The Dark Knight Likes And Dislikes

Well my views on violence are pretty simple - its all in the execution. It does not matter what the rating is...the violence and action can still be intense. For example, the original Halloween (in my opinion the best horror film ever made) showed little to no violence. However, the impact that the violence had was tremendous, mostly because of the use of cinematography and sound. I'm expecting a similar effect here.
 
I believe there was some blood coming out of the corners of the fake Ra's' mouth in the monastary collapse. I could be wrong, though.


Nope your correct.

As he died and his head turned blood comes out of his mouth.
 
I believe there was some blood coming out of the corners of the fake Ra's' mouth in the monastary collapse. I could be wrong, though.

There was.

Also, I think the leaked pic of the fake Batman with the knife through his chest and his face having the smile cut into his face, along with being hanged is a pretty good indicator that there will be more blood/graphic violence. :hoboj:
 
There was little blood, because there was toys on the shelves that WB were trying to sell to kids, there should have been a darker tone. Then again, I saw very little that was dark and gritty about Batman Begins, more serious than previous Bat films, sure, but nothing was actually dark and gritty like The Crow.
 
There was little blood, because there was toys on the shelves that WB were trying to sell to kids. Then again, I saw very little that was dark and gritty about Batman Begins, more serious than previous Bat films sure, but nothing was actually dark and gritty.

Gritty here having the meaning of atmosphere. The way Gotham was designed, the tone, the realism, the Blade Runner-esque streets.
 
I believe there was some blood coming out of the corners of the fake Ra's' mouth in the monastary collapse. I could be wrong, though.
When I said no blood I mean there was hardly any. Yeah that was the only blood shown in the movie I think
 
Gritty here having the meaning of atmosphere. The way Gotham was designed, the tone, the realism, the Blade Runner-esque streets.
Sorry, but Gotham's atmosphere in Nolan's Bats looks and feels too safe and sterile, there are times it actually looks like Metropolis. I never felt the atmosphere of dark or gritty from this Gotham, didn't feel real to me. Watch the movies "Seven," "The Crow," "Silence of the Lambs," and you will see how dark, gritty and real the atmosphere is suppose to be handled in Batman.
 
Sorry, but Gotham's atmosphere in Nolan's Bats looks and feels too safe and sterile, there are times it actually looks like Metropolis. I never felt the atmosphere of dark or gritty from this Gotham, didn't feel real to me. Watch the movies "Seven," "The Crow," "Silence of the Lambs," and you will see how dark, gritty and real the atmosphere is suppose to be handled in Batman.

What about the narrows?
 
When I said no blood I mean there was hardly any. Yeah that was the only blood shown in the movie I think

near the end when Alfred pulled back Bruce's jacket there was blood on his side. Not looking to bust your balls or anything, just saying.
 
That is what I refer to as "*****-blood" not "badass-blood". :o
 
Well, even though it already seems to be out of fashion I'm going to go ahead and give my own list of likes and dislikes for TDK.

Likes:
  • Heath Ledger's performance. Everything I've seen is absolutely magnificent. Just note perfect on how The Joker should be portrayed in a film with this tone. By far the biggest delight, especially from someone who was very skeptical when he was first cast. It's just a shame he isn't still with us to see the results.
  • The epic scope of the story. Included in this is the fact that Nolan seems to have been able to craft an incredibly expansive story with a number of major and secondary supporting characters on all sides of Batman's war on crime.
  • The look. Nolan has quite clearly grown leaps and bounds with his ability to envision a major film like this (or perhaps he simply has the money/locations to grow?). There are so many incredibly beautiful and exquisitely crafted shots from the trailers that I'm just really looking forward to taking in the imagery alone. Also, while I did like some of the imagery in Begins, I've always felt that the blue tone is much more suited to Batman than the sepia (I prefer the noirish qualities the blue brings). That said, watch a trailer for Begins and one for TDK and try to tell me that Year One and The Long Hallowe'en don't immediately spring to mind.
  • Harvey Dent/Two-Face, done right. 'Nuff said.
  • Maggie Gyllenhaal. I don't need an especially beautiful actress in my Batman film, I need a capable one. Maggie might not be a knockout in my books (though she is far from ugly), but she can act, and she can act well, and I'm very thankful for that.
  • If what Nolan and co. have been saying about the movie being far deeper intellectually than Begins is true then I will be one very happy camper.
  • The character arc for Bruce. I know some are going to complain about the retread of a hero wondering if his fight is worth it, but I really think this is being presented in a novel and new way. Before it has always been the hero wondering if they can deal with the pressures of such a title. This time the hero is actually feeling responsibility for countless deaths due to "escalation."
Dislikes (much more minor and inconsequential for the record):
  • Costume design. Just the two that everyone has a beef with in Batman and the Joker. The Joker's look has brown on me, but I do have problems. Firstly the hair. Place your thumb over the side-hair in a number of pictures and Heath's Joker immediately looks much better. Slicked back is the way to go, and the long, scraggly look isn't doing it for me. There's also something slightly off in his dress that I can't quite put my finger on (I think it might be the purple overcoat replacing a suit jacket, but really its very trivial. Batman's costume I loved the look of in the first picture that was released, but I slowly became disenchanted with it, and even moreso with some of the pictures released. I don't think it looks awful, but it doesn't look great either.
  • Maggie Gyllenhaal. Makes both lists simply because I hate that she's the one gap in continuity. Really I just dislike that she wasn't in Batman Begins to start with.
  • Prologue goons' dialogue. There were at least three lines in there that just flat out sucked. Better delivery might have helped, and with the masks, I hope that they go back and overdub the worst of them.
 
