Spider-Ranger
aka Goran
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How did a topic about a make-out scene turn into the HQ for all things CGI?
The same way every other thread turns into a TDK discussion..

How did a topic about a make-out scene turn into the HQ for all things CGI?

that picture looks like the unicorn is having a dump![]()


Damn, comparing that movie to every other action movie is boringThe same way every other thread turns into a TDK discussion..![]()
No one is saying ILM or WETA don't have a few clunker CGI films. Spider-Man 2 and 3 was no better than ILM worst work HULK/Star War Prequels, they all suffered from cartoonish looking CGI or a bunch of inconsistencies throughout their films. You can't compare Spider-Man with their (WETA/ILM's) best work, and to me, you should be able to.Woah...doggy. I was not dissing ILM. But BTW do you work there because if you do...this all make sense now!![]()
I know ILM made the original Star Wars and broke the ground that was Abyss, T2 and Jurassic Park. Blah blah blah. I was just saying that that doesn't mean Spidey's CGI was the pits (well maybe the first one's was...but still). I stand by the CGI in SM2 and SM3 was better than the Star Wars prequels and Ang Lee's Hulk from the same time period (which you can say was not using it as a crutch) or from TIH for that matter that came out after SM3. And it was more impressive than WETA's non-LOTR and KK efforts (Narnia movies).
No, it doesn't. Spider-Man competes with the worst of ILM/WETA, not the best. I feel it should compete with their best films. And if I recall, and I do, Spider-Man 2 won an Oscar for special effects because Lord of the Rings didn't come out that year. If it did, Spider-Man 2 would have lost. Even SM2's own VFX supervisor thanked LOTR for not coming out that year--because he knew his ass was gonna be grass if it did. So basically, LOTR gave Spidey his win.So...to say that it just sucks seems to have little to do with anything other than hatred for the effects company. SMy point was it still looks better than some of ILM and WETA's work to, which means that they must have been doing something right (SM2 won an Oscar for special effects, if I recall).
Hey, I'm one of those people who thinks that ILM's best work has nothing to do with Star Wars, although it's where the creating and pioneering was born. This has more to do with Lucas being obsessed with CGI and using it as a crutch. This takes nothing away from the fact that ILM has created many groundbreaking CGI.Well none that bothered me or anybody else, it seems. I do agree that there were shots that didn't need to be CGI in all three. But if we want to talk about unnecessary CGI let's pull up ILM's efforts in Indy IV with the gophers and monkeys or basically anything Lucas has done since CGI was created.
Boy, it's as if very little thought goes into what you post. No one wanted Terminator 3 because it wasn't being written and directed by James Cameron. That's why T1/T2 is so revered, not to mention, Cameron had said that the story was finished with T2, he had nothing else to tell. Fans/general audience knew that T3 was just a money scheme from FOX. Most importantly, they knew that the heart and soul and brain (James Cameron) wasn't apart of it--and that trend continues.No, I was stating my opinion. And I don't think the Terminator movies are as revered as Blade Runner or Indiana Jones, Star Wars, Jaws, etc. By that people still freak about three Star Wars prequels even though each one was a disappointment or Indy IV was treated like the return of cinematic royalty. Last I checked Terminator 3 squeaked by the BO and T4 bombed, while they made a short-lived TV show based on it that got canceled. So I really do not think that Terminator is held in the same breath as Speilberg and Lucas's classics by younger generations. Hence why people still want more SW and Indy, even if they didn't like the previous installments. A report about a Jaws remake is treated with amazing hostility from the mainstream, while "rebooting" Terminator excites what few fans are sticking with the franchise--albeit, Terminator is struggling to find a studio.
T2 Impressive only to "children" of the 80s/90s, say what? It's an R-rated movie, and has fans of all ages, it's constantly being shown on television and cable non-stop for a whole new generation. Adults, kids, Sci-Fi and action movie lovers alike love the film, just Google the damn thing. And T2 was a pioneer in CGI before Jurassic Park, and still is, Jurassic Park can't take that away from it--no matter how great its achievements were. T2 is no where near, not even close, to being as dated in visual effects as all three Spider-Man films.I never said T2 wasn't more influential. T2 is a technical achievement that was one of the CGI pioneers. Dodge City was one of the pioneers of technicolor too in 1939. But that doesn't put it in the same league as Wizard of Oz or Gone With the Wind, same with T2 with Jurassic Park. I don't think Terminator is getting any new fans because while hugely impressive to children of the '80s and '90s, the effects are dated and the messiah story of JOhn Connor isn't as amazing as some make it out to be.
The highlighted part is king, and pretty much sums up and ends our debate.And in the day it is personal taste. I agree T2 will live on as a benchmark technical film further than SM2. But I still find it a cold movie that is entertaining on a visceral level, but I don't care about the characters anymore (and probably less) than the ones in SM2. Avatar will be remembered as a technical and financial achievement for all time in 2009...but I still thought District 9 was better or Up in the Air for that matter. And Inglourious Basterds. And An Education. And....most popular does not mean I like it the best.
©KAW;19363294 said:No one is saying ILM or WETA don't have a few clunker CGI films. Spider-Man 2 and 3 was no better than ILM worst work HULK/Star War Prequels, they all suffered from cartoonish looking CGI or a bunch of inconsistencies throughout their films. You can't compare Spider-Man with their (WETA/ILM's) best work, and to me, you should be able to.
The problem is, Sony Imageworks has never created groundbreaking CGI.
No, it doesn't. Spider-Man competes with the worst of ILM/WETA, not the best. I feel it should compete with their best films. And if I recall, and I do, Spider-Man 2 won an Oscar for special effects because Lord of the Rings didn't come out that year. If it did, Spider-Man 2 would have lost. Even SM2's own VFX supervisor thanked LOTR for not coming out that year--because he knew his ass was gonna be grass if it did. So basically, LOTR gave Spidey his win.
Hey, I'm one of those people who thinks that ILM's best work has nothing to do with Star Wars, although it's where the creating and pioneering was born. This has more to do with Lucas being obsessed with CGI and using it as a crutch. This takes nothing away from the fact that ILM has created many groundbreaking CGI.
Boy, it's as if very little thought goes into what you post. No one wanted Terminator 3 because it wasn't being written and directed by James Cameron. That's why T1/T2 is so revered, not to mention, Cameron had said that the story was finished with T2, he had nothing else to tell. Fans/general audience knew that T3 was just a money scheme from FOX. Most importantly, they knew that the heart and soul and brain (James Cameron) wasn't apart of it--and that trend continues.
T2 Impressive only to "children" of the 80s/90s, say what? It's an R-rated movie, and has fans of all ages, it's constantly being shown on television and cable non-stop for a whole new generation. Adults, kids, Sci-Fi and action movie lovers alike love the film, just Google the damn thing. And T2 was a pioneer in CGI before Jurassic Park, and still is, Jurassic Park can't take that away from it--no matter how great its achievements were. T2 is no where near, not even close, to being as dated in visual effects as all three Spider-Man films.
The highlighted part is king, and pretty much sums up and ends our debate.
Now, back to Spider-Man's 50 Year iconic legacy in the art of the upside down kissy face.
Osborn banging Gwen how's that for iconic? The Osborn "O face" still hunts me