gun shows how far Harvey was being pushed when anything he cares for was threatened.

But he didn't hurt him.

Riiiiiiiight. District attorneys are infamous for abducting suspects and threatening them with guns :woot:

That doesn't put him at the edge, because he wasn't going to hurt him. Police and DA's break the law all the time, maybe not to this extreme but all the time. Cops rarely read a suspect their rights, they don't get them an attorney, they trick people into giving them their finger prints. They do loads off stuff, because who is going to believe a guy up for murder?

:whatever:

Ock: "It was my dream"
Spidey: "Sometimes to do what's right we have to be steady and give up what we want the most. Even our dreams"

Oh hello Aunt May's speech again. Are you telling us the moral of the movie again?

Was Uncle Ben back again babbling on about great power and responsibility? You betcha!

You do realise that the Spider-Man movies are metaphoars for teenagers right? And that the story is about Peter Parker growing from a boy into a man. Guess not because no one spelt it out for you


Wrong yet again.

It was Ock kidnapping MJ that led to it. He was about to relent and kiss MJ before Ock threw a car at their heads.

No it's not, because he powers come back before that, otherwise his Spider-sense would not have gone off and he would not have been able to dodge the car.

No you don't. You absolutely do not. An elderly character revealing something about their past does not need building up.

Not if he's talking about having a child, or being in love once. But the story Alfred tells is different, he does from being a lowly butler to some sort of action hero badass.

How many people have you seen confused by the fact Alfred was not a butler all his life? Seriously, think about what you're saying. [/quote]
But you just said TDK never explained to you the fine details of how Gordon faked his death. Or why Bruce and Harvey love Rachel specifically etc.

Those are plot holes. You can't work that out using visuals and subtext because we are not shown anything.

[I'd love to know what Peter sees in MJ. She throws her feminie wiles around like ninja stars].

He see's the real her, which is why she loves him. He's smrt enough to know that because of the years of abuse that she suffered at the hands of her father and being embarrased by that she needs to be with men that give her status. The high school jock, the millionaire, Spider-Man, the Astronanunt. Peter see's through that which allows her to see what she, alone, has to offer the world. In spider-Man 3, Peter is so in love with himself that he stops being that guy. he gives her bad advice, Get Back on the horse like he did, he doesn't realise the difference. Spider-Man being called a pubvlic meance doesn't stop him from being a hero, MJ being called a bad actress stops her getting work. Harry, free from the abuse of his father, knows this and makes her feel better about herself and that is why she is tempted by him. But I suppose we couldn'y had a crap line to spell it out for you.

Oh you're so right. Lucius must have been psychic the second he met Bruce and knew Bruce was going to topple Mr Earle and secretly buy back all his company's shares and take control of Wayne Enterprises again.

LOL!!!!! This debate is getting beyond the joke.

Yeah, i guess it's out there to assume that getting in good with the son of the founder of your company would help your career. Who would ever think of that?
And it would have been impossible to put out those little flames quickly put it back on again instead of showing your face to all and sundry.

Oh wait....

Have you ever touched something after it's been on fire, it can be pretty hot
But you're dead wrong. It is exactly as what Peter said. His whole world revolves around MJ. He pines after her in school. He follows her to auditions. His best friend dates her and it agonises him. He busts his ass to get to her plays. He saves her from every super villain you can shake a stick at. He loses his powers because he's love sick over MJ:

Otto: "If you keep something as complicated as love stored up inside. It can make you sick"

And I wont even get into the horrors of their relationship in SM-3.

MJ, MJ, MJ. It's all about the girl.

So much so that he walks away from her at the end of 1 and that's his growth, his life goes from being all about MJ and being about With Great Power Comes Great Responsiblity . And he doesn't bust his ass to get to her plays, that's why he wasn't there. And he gives up being Spidey for more reasons than MJ. His estranged from his Aunt and feels guilty around her, same with Harry, he get's in a fight with harry, his grades are slipping, he can't get a good job, his apartment sucks. There are many reasons.
 
Last post on this debate with you, Jack, because we're going around in circles here, and some of your reasoning is reaching ridiculous levels.

No because they tell you, which is bad film making. Which IS a FACT by the way. The art of film is to show not tell.

That's not a fact. The popularity of TDK proves that.

Again, that is your personal preference.

None of which tell you the point of the film. They move the plot forward but don't explain it.

Of course they do. Take Aunt May's speech, for example. She spells it out right there that you have to give up what you want the most to do what's right, even your dreams. That's the point right there.

Plain and simple. That's the moral of the movie. That's the point.

No I got the point, long before the movie came out, when you see a poster with a flaming Bat on a sky scraper, you get what it's about.

Sure you did.

It is a flaw because visuals can do ALL THAT. Visuals can do that, just look at Batman Returns.

Are you for real? You want a movie told entirely in visuals? Whatever floats your boat.

I want a movie driven by actors and their performances that drive an emotionally charged story.

No, because you need proof that he attained illegally.

No, you don't. Suspicion of doubt based on the fact that Dent was an unstable criminal throws everything out of the window. It's like evidence that's obtained illegally is not admissable regardless of how good it is.

