kentshakespeare said:
see, you kep saying this. "wrong. yes, they're wrong", without anything of substance to back it up. why. are they. wrong?
Because of various objective criteria- use of meter, rhyme, imagery, symbolism, style, technique and all the elements of poetry that can be analyzed. The stuff students of literature take upon themselves to study and analyze.
kentshakespeare said:
Its not an exact analogy. But why is one version of history myth and another fact? That is actually a good question, right? It depends on various criteria, not all of which are strictly measured by dials and meters. Just like the poetry above.
kentshakespeare said:
they both work in music. how closely related do two artists have to be to be judged against each other in your vague, mysterious system? same genre? same instruments? same scales and tempo? maybe the same song. maybe the only definitive judgement to be made is between bobby darin and frank sinatra's versions of 'mack the knife'.
The Sex Pistols work in a pretty modern, standardized format. Its better to compare them to others in that same pop format. Mozart and the Sex Pistols aren't really working in the same medium, anymore than Homer is working in the same medium as some guy who writes limericks.
kentshakespeare said:
okay, let's play. you be popper and I'll be feyerabend. but it's not about method or knowledge. it's about what that knowledge fundamentally purports to represent. scientific knowledge is a way of understanding the physical facts of our existence. aethetic knowledge is about understanding our relationship with the world, which, you must agree, is far less tangible, although both may be equally inaccessible.
Both ARE equally inaccessible. Its just that in regards to discovering the physical facts of our existence the Western world has decided to lay aside disagreements, settle on a methodology and give it a priveleged position. One that I agree with, but we could just as easily come up with a set of standards for various artistic media and privelege certain techniques. In fact, thats sort of what prevailed in university studies of arts before the 20th century, didnt it?
kentshakespeare said:
maybe they're not. but the point is that they either are or aren't. I don't think you can be "wrong" in art because a set of facts about artistic hierarchy is not there waiting to be deciphered.
Wait, why are we allowed to make judgments about the value of different physical evidences but not the value of evidence related to artistic criteria?
kentshakespeare said:
aesthetic judgements are something we impose upon the world, rather than something we take from it.
I disagree. In fact, I'd argue that the great majority of our aesthetic sense isn't even culturally determined, but is determined by our genetics as a species. All that we argue about are details.
kentshakespeare said:
reality is certainly built through the human mind. but I'd say you're not just approaching this from a human point of view, but a very western-centric point of view, both in terms of aesthetic values and female attractiveness.
Thats hardly true, considering I grew up in India. One thing I discovered after moving here (I majored in evolutionary anthropology by the way, so I put a lot of emphasis on that) is that a great deal of aesthetic standards are universal. As regards female attractiveness, there have been cross-cultural studies done about this. There is a huge amount of overlap between cultures. And it is because of our shared evolutionary history as a species.
kentshakespeare said:
is van gogh universally considered a great painter?
I daresay you show my crappy stick-figure artwork vs Van Gogh's "Starry Night" to anyone in the world, and they'll pick the latter. And that would be the point, human aesthetic standards are largely universal.
kentshakespeare said:
is kristin kreuk a universal archetype of beauty?
again, compare her to the plain girl next door, and I guarantee you she'll be considered more attractive by cultures around the globe. I'm not just making this up. This has been extensively studied by evolutionary anthropologists. Factors such as youth, physical features associated with youth, facial symmetry and other objective criteria are prized by every single culture on earth.
kentshakespeare said:
no. in the case of van gogh, it is dependent upon taking deriving your sense of standards from the european tradition of painting. in the case of kristin kreuk, we're talking mozart vs the pistols again - the element of old age is not a viable factor, as we are programmed by evolution to, in general, not seek out mates who have undergone the menopause.
Yes, but what did I say? We are human beings. In order to even meaningfully talk about "attractive" vs "non-attractive", we can only talk about it from a human point of view. Just as when talking about "real" vs "non-real" we can only approach it from a human point of view. Imagine an alien's point of view. He might find old ladies more attractive than Kristin Kreuk, but why stop there? He might think the theory of relativity is bunk, that for him, his "logic" dictates something completely different to explain physical phenomena. We like to think that every observer will agree on the nature of physical reality, but why would that be the case any more than every observer agreeing on the nature of aesthetic truth?
kentshakespeare said:
and for any "attractive" woman of childbearing age, opinion will be massively divided about her beauty, especially across cultures.
except it isn't.
kentshakespeare said:
anyway, nice chatting to you. I disagree with virtually everything you say, but it's been fun.
yup.
