Interstellar - Part 7

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That's one aspect, I think the other one is in the light of most people's comedic exposure coming from canned laughter sitcoms and Judy Apatow comedies people expect the humour to be a blatant sledgehammer and anything lower on the scale is classed as 'too serious'.

There's actually quite a lot of humour in TDKT if people's definitions are broader than sexual innuendo and lowbrow one liners.

It could just be because Nolan is british. Imo British humor is a bit more dry and subtle and I think Americans have a hard time with it some times. American humor is like you say a sledgehammer whereas british humor is more of a tickle. Nolan's humor may just be too "quite" for some Americans.
 
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It could just be because Nolan is british. Imo British humor is a bit more dry and subtle and I think Americans have a hard time with it some times. American humor is like you say a sledgehammer whereas british humor is more of a tickle. Nolan's humor may just be too "quite" for some Americans.
British humour is my favourite. :cwink:
 
I think Ledger is morbidly hilarious the whole time. Just some of his expressions and mannerisms (like the hilarious "not sure if serious" head tilt he does to Patrick Leahy that spawned a million gif posts, and the way he jumps at his own explosion).
The first time I saw TDK, the most hilarious scene for me was when Joker falls out of the overturned truck and the way his gun goes off when he stumbles around. :funny:

He just went, "SPLUT" right out of the thing! :funny:

:up:
 
It could just be because Nolan is british. Imo British humor is a bit more dry and subtle and I think Americans have a hard time with it some times. American humor is like you say a sledgehammer whereas british humor is more of a tickle. Nolan's humor may just be too "quite" for some Americans.

Yeah that's a good point. I'd say British humour tends to be more sophisticated, but I wouldn't say all American comedies aren't. That said the comedies produced for mass consumption are really only good if you have a frontal lobotomy, and that's probably true of British and American ones.

I have an issue with the American ones though because they're the most observable and prominent worldwide. It doesn't surprise me that people who only see BBT/Two and a half men/Two Broke Girls/HIMYM expect that from all media and are then disappointed with movies like TDK.
 
The first time I saw TDK, the most hilarious scene for me was when Joker falls out of the overturned truck and the way his gun goes off when he stumbles around. :funny:

He just went, "SPLUT" right out of the thing! :funny:


:up:

And can't forget the part where Joker starts spazzing out to mock the henchman that got electrocuted, then spits on him. :funny:
 
the funniest Joker line is when he's taunting the civilians during the ferry boat scene.
 
I find it even funnier that he's reading from a script to them. Like this is the big moment he's been waiting for and he can't have it go any less than perfect. It's like awwww Joker, lol.
 
Goddamn.

Can you guys imagine some bloggers and critics of today reviewing 2001 back in that day? I'm not comparing this 2001, but a lot of these critcs need to be spoon fed.

Some even attacked Scorsese for making a film like Wolf.

I hope you are having fun in heaven, Roger.

I miss ya.

Critics back in '68 were largely the same. 2001 was pretty divisive, still is really and rightfully so.
 
Are reviews now a days like wikipedia articles? seriously is like reading the freaking summary of the movie, cant they just i dont know, be good journalist and say if the movie is good or not? why do critics now a days feel like they have to write 30 paragraphs? Im pretty sure people from the hype can write much better reviews than most of this so called Journalists.
Customarily, mainstream “reviews” are consumer advocacy - is a movie worth spending $$ on? Of course, a simple :up::down vote doesn’t justify a professional salary. :word: So a review is typically padded out with a rough plot description, some quasi-technical observations on pacing, performances, etc. and/or “witty” commentary and putdowns of the studio system, washed-up movie stars and hack filmmakers. But in terms of a basic consumer recommendation, there’s really no need to divulge spoilers.

In contrast, academic “criticism” (the kind you find in film journals) is in-depth analysis. And it assumes the reader has already seen the movie - so “spoilers” are both expected and irrelevant.

My theory: some of the more thoughtful reviewers savor the opportunity to write about serious movies from serious filmmakers. I.e., they transition into “academic critic” mode. As such, they are more likely to divulge spoilers (necessarily, arguably) as part of their more “scholarly” examination and appraisal.

Moreover, it’s understood (or perhaps not :O) that the reviewer-turned-critic is now “grading on a curve.” Meaning that the 3 stars they gave to the last Fast & Furious movie (as a mainstream consumer recommendation) can’t really be compared to the 2½ star evaluation of, say, Paul Thomas Anderson’s latest work (which is being critiqued by different and higher “artistic” standards). Of course, this sort of discrimination is invisible to RT’s aggregate/binary scoring system; there, a review is either fresh or rotten.
 
The RT can drive people insane, I NEVER look at it!

Don't pay attention man. It will wind you up if its' not what you're hoping for.

Yeah. I really have no idea why I keep looking. Like it's going to have any affect on me seeing it or my enjoyment. :oldrazz:

And on the front of Nolan never having any fun...
A comment from the Guardian review:
Solemnity is Nolan's stock-in-trade. Challenge: try to come up with a list of lighthearted moments from Nolan films.
You guys have already done a great job in naming moments.
But what is this? Like 90% of the dialogue between Bruce and Lucius is humorous. Is this just something people expect to say, so they just say it? It's become cliché. He makes serious movies with moments of levity. This is a bad thing because?...
 
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It's only bad because light-hearted and fun is the "in" thing now.

There's room for all sorts of flavors and tones in movies though. Escapism comes in many forms.
 
I haven't read any of the reviews (positive or negative) yet because I don't want to spoil anything for myself, but you can bet that most of the negative reviews contain a ton of that pun humor that critics love so much. I personally find it irritating as hell. It's like "OOOOOOOOOOOOHHH look at me! I made a funny!" You know what I mean. Crap like:

"Interstellar never really takes off."

"Interstellar is as cold as deep space."

"When it comes to human emotion, Interstellar is a black hole."

"Matthew McConnaughey's performance is just barely alright, alright, alright."

I don't know about the rest of you, but whenever I read that kind of crap in a review (for any movie, even ones I don't like) it just makes me roll my eyes.
 
Hahahaha, yeah critics are the worst when they're trying to be clever.
 
Yeah. Sometimes I think they look for reasons to dislike a movie just SO they can come up with those lame puns.
 
"Nolan gets lost up his own black hole" is another one I've spotted.
 
Nolan's films being devoid of humor is a myth tbh. His films do have humor. They simply aren't insistent.
 
Promo.

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IMAX-shoots.

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2001 wouldnt even get made today. The focus groups would murder it and the producers would have triple heart attacks just reading the script.

Its funny to think in 2014 we are so far behind of what is shown in that movie, hell i think we are going even backwards in some things. Funny how people try to anticipate the future like minority report, 2001, etc and they are so far off target
 
It would be made. But not with the backers of Hollywood. It would need independent budgetary like how the Wachowski's gathered for Cloud Atlas. Or it would need the free money of wealthy film lovers who finance the films of Terrence Malick for zero proit.
 
That's another thing I don't get.
This notion that Nolan makes self-important movies. How does one glean that from any of his movies? Inception is "pretentious, pseudo-intellectualism" because it's "hard to understand". Eh, it's not that hard. Sorry you had to think a little at the movie theatre. :whatever:
 
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