Again the key word is proof. You have to prove these accusations, and since he didn't do it, there would be no proof.

The proof is in the doubt of it's validity based on the person who obtained. That's the grounds criminals could appeal on.

"If they get anything on you then those criminals will be back on the streets"

I'm pretty sure there was.

There wasn't.

Whether there was or their wasn't, he was up in charges and had immunity in exchange for his testomoney.

*Sigh* Can you read? He was not charged with anything. Zero, zip, zilch, nada. His deal was they wouldn't charge him if he testified against the mob.

Understand?


Why would he want revenge? Who's Peter to Spidey except someone who takes his pictures.

How did he know about the demonstration? What about the bank? So far Spidey somehow always showed up.

Mother of god, can you not read? Seriously? Spider-Man had QUIT!!!! The demonstration and bank scenes were before he quit.

And spidey's motivation for coming out of hiding, and innoncent kid dies because of him.

Oh right, so the crime rate going up 75%, people dying in fires etc wouldn't get him off his ass. But one kid dying would.

LOL! Great hero :woot:

He didn't know MJ was there until he walked in. That's why he says "Peter Parler [pauses] and the girlfriend." And he doesn't mean girlfriend literally, he's referring to the conversation that he and Peter had previously.

Again, all your own groundless speculation. And Peter never told Ock he had a gf. He said he didn't know when asked by Ock's missus.

You can mock me all you want about the visual thing, just makes you look like a fool. A first year film student could tell you that you show and don't tell. I was actually at a screenwriting class last week with a guy who writes for skins. He told me that this script was awful.

Now there's a coincidence. I've got a couple of mates studying film out in UCD. In fact, Aaron Eckhart was only out there recently, and that's what brought this up in conversation.

They think TDK is one of the best movies in recent years.

Why should we not care? Something massive happens in a film, and we not told how.

Because it's not important. That's why. Nobody cares about how exactly he arranged it. It's irrelevant to the plot.

Yes but he didn't and showed no inclination about doing it.

Shouting, showing agitation, extreme anger....yeah, he was so not inclined to do it.

But he didn't hurt him.

Only because Batman stepped in and told him he was a paranoid schizo from Arkham who knew nothing.

That doesn't put him at the edge, because he wasn't going to hurt him.

Of course he was. The extreme lengths he went to show that he was being pushed to the extreme.

Police and DA's break the law all the time, maybe not to this extreme but all the time.

Exactly.

There's a huge difference between not reading a perp their rights, and abducting them in an ambulance, putting your whole career on the line, and threatening them with a gun.

You do realise that the Spider-Man movies are metaphoars for teenagers right?

I know exactly what they are. The cheesy dialogue, corny monologues, cartoonish extras, silly camp, and other cheese that is crammed in tells me that.

Metaphors or not, they are guilty of the very thing you're criticising TDK for. You're just making up silly excuses for it.

And that the story is about Peter Parker growing from a boy into a man. Guess not because no one spelt it out for you

Oh don't you fret, I got it in spades. Hard to miss with the strings of monologues about the movie's point in each flick :yay:

No it's not, because he powers come back before that, otherwise his Spider-sense would not have gone off and he would not have been able to dodge the car.

Exactly. His powers only come back when MJ was put in danger by the car coming at them. She is the whole basis for it.

All about the girl.

Not if he's talking about having a child, or being in love once. But the story Alfred tells is different, he does from being a lowly butler to some sort of action hero badass.

Action badass?

LOLOLOLOLOLOLOLOL!!! He and his friends went looking for ONE gem bandit in a forest. How does that make him an action badass? :woot:

You want to talk action badass, how about Super Granny Aunt May, who can clock Doc Ock with her brolly, and survive the trauma of being tossed off a building twice by a psycho with 4 metal tentacles? LOL!

Those are plot holes. You can't work that out using visuals and subtext because we are not shown anything.

Those are not plot holes. Not telling us the details of how Gordon arranged his faked death is not a plot hole. Why? Because it's not something that was impossible to do or contradicted another plot element.

He see's the real her, which is why she loves him. He's smrt enough to know that because of the years of abuse that she suffered at the hands of her father and being embarrased by that she needs to be with men that give her status. The high school jock, the millionaire, Spider-Man, the Astronanunt. Peter see's through that which allows her to see what she, alone, has to offer the world. In spider-Man 3, Peter is so in love with himself that he stops being that guy. he gives her bad advice, Get Back on the horse like he did, he doesn't realise the difference. Spider-Man being called a pubvlic meance doesn't stop him from being a hero, MJ being called a bad actress stops her getting work. Harry, free from the abuse of his father, knows this and makes her feel better about herself and that is why she is tempted by him.

Oh please. The simple fact is that MJ uses other men for her own insecurities, and then dumps them when it suits her. She even cheats on the guys when she's with them, like kissing Spidey when she was with Harry, and kissing Harry when she was with Peter. She even tried to get with Peter when she was engaged to John Jameson.

She's a horrible person, and her insecurites don't excuse that behaviour.

