I can't find the SOCIAL CONTEXT IN TDKR thread, this belongs there.
I'm not against reading too much into things, especially with political ideologies. These Batman films, and especially with
The Dark Knight, politics was a thematic feature in the story itself -- an undertone if not an overtone -- but I don't believe it has anything to do with the Bush Administration or the Obama years.
Granted, seeing Harvey elected and giving "hope" to everyone does echo Obama's victory and the feel of "change" but if you equate it with any one president you immediately see that Harvey's corruption says a lot about whoever it is you want him to be specified as. Personally, it doesn't really equate well with Obama anyway because the movie came out in 2008, which means the story was planned at least a year ago. If Dent is Bush, which TDKR highly contradicts, then you see the director telling a story that is anti-Bush from the get-go -- attacking terrorism, losing his cool when things got serious (a "terrorist attack" on the mayor) but the truth is, if Dent comments on any of these real-world leaders it's simply the title of being an elected official, and not anyone per se.
Asteroid-Man said it best: you can read it either way. The Batman is a vigilante, not the president taking Gotham on a war against terrorism. Interpreting him as a purely Right conservative would mean that the compromises he's making with the law are contradictions. In Batman Begins he is opposing Ra's and his self-proclaimed superior sense of morality and justice -- in essence, against the "divine right of kings" that any liberal knight would. The entire "it's not who you are underneath, but what you do that defines you" is a liberal idea, not a conservative one. If Batman is seen as a socialist hero, then his entire premise of "what
needs to be done" is something that Marx would advocate. Both Batman, the Joker, Catwoman, Scarecrow, Two-Face, and Bane are absolutes. As "larger-than-life" figures they should be equated with concepts rather than individuals. For Batman and the Joker, the reason they are able to address these political themes through their conflicts is because they each represent activities
outside the government and the law -- they are not answerable or accountable to anyone, that is what makes them so controversial to the people of Gotham City. In addition, the reason Batman and the Joker appear as so uncanny reflections of each other is because they're not part of the system at work. A Rightist or Leftist definition of Batman would rob him of that. Even Frank Miller's
DKR , which addresses these issues, was specifically anti-govt. Batman as an unstable figure echoes that. In other words, the reason they are able to
be political about good and evil is because, in essence, they are commenting on things that are much more philosophical or psychological. In Batman and the Joker's instance, it's existentialism and nihilism in
The Dark Knight -- one seeks to find some semblance of justice in a meaningless world, while the other embraces and is okay with meaninglessness.
Yes, he does have fascist qualities, but you can say that even for the more democratic leaders too. Batman is, as he has been in the comics, a Machiavellian character. That doesn't rob him of his heroism, nor does it make him politically aligned to any one party.
The Dark Knight addresses that in absolute terms when this "prince" sacrifices everything--even his own humanity--for the sake of the people. That's a utilitarian concept, in other words, that's a liberal conclusion. A conservative would probably not be prone on saving the joker.
Actually, I rather enjoy different interpretations of these movies. Politics is everywhere whether we like it or not. Saying 'lalala I don't want to talk about it, it's just a movie' seems a little childish.
I agree with this. Isn't there a saying that those who insist on being apolitical are being political about it?
I like your interpretations a whole bunch but I think the end of the Dark Knight is what counts. The upholding the lie to maintain order or to justify their actions. Which is WMDs in Iraq! Also, TDK came out before Obama got elected.
It was similar with
300 -- everyone equated the Persians as the Arabs in Afghanistan (Afghanistan IS NOT modern-day Persia) and the Spartans with Western Military Mentality. And yes, that's certainly a valid interpretation, and a very good one as well. But it's also very limiting. These films, texts, books, have much more to offer than merely equating them to political figures. For one thing, the very fact that they are able to comment on these political figures by
not being political figures says a lot about the universal narratives that are at play here--narratives, and themes, that perhaps these historical occurrences touched upon in the real world themselves.
This is why, despite the Occupy parallels in TDKR, and Bane's resemblance to soviet leaders and even to Gaddafi, i'll favour a less historical appreciation. I prefer to limit the work to the work itself. I know that's harsh, and maybe erroneous, but hey, if it was good for the New Critics, why not?
Its the narrative of the public persona that inspires people and keeps them going.
Couldn't have said it better myself.
You realise you can argue the exact opposite too, right?
Batman Begins - Came out during Bush administration
Gotham's economy is suffering and the people of the city are tired. Batman tackles corruption, takes down selfish, backstabbing board-memebers, he takes the power back from those in charge and delivers it to the people.
The Dark Knight - Obama "Rises"
All about Dent's change, betting it all on one figure to battle the corruption by legal means. The whole idea of putting trust in the people, and letting people make decisions themselves (the ferry scene). This film is the transition between a Gotham controlled by corrupt bureaucrats and under-the-table deals, to a Gotham for the people, by the people.
The Dark Knight Rises - Defending the current order of things
It's been peace time for years, and now an opposing force comes in, guns a-blazing (similar to how many conservatives have threatened to "take back the country with force"), threatening to take that all away. They smear Dent's name by throwing the Two-Face fiasco in the peoples' faces and instead of remembering the good Dent did, they are starting to focus on the bad.
The great thing about these films is the duality of the political undertones. They're not just one side of the political spectrum; it's both and even then it points out the faults in the actual system overall.
No. See the Nolan quote in my sig.
I thought TDK made a statement about the Patriot Act. Unlike our government, Batman did the right thing and gave the citizens their privacy back after the target was taken out.
I've felt like they were pro-people and not left or right wing.
These. Quoted again because they look so good
