CConn
Fountainhead of culture.
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Before I get into this, I just want to say, this isn't meant to be at all a critique or a complaint against the actual film. I enjoy it tons, and I'd be hard-pressed to disagree with anyone who said it's in the top 3 of the best superhero movies ever. And it definitely isn't my intent for the conversation in this thread to degrade into an "Avengers suck." "No, it doesn't." "Yes, it does." discussion.
Okay, with that out of the way, despite my great enjoyment of Avengers as a film, I couldn't help but immediately take notice of the potential that the film - and it's story - really represented as a sociopolitical narrative and allegory to our own real world Geo-political world. And, I think, with just a few minor changes to the movie, it could've had a much deeper and far reaching meaning and moral that could've rivaled the subtexual depth and quality indicative of many foreign "art" films without subjugating any characterization, action or plot.
Here's how...
Now, I'm sure a lot of your first thoughts will be "I don't want politics added into the Avengers" or "I don't want to be preached political propaganda" - and I agree with you wholeheartedly. It shouldn't be political and it shouldn't be preachy. It shouldn't make any political statements, insinuations, or approvals - it should merely present participants as they are; pose the questions without forcing any answers. As the movie is now, you could argue that the Hulk analogy is very much still viable - does that make you enjoy it any less when Hulk smashes Loki about? Of course not. Because that's not preaching, that's just a fun moment within the story, that works with the plot itself.
Most of the subtext I mention already IS in the movie to some degree, it's just not quite fleshed out as wholly as it could have been. It's just little finishing touches that could've even been achieved through slightly different direction - with the script itself remaining pretty much entirely intact.
Additionally, I'm sure a lot of you would be concerned about anyone having the talent to actually be able to write something this - possibly incendiary - with the deft subtly that would keep it from offending anyone. And I will say - yes, it's rare to find a writer skilled enough to pull off that level of subtext, but it's definitely possible. How many of you realized that Burton's Batman movies were actually critiques of the excess and commercialism of the 1980s? Because they were. Is Charlie Chaplin's Modern Times somehow offensive obtuse because it was a critique of talking pictures? Of course not. Because when it's done in an intelligent, and tempered way, subtext blends into the larger tapestry of a film so wholly, that it is near-unnoticeable to those who aren't actively seeking it out - and more importantly, doesn't force any opinions on anyone, merely espouses simple ideas that anyone could follow to some degree.
So yeah. Those are the couple things that, for me, would've pushed the movie from being incredibly awesome, to quite possibly the greatest movie I've ever seen.
Okay, with that out of the way, despite my great enjoyment of Avengers as a film, I couldn't help but immediately take notice of the potential that the film - and it's story - really represented as a sociopolitical narrative and allegory to our own real world Geo-political world. And, I think, with just a few minor changes to the movie, it could've had a much deeper and far reaching meaning and moral that could've rivaled the subtexual depth and quality indicative of many foreign "art" films without subjugating any characterization, action or plot.
Here's how...
- Many of the characters in the Avengers would be allegorical to real world bodies or principles;
- Captain America - America
- Iron Man - Capitalism or Industrialism
- Thor - Europe
- Bruce Banner/Hulk - The Underclass
- Loki - The Antiquated European Aristocracy
- The Chitauri - Communism
Turning these characters into these allegorical mirrors would be easy - because the foundations are already there, and already slightly apparent. It wouldn't be endless dialogue about Captain America singing the virtues of the American government - they'd all be the same characters, with near-identical dialogue, you would just have that undercurrent of having that second meaning. When Bruce Banner gets angry at being manipulated by SHIELD, it would merely dually represent The Underclass' anger at being controlled by the wealthy or powerful.
- Involve the general public.
The second thing I would do, is have the film slightly more address what effect the Avengers have on the general public - and what the common man thinks of them. Raise that question that Batman comics/movies (and IM2, actually) often raise; are "supervillains" merely the result of superhero's over-involvement in normal people's affairs.
Then ask some of the questions that Lex Luthor often decries Superman for; does having superpowered people limit the common man's drive for greatness? Does always knowing that they'll be others stronger, and faster, and smarter than you limit your desire to achieve great things?
Also ask what role the Avengers play in world affairs. Are the Avengers just the superhero equivalent of a nuclear bomb? As destructive as they are effective - ultimately the easier, and simpler answer when more complex, yet more peaceful answers could be found by normal humans?
Then ask some of the questions that Lex Luthor often decries Superman for; does having superpowered people limit the common man's drive for greatness? Does always knowing that they'll be others stronger, and faster, and smarter than you limit your desire to achieve great things?
Also ask what role the Avengers play in world affairs. Are the Avengers just the superhero equivalent of a nuclear bomb? As destructive as they are effective - ultimately the easier, and simpler answer when more complex, yet more peaceful answers could be found by normal humans?
- Change the ending; make the destruction of New York more traumatic.
While in the comic book world, New York is generally demolished every third Tuesday of the month, in the real world, having a massive alien invasion destroy several city blocks would be a massive event. Akin to, and even more definitive, than 9/11. I would make the ending focus on that much more; I might even take it as far as having the general public not even view the Avengers victory as a victory; instead having them be more fearful and angry at the Avengers than anything. I know, this makes the movie a whole lot less fun and empowering than it is currently, but I also think it would be a much more...rational reaction for the general public to have, and would work much better with the allegorical characters as well. Having the Avengers, America, Capitalism, etc. overthrow Communism, is much too simple - and preachy - to fly with anyone. Instead, by having the Avengers' victory questioned, you raise the question as to which political and social philosophies are really better or wiser. I think that level of ambiguity would make for an overall more compelling film.
Most of the subtext I mention already IS in the movie to some degree, it's just not quite fleshed out as wholly as it could have been. It's just little finishing touches that could've even been achieved through slightly different direction - with the script itself remaining pretty much entirely intact.
Additionally, I'm sure a lot of you would be concerned about anyone having the talent to actually be able to write something this - possibly incendiary - with the deft subtly that would keep it from offending anyone. And I will say - yes, it's rare to find a writer skilled enough to pull off that level of subtext, but it's definitely possible. How many of you realized that Burton's Batman movies were actually critiques of the excess and commercialism of the 1980s? Because they were. Is Charlie Chaplin's Modern Times somehow offensive obtuse because it was a critique of talking pictures? Of course not. Because when it's done in an intelligent, and tempered way, subtext blends into the larger tapestry of a film so wholly, that it is near-unnoticeable to those who aren't actively seeking it out - and more importantly, doesn't force any opinions on anyone, merely espouses simple ideas that anyone could follow to some degree.
So yeah. Those are the couple things that, for me, would've pushed the movie from being incredibly awesome, to quite possibly the greatest movie I've ever seen.