But I suppose we couldn'y had a crap line to spell it out for you

When I saw her go with three different blokes in Spider-Man 1, that told me all I needed to know about her character :yay:

Yeah, i guess it's out there to assume that getting in good with the son of the founder of your company would help your career. Who would ever think of that?

When that son has zero control over the company after being absent and assumed dead for years, yeah that's a ridiculous assumption.

Have you ever touched something after it's been on fire, it can be pretty hot

Three things:

1. The mask had no holes in it at all. It had a bit of black. So the so called fire was hardly extreme.

2. Spidey wears gloves. Much easier to smother a few tiny flames with.

3. You'd suffer a few minor burns to protect your secret identity if you had any intelligence.

So much so that he walks away from her at the end of 1 and that's his growth

That's not the point. The point is that he is still besotted with her and his actions in Spider-Man 2 are still dictated by his feelings for her. It's still all about the girl whether he's with her or not.

And he doesn't bust his ass to get to her plays, that's why he wasn't there.

Of course he does. The only reason he was late was because his motorcycle got wrecked and he took out the thugs on the way there.

LOL! He pulls up to the theatre in their car :woot:

And he gives up being Spidey for more reasons than MJ. His estranged from his Aunt and feels guilty around her, same with Harry, he get's in a fight with harry, his grades are slipping, he can't get a good job, his apartment sucks. There are many reasons.

But why is it then that his powers are only shown to fluctuate after he has heartbreak with MJ? When he sees her leave the theatre with John. When her engagment to John is announced etc. That's when it's shown. That's when we see him fall from the sky flat on his ass.

Heartbreak over MJ. All about the girl. And I repeat the line Octavius said to him: "If you keep something as complicated as love stored up inside, it can make you sick".

Gee, are they spelling out in a LINE why Peter's powers go screwy? :woot:
 
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That's not a fact. The popularity of TDK proves that.

Again, that is your personal preference.

No, it's a fact.

http://www.scriptwritingsecrets.com/Show_it.htm
http://www.jenkollmer.com/show/index.htm
http://timothyfish.blogspot.com/2008/11/show-dont-tell.html
Of course they do. Take Aunt May's speech, for example. She spells it out right there that you have to give up what you want the most to do what's right, even your dreams. That's the point right there.

Plain and simple. That's the moral of the movie. That's the point.

But the point of the movie is that he needs to grow up. He's a guy who wanted all the responsiblity in high school, just like seniors who go away to college, then when he gets it he can't handle it, just like college freshmen, he gives up being Spider-Man, college freshmen drink and drug themsleves stupid and miss class etc. Peter needs to grow into a mature man.

That's the point of the movie, which is not addressed in any dialounge in the movie.
Sure you did.

Yeah I did, you see a sky scraper on fire, pretty obvious.

Are you for real? You want a movie told entirely in visuals? Whatever floats your boat.

I want a movie driven by actors and their performances that drive an emotionally charged story.

So do I, visual story telling has both. Good films have both
No, you don't. Suspicion of doubt based on the fact that Dent was an unstable criminal throws everything out of the window. It's like evidence that's obtained illegally is not admissable regardless of how good it is.

The proof is in the doubt of it's validity based on the person who obtained. That's the grounds criminals could appeal on.

"If they get anything on you then those criminals will be back on the streets"

They still need proof. You need to prove things in a court of law. Him one bad thing doesn't prove he did other bad things. You seem to think the justice system in America is like the one in The Simpsons, when they rest somebody for every murder in New York because he happens to be from there.
[quoute]
There wasn't.
*Sigh* Can you read? He was not charged with anything. Zero, zip, zilch, nada. His deal was they wouldn't charge him if he testified against the mob.

Understand?[/quote]

It's you that doesn't understand. You keep talking about how if dent was known to have done wrong then everybody would go free under the suspion that he obtained evidence illegally. He got this guy because Batman went to Hong Kong and kidnapped him in front of the Hong Kong police force. He didn't need immunity because that case would have been dismissed.
Why would he want revenge? Who's Peter to Spidey except someone who takes his pictures.

The only guy in New York who can get him. People think he has a deal with them. Including Harry, who told Ock to find Peter.
Mother of god, can you not read? Seriously? Spider-Man had QUIT!!!! The demonstration and bank scenes were before he quit.

So? Ock was trying to draw him out of hiding and if he were successful in doing so, Spider-Man would find him, like he always seems to do.
Oh right, so the crime rate going up 75%, people dying in fires etc wouldn't get him off his ass. But one kid dying would.

LOL! Great hero :woot:

There is a big difference in people dying and someone being murdered because of you.
Again, all your own groundless speculation. And Peter never told Ock he had a gf. He said he didn't know when asked by Ock's missus.

He said he wasn't sure. Who cares? It's not important if Ock thought she was his actual girlfriend or just a girl he fancied, it justs matters that when he walks in he sees her with him.
Now there's a coincidence. I've got a couple of mates studying film out in UCD. In fact, Aaron Eckhart was only out there recently, and that's what brought this up in conversation.

They think TDK is one of the best movies in recent years.

Probably geeks, I know guys doing film studies, should see the stuff the crap like. Guy i was talking to was an actual, working script writer. Big difference than a few, probably, comic book geeks.
Because it's not important. That's why. Nobody cares about how exactly he arranged it. It's irrelevant to the plot.

It is important. Letting stuff like this go is why medoricty is now considered excellence.
Shouting, showing agitation, extreme anger....yeah, he was so not inclined to do it
Only because Batman stepped in and told him he was a paranoid schizo from Arkham who knew nothing. .

But not hurting him, he was never going to hurt him. He had no intention of hurting him, thats why he had a double headed coin and said I'll kill you if it's tails.
Of course he was. The extreme lengths he went to show that he was being pushed to the extreme.



Exactly.

There's a huge difference between not reading a perp their rights, and abducting them in an ambulance, putting your whole career on the line, and threatening them with a gun.

But going from threatening a guy who just played a part in the death of a cop, and having no intention of hurting, and then willing to kill a innocnent child in front of his father is worlds apart.
I know exactly what they are. The cheesy dialogue, corny monologues, cartoonish extras, silly camp, and other cheese that is crammed in tells me that.

Metaphors or not, they are guilty of the very thing you're criticising TDK for. You're just making up silly excuses for it.

No their not because they aren't spelling things out for you. Most people think Spider-Man is just a good guy vs bad guy, when it's not. It doesn't spell that out to them
Oh don't you fret, I got it in spades. Hard to miss with the strings of monologues about the movie's point in each flick :yay:

Please post a monologues that tells with the fact that the spider-man films are metaphoars for teenagers growing into men.
Exactly. His powers only come back when MJ was put in danger by the car coming at them. She is the whole basis for it.

All about the girl.

No they dodn't, because he could not know she was in danger without his spider-sense. His powers were back then.

Action badass?

LOLOLOLOLOLOLOLOL!!! He and his friends went looking for ONE gem bandit in a forest. How does that make him an action badass? :woot:

Because they burnt the forest to the ground and don't forget they compare this gem bandit to the Joker.
You want to talk action badass, how about Super Granny Aunt May, who can clock Doc Ock with her brolly, and survive the trauma of being tossed off a building twice by a psycho with 4 metal tentacles? LOL!

I don't see how having a strong heart makes you a badass. It just means she ate well and stayed healthy. I guess eating salnd is badass.
Those are not plot holes. Not telling us the details of how Gordon arranged his faked death is not a plot hole. Why? Because it's not something that was impossible to do or contradicted another plot element.

It is a plot hole, because without Gordon's death they would not have capture the Joker, Rachel would not have been kidnapped, Rachel would not be dead, Dent would not be burned, would not have become two-face, it was a massive plot point.


Oh please. The simple fact is that MJ uses other men for her own insecurities, and then dumps them when it suits her. She even cheats on the guys when she's with them, like kissing Spidey when she was with Harry, and kissing Harry when she was with Peter. She even tried to get with Peter when she was engaged to John Jameson.

She's a horrible person, and her insecurites don't excuse that behaviour.



When I saw her go with three different blokes in Spider-Man 1, that told me all I needed to know about her character :yay:

A nineteen year old girl kissing three guys in one calender year. What an awful person she is.
When that son has zero control over the company after being absent and assumed dead for years, yeah that's a ridiculous assumption.

He is still the son, of course he would have power. Not to Bruce wanted to move up, he put there to learn the business.
Three things:

1. The mask had no holes in it at all. It had a bit of black. So the so called fire was hardly extreme.

2. Spidey wears gloves. Much easier to smother a few tiny flames with.

3. You'd suffer a few minor burns to protect your secret identity if you had any intelligence.

His eye lense was burning, he could see out of it.
That's not the point. The point is that he is still besotted with her and his actions in Spider-Man 2 are still dictated by his feelings for her. It's still all about the girl whether he's with her or not.



Of course he does. The only reason he was late was because his motorcycle got wrecked and he took out the thugs on the way there.

LOL! He pulls up to the theatre in their car :woot:

He's late for the show because he puts the rest of the city first, thanks for proving my point.
But why is it then that his powers are only shown to fluctuate after he has heartbreak with MJ? When he sees her leave the theatre with John. When her engagment to John is announced etc. That's when it's shown. That's when we see him fall from the sky flat on his ass.

Was MJ in the bank when his powers cut off? Don't think so. You also seem to ignore the fact that at the same party that MJ announced her engagement Harry slapped him twice.
Heartbreak over MJ. All about the girl. And I repeat the line Octavius said to him: "If you keep something as complicated as love stored up inside, it can make you sick".

Gee, are they spelling out in a LINE why Peter's powers go screwy? :woot:

No because Ock isn't talking about Peter's Spider powers. You see that line has subtext. The charcter means one thing but the audience understands it means another.
 
No because they tell you, which is bad film making. Which IS a FACT by the way. The art of film is to show not tell.

posting a couple of links to screenwriting websites does not a fact make. art isnt about facts or just following rules. anyone who has taken film 101 knows this. all of the great filmakers break the rules of film when it suits them and that is what makes them artists and not just craftsmen.

and you mention citizen kane. if orsen welles had listened to the convential wisdom of his time, he would have quit filmaking after critics savaged kane. now we know better.

yes voiceover is considered a no no and a crutch. but many great movies use voiceover and dialogue to move the story/plot to great effect. blade runner, shawshank, clockwork orange, and fight club spring to mind, just to name a few.

and i have seen many great films where the dialogue plays an important role. with all due respect to welles, its not 1950 anymore.

besides im quite certain if you watched the dark knight with the sound down you would understand exactly what was going on.

the spiderman films rely on dialogue to help tell the story justas much as nolan's batfilms.

are you telling me that if you watched spiderman without the sound you would know it is "about teenagers becoming men?" c'mon. you are being obtuse.

feel free to like withever movie you want. art is subjective. but dont recite your notes from screenwriting 101 to try and make your opinion seem like fact.

i can link just as many screenwriting sites that have praised the screenplay fro the dark knight.

as far as the subject of the thread, i think both films are among the best of their kind. i liked the dark knight more but both are genre masterpieces imo.
 
posting a couple of links to screenwriting websites does not a fact make. art isnt about facts or just following rules. anyone who has taken film 101 knows this. all of the great filmakers break the rules of film when it suits them and that is what makes them artists and not just craftsmen.

and you mention citizen kane. if orsen welles had listened to the convential wisdom of his time, he would have quit filmaking after critics savaged kane. now we know better.

yes voiceover is considered a no no and a crutch. but many great movies use voiceover and dialogue to move the story/plot to great effect. blade runner, shawshank, clockwork orange, and fight club spring to mind, just to name a few.

and i have seen many great films where the dialogue plays an important role. with all due respect to welles, its not 1950 anymore.

besides im quite certain if you watched the dark knight with the sound down you would understand exactly what was going on.

the spiderman films rely on dialogue to help tell the story justas much as nolan's batfilms.

are you telling me that if you watched spiderman without the sound you would know it is "about teenagers becoming men?" c'mon. you are being obtuse.

feel free to like withever movie you want. art is subjective. but dont recite your notes from screenwriting 101 to try and make your opinion seem like fact.

i can link just as many screenwriting sites that have praised the screenplay fro the dark knight.

as far as the subject of the thread, i think both films are among the best of their kind. i liked the dark knight more but both are genre masterpieces imo.

I am in agreement with both Joker, and deathfromabove.

First I love Spiderman 2 very much, next to BB, and TDK it is one of my favorite comic book films and just very well done. Now as a matter of which one is better, is purely of course subjective.

But some of the comments made, about Spider-Man 2 showing things more through visuals and not spelling it out. I have to laugh, because both of the films do use dialogue to spell out the film. But on either case that does not make the film any less of an intelligent film. Just as deathfromabove said, great classics like Blade Runner, and Shawshank, use heavy dialouge sequences to explain things. But just because dialouge speaks out and guides the story, does not make it less of a deep movie. Because the depth of the movie is not just in visuals, or dialouge, it is in between the dialouge lines, the words spoken.

Though a different medium, we don't say well technically books spell out everything, hence its not as intelligent. Thats why most wars continue today because people take such different depth/meaning out of religious doctrines. And all because of the dialouge spelled out on what to do on them.

It is almost as some are acting that Spider-man 2's visual cues, are at the level of 2001. I never walked out of Spidey 2 and thought anything of that.

Also TDK is trying to take a more "realistic" approach, no I do not mean that says it is "realistic" but that is the approach it takes. And in real life people dialouge. And in TDK yea there is a lot of dialouge that spells it out so the general audiance can enjoy a good flick. But TDK has layers, its whats in between those lines that most consider TDK to be a deeper film. 95% of the Joker's depth is not from the dialouge but just more the reflections on his actions, and behavior. Visual cues such as "the fire truck on fire" simply put, but never flat out told. You can tell some one deep messages verbally in a film, which TDK does a little, not as much as some seem to think, but that does not mean its spoon feeding. Most still don't get it, as I said before the depth lies in between the lines of dialouge, and the action therefore after.

But on a personal level, why I think TDK is more deep, and why many seem to think so. Is that Spiderman *though I love it very much* is more about what happens if a film is physically altered, changed DNA getting super powers with big arms on the person. That is usually the key to making them who they are. And then it never seems to reach any where else. It is just about the bad and the good guy that get alterations and with those alterations fight out good and evil on a much grander scale.

While with TDK, or BB and TDK, it is more about what happens, when a person is psychologicaly scarred, which is something all humans on this earth can relate to. I can't relate to getting my DNA changed, but I can with losing some one close, or for some people watching loved ones get killed in front of them. While the pyscological aspect goes deep, in a sense it is that that changes the person to either good or evil. And not the other way around. With the Joker, if anyone could come out of TDK and say they understand the Joker to the fullest....well they did not understand the film. The Joker can't really be explained that easily. And its the depth in TDK and the things in between the lines that speak that loudly.

But to me the psychological thing is more relatable, and it changes the person for good or evil. And in TDK like real life its not black and white. To what is good and what is evil. In Spidey it is more clear cut. Doc Ock is commiting bad deeds, and Spidey is doing good deeds. And with TDK, its never that clear, Bats does not even know if what he is doing is good, people are mimicking him, but doing a horrible job, making it more dangerous, and he gets to these points where he is hurting and killing others. Which is just quite deep stuff in my opinion.

Both TDK and Spidey 2 are great films. But TDK just is so deep, and the reason is more because of the subject matter. Spidey deals with more light hearted, becoming a man, kidna thing. And TDK is more about the root of people, and how they deal with a corrupt and crazy world about them. And delves more into the not so heroic side of a super hero. Of course Spidey 3 tried this but proved that substance matter does not work well in that kinda film. TDK just deals with more of a serious subject matter.

Now to end my statement. Of course everything we are all saying is subjective. Everything I am saying could surley be compltely wrong. But it is from all are own perspectives.
 
Let me try to get my head around the debate here, I've only been skimming off and on, because I don't really want to spend five hours reading through those massive block texts you guys have been going back and forth with.

But basically, Jack, you think that the Dark Knight isn't that deep of a movie (or isn't as deep as Spider-man2) while Joker and Death disagree. And if I'm wrong please correct me on that, I don't want to be putting words in anyone's mouth.

Now, I'm predisposed to TDK, because, while I'm a Spidey fan first, I'm not a big fan of Raimi's movies. I feel Spider-man 2 did a lot of things wrong with the character of Spider-man and MJ particularly. However, purely from a film standpoint, it's pretty darn good.

Both TDK and SM2 had a lot of underlying themes to their movies, but when it comes down to it, I think TDK opens up more room for....speculation, if you will about the themes it addresses. There is the theme of Bruce struggling with Batman and the "if you don't die a hero you live long enough to see yourself become the villain" both of which are spelled out in dialog in the movie. The meaty stuff (at least for me) is all about the Joker. This is one of the few villains I've seen in a film who exists purely for chaos. He doesn't want power, he doesn't want money, he's not out to take over the world, he doesn't have a split personality that drives him, heck he's not even out to kill Batman. He's out to inflict pain, but not just physical pain. He wants to see how low he can drag people. He's out to ruin everyone, he wants to make you realize that we're all only a few steps away from him.

It makes you wonder what causes a man to become like that, and it makes you think what would have to happen to you to make you yourself that way, and if we really are only a few steps away from becoming jokers ourselves.

SM2 to me was a basic coming of age story. It was about Peter fully accepting, and fully realizing, what it means to be Spider-man (which incidentally TDK explored as well.) But this theme is pretty much spelled out as well. Aunt May's speech covers everything Pete is going through. The movie also illustrates what can happen when great power goes astray (as viewed in Ock) which was a nice compliment. However, I don't think that any of the themes in SM2 run as deep as the moral issues the Joker himself brings up.

On a more general level, both SM2 and TDK have their faults. TDK's dialog tends to get very brooding and preachy, while SM2's tends to get very corny and sappy. Both have their own flaws in the logic department, as illustrated with Ock throwing a car at Peter, even though he needed him alive to talk to him, or Ock being able to stay concision when Pete punches him. In TDK we have Batman surviving falling off his penthouse with Rachel and smashing into a car, or falling two stories, smashing a van roof in, and not blowing out both knees, and the still debated ending where he takes Harvey's rap.

On the whole, I think TDK was better put together then SM2. SM2 was the ideal version of the general Superhero movie formula that's been around since Superman: The Movie. TDK took some new steps and new directions, and it did it very well. Overall, I know for me, I think TDK is a better movie because it was able to juggle multiple plots and multiple characters without being too convulted (unlike B&R, or SM3), and I just didn't like SM2 because it wasn't as true to the character of Spider-man as I would have liked.
 
The "Ock throws a car at Peter" issue is a moot point in this discussion, as TDK featured what amounts to the exact same flaw. If Joker wanted Dent alive for the Harvey/Rachel choice game, then why did he fire a bazooka at the armored car?

This is a minor quibble, but it demonstrates the exact same lack of reasoning as Ock throwing a car through the window at Peter did and neither should really be used in an argument as to which film is superior as they cancel each other out.
 
The "Ock throws a car at Peter" issue is a moot point in this discussion, as TDK featured what amounts to the exact same flaw. If Joker wanted Dent alive for the Harvey/Rachel choice game, then why did he fire a bazooka at the armored car?

This is a minor quibble, but it demonstrates the exact same lack of reasoning as Ock throwing a car through the window at Peter did and neither should really be used in an argument as to which film is superior as they cancel each other out.

Gordon: "The Joker planned to be caught. He wanted me to lock him up in the MCU"

Joker never intended to really kill Dent. He knew it was a set up to try and catch him. That's why he took the bait. And he had to make it look good. But he planned to be caught. Having his men waiting to pick up Harvey and Rachel. The bomb in the thug's stomach etc. All planned.
 
I know, and that's exactly what I'm saying. The bazooka could have easily killed Harvey if the Batmobile hadn't jumped in the way.

Like I said, minor quibble, but it's almost exactly the same thing as "Ock throws a car at Peter".
 
I know, and that's exactly what I'm saying. The bazooka could have easily killed Harvey if the Batmobile hadn't jumped in the way.

Like I said, minor quibble, but it's almost exactly the same thing as "Ock throws a car at Peter".

I know that they both have flaws like this, as I posted above. However the only thing I'll say in TDK's defense is that Dent was probably much more likely to survive that rocket in an armored car then Peter would have (if he had been a normal person like Ock then though) with a car thrown at him.

Other instances in TDK (the two times Batman jumps/falls off something very high and isn't injured) are more liken to the car scene in SM2.

For me though (and I posted this above) the biggest annoyance with SM2 is Ock's apparent super strength, because he can endure multiple punches from Spider-man straight to the head, and stay concious, even though Spider-man is shown to be strong enough to stop a train with the aid of his webbing, or hold up a huge section of a wall. What they should have done was make it like it was in the comics, make Ock's tentacles so fast and deadly that Spidey can't get close enough to Ock to touch him.
 
posting a couple of links to screenwriting websites does not a fact make. art isnt about facts or just following rules. anyone who has taken film 101 knows this. all of the great filmakers break the rules of film when it suits them and that is what makes them artists and not just craftsmen.

Name me one great film making who has spelt out the plot of his movie with a monlounge in the climax.
Guy mentioned Bladerunner, first off you notice that when Ridley Scott went back and got his final cut there was no voice over, secondly, does the movie end with Harrison Ford stating plaining whether he is a replicant? Or announce it's position on the life?

Artists break the rules with filming techquie, angles, lenses etc they don't explain what their film is about, that's a big no,no.

As for whether or not you could tell that Spider-Man 1 and 2 are about growing into a man with the sound down. Of course you could because the dialougne never actually addresses it. You know it's about that because you see him in his room shooting white stuff out of his body and then not letting his Aunt May in. It's not complicated.

Look here's the quote Joker posted

Gordon: "The Joker planned to be caught. He wanted me to lock him up in the MCU"

That line doesn't need to be said, people should be able to understand that from The Joker's actions. I would assume everybody does so that line is condencending, it speaks down to the audience. You're not smart enough to understand this so we'll going to help you, here have a lollipop.

And it's filled with lines like that.
 
Name me one great film making who has spelt out the plot of his movie with a monlounge in the climax.
Guy mentioned Bladerunner, first off you notice that when Ridley Scott went back and got his final cut there was no voice over, secondly, does the movie end with Harrison Ford stating plaining whether he is a replicant? Or announce it's position on the life?

Artists break the rules with filming techquie, angles, lenses etc they don't explain what their film is about, that's a big no,no.

As for whether or not you could tell that Spider-Man 1 and 2 are about growing into a man with the sound down. Of course you could because the dialougne never actually addresses it. You know it's about that because you see him in his room shooting white stuff out of his body and then not letting his Aunt May in. It's not complicated.

Look here's the quote Joker posted



That line doesn't need to be said, people should be able to understand that from The Joker's actions. I would assume everybody does so that line is condencending, it speaks down to the audience. You're not smart enough to understand this so we'll going to help you, here have a lollipop.

And it's filled with lines like that.

Yes, TDK does have lines explaining plot points of the movie...however, Spider-man 2 does as well. Aunt May explains the theme of the movie in her speech. She spells it out for the viewer.

And I wouldn't say the SM movies are completely about growing into manhood, they're more about accepting responsibility, and that theme has been hammered in dialog since the creation of the character itself. If I watched the two SM films with no sound, I think that's what I would pick up from it, a man struggling to finally accept the responsibility of the life he chose. That's fairly clear. However, if I watched TDK, I think I would still be able to pick up the theme that (ironically) is very much similar to the SM movies, accepting responsibility of the life you chose, and the dangers of falling away from that responsibility. The dialog simply adds to the theme, just like Aunt May's dialog does in SM2.

However, I think TDK has more "explaining" dialog if you will, becuase the events that happen in TDK are much more confusing and complicated than most of the instances in the SM movies, and that's not a knock on the SM movies, they just don't have as much going on within their storyline.

In addition, TDK also has many other layers you can examine, as I showed when I got into the character of the Joker. SM is pretty much about that one theme of accepting responsibility of the things you choose to do.

Of course, I've never been that big on the SM films. I don't think Raimi has a full understanding of the character, and his depiction of the Peter Parker/Spider-man relationship left much to be desired.
 
The Joker never fired the Bazooka at Dent. He fired twice at the police car in front of the armored car, but never at the armored car itself. The most powerful weapon he used against the armored car where Dent was traveling was a shotgun, so I don't see the comparison to the Ock situation.
 
I know, and that's exactly what I'm saying. The bazooka could have easily killed Harvey if the Batmobile hadn't jumped in the way.

Like I said, minor quibble, but it's almost exactly the same thing as "Ock throws a car at Peter".


Actually that bazooka wouldn't of killed Harvey even if it was a direct hit. The most it could do would knock the van over, thusly disabling it so Joker could capture Dent. He wasn't ever trying to kill him. Why do you think his plan involved taking out the last and first vehicles in the convoy? That is standard military tactics, take out the first and last vehicle, forming a trap.
 
Name me one great film making who has spelt out the plot of his movie with a monlounge in the climax.
Guy mentioned Bladerunner, first off you notice that when Ridley Scott went back and got his final cut there was no voice over, secondly, does the movie end with Harrison Ford stating plaining whether he is a replicant? Or announce it's position on the life?

Artists break the rules with filming techquie, angles, lenses etc they don't explain what their film is about, that's a big no,no.

As for whether or not you could tell that Spider-Man 1 and 2 are about growing into a man with the sound down. Of course you could because the dialougne never actually addresses it. You know it's about that because you see him in his room shooting white stuff out of his body and then not letting his Aunt May in. It's not complicated.

Look here's the quote Joker posted



That line doesn't need to be said, people should be able to understand that from The Joker's actions. I would assume everybody does so that line is condencending, it speaks down to the audience. You're not smart enough to understand this so we'll going to help you, here have a lollipop.

And it's filled with lines like that.

Errr.....what? How the hell is the audience (i'm talking about regular movie goers here, not comic fans) supposed to know that all along the Joker wanted to get caught? Fair enough us fans of Joker probably knew he wouldn't get caught that easily but the average cinema goer would look at the chase scene, see Joker get captured at the end and go "Ohh, well Batman and Gordon saved the day!" How in gods name would they automatically think "Ohhh wait a second, Joker wanted to be caught so he could get to Lau!" :whatever:
 
Name me one great film making who has spelt out the plot of his movie with a monlounge in the climax.
Guy mentioned Bladerunner, first off you notice that when Ridley Scott went back and got his final cut there was no voice over, secondly, does the movie end with Harrison Ford stating plaining whether he is a replicant? Or announce it's position on the life?

Artists break the rules with filming techquie, angles, lenses etc they don't explain what their film is about, that's a big no,no.

As for whether or not you could tell that Spider-Man 1 and 2 are about growing into a man with the sound down. Of course you could because the dialougne never actually addresses it. You know it's about that because you see him in his room shooting white stuff out of his body and then not letting his Aunt May in. It's not complicated.

Look here's the quote Joker posted



That line doesn't need to be said, people should be able to understand that from The Joker's actions. I would assume everybody does so that line is condencending, it speaks down to the audience. You're not smart enough to understand this so we'll going to help you, here have a lollipop.

And it's filled with lines like that.

and the spider man films are also filmed with lines like that. if you are a big fan of the character or a film buff, much of this dialog is useless. but these movies (as good as they are) are pop films. do they both rise above that? i think they do. but in a film as fast paced as the dark knight lines like gordon's serve the audience, who is given very little time to recover.

and saying the spider man films are just about the journey from adolescence to man hood is oversimplifying quite a bit. that is just one of the many themes. and yes many of these themes are written out plain as day in the dialog.

i mean how many times do we hear "with great power comes great responsibilty" or some variation on this idea spoken aloud in the film?

and if you think gordon's dialog explains the entire plot of the dark knight or "what its about" you must have missed the movie. because batman is not on the run, he is not being hunted or condemed, and he has not sacrificed his reputation until the end of the movie. if you listen to gordon's monologue dialog he actually says next to nothing about the events that have transpired in the film. and if you think the only theme explored in TDK is that batman "is a dark knight" i must again suggest another viewing.

and i will also suggest you listen to tommy lee jone's dialog that bookends "no country for old men" and inform the cohen's (and cormac too) that they need to take some screenwriting classes..:whatever:

again i do not feel that one film is technically superior in the regards you have mentioned. they both use dialog to reinforce themes and help move the plot along.
 
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and i will also suggest you listen to tommy lee jone's dialog that bookends "no country for old men" and inform the cohen's (and cormac too) that they need to take some screenwriting classes..:whatever:

Are you serious? Are you actually comparing TLJ's dialog, which to this day people are unsure what it meant, to Gordon's speech that has a plain as day meaning?

Someone discussing a dream to

Batman: Sometimes, truth isn't good enough, sometimes people deserve more. Sometimes people deserve to have their faith rewarded.

Lt. James Gordon: Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him, because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.

Really?
 
Are you serious? Are you actually comparing TLJ's dialog, which to this day people are unsure what it meant, to Gordon's speech that has a plain as day meaning?

Someone discussing a dream to



Really?


How could anyone not know what TLJ was talking about? He is basically saying that these days there is no reason for the madness, that it is "No country for old men". He mentions earlier in the film that some sheriffs back in the old days didn't carry guns, and he says they couldn't get away with that now.

The whole meaning of the film is summed up in the title, how could no one get that?
 
Are you serious? Are you actually comparing TLJ's dialog, which to this day people are unsure what it meant, to Gordon's speech that has a plain as day meaning?

Someone discussing a dream to



Really?

And you do realize that he is talking to his son that whole time don't ya?
 
Are you serious? Are you actually comparing TLJ's dialog, which to this day people are unsure what it meant, to Gordon's speech that has a plain as day meaning?

Someone discussing a dream to



Really?

well maybe you are unsure what he meant but im pretty sure some of us got it.

besides how does this dialog...

"Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him, because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight. "

explain the plot, theme, or meaning of the entire film?

i will tell you.

it doesnt.

at all.:huh:
 

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