likes
everything to do with joker
the 'heat' feel
pretty much everything

dislikes
i don't really like racheal being recast but oh well
the wait for the movie
 
turtlefocker wrote:
I have that same feeling, or that it will look bad in comparison to IM in terms of BO.... *fingers crossed* lets hope it wont happen


Don't worry Wayne Enterprises makes way better deoderant than Stark Industries
Plus Bats carries a tavelsized stick on his belt
 
Out of curiousity, what elements would you like to see in an R-rated Batman film that would serve the story in a positive way?

I think the best way I can answer this is simply by advising you to read Batman: Black & White. Most of the stories in there will do. The one that comes to mind, my personal favourite, is one that simply involves Batman performing an autopsy on the corpse of a woman. As he does this, he reconstructs her rather unpleasant death. The story is strong for Batman's monologue, but part of what makes it work is it's frank depictions of violence and the reality of what Batman is dealing with: a murdered woman.

That reality won't be seen in a PG-13 film. The true face of crime in Gotham won't be seen, nor the true toll on the victims. There is a weight that will never be there, by virtue of the violence and, more importantly, the subject matter being glossed over.

This doesn't mean you need to show Joker splitting people open. You don't, and mindless gore isn't the point. The point is presenting material that you couldn't present otherwise, and presenting it in a straightforward way that hammers home the appearance of real crime and real suffering that communicates to us, the audience, what the reality of Gotham City would be. Through this, you more precisely and more convincingly define exactly what Batman is fighting: not thugs, not supervillains, but suffering in it's most concentrated form, in a city where it is more potent than anywhere else on Earth. The adversary is brought in to sharper focus, and we better understand the sheer magnitude of Batman's mission, and of what he faces.

This is not necessary or even desirable for all Batman stories. For others, though, it is, absolutely. When you can't address this material, can't even talk about it, you shelve these tools. Depending on the story, it may not matter. But they are useful tools, and they should be accessible if a filmmaker wants to put them to use. Unfortunately, this is not the case, as per Warner Bros. PG-13 mandate. If we learned, somehow, that WB had no such mandate--that Nolan would be allowed to make an R film--and the final film still ended up being PG-13, that would be fine. That would mean Nolan had access to every tool, and picked only the ones he needed for his story, not needing the R tools.

As it stands, though, Nolan only has access to two-thirds of his tools. As a result, we have no idea if there are ones he'd like to use, but isn't allowed to.

BatmanFanatic said:
I certainly agree with what you're saying as a storytelling device, but have you actually seen the comments on the hype from the people pushing for the R rating?

"I wanna hear Joker say f***!"
"I wanna hear Joker say c***!"
"I wanna see Joker slice Rachels face open so bad!"

I can understand people wanting an R rating for certain things, but there have been a lot of misogynistic and just plain stupid comments on the boards for why it should be rated R and what kind of content it should have in this imaginary R movie. And I'm one of the people who can't stand the Rachel character and who hopes she dies for storytelling purposes, I still find some of these suggestions offensive.
Yes, it is unfortunately the case that some prefer gore for the sake of gore. Likely the individuals keeping torture porn alive and the new "X-Force" book from cancellation. I, on the other hand, got over the "Sweet, blood everywhere!" phase when I was still a child.
 
I think the best way I can answer this is simply by advising you to read Batman: Black & White. Most of the stories in there will do. The one that comes to mind, my personal favourite, is one that simply involves Batman performing an autopsy on the corpse of a woman. As he does this, he reconstructs her rather unpleasant death. The story is strong for Batman's monologue, but part of what makes it work is it's frank depictions of violence and the reality of what Batman is dealing with: a murdered woman.

That reality won't be seen in a PG-13 film. The true face of crime in Gotham won't be seen, nor the true toll on the victims. There is a weight that will never be there, by virtue of the violence and, more importantly, the subject matter being glossed over.

This doesn't mean you need to show Joker splitting people open. You don't, and mindless gore isn't the point. The point is presenting material that you couldn't present otherwise, and presenting it in a straightforward way that hammers home the appearance of real crime and real suffering that communicates to us, the audience, what the reality of Gotham City would be. Through this, you more precisely and more convincingly define exactly what Batman is fighting: not thugs, not supervillains, but suffering in it's most concentrated form, in a city where it is more potent than anywhere else on Earth. The adversary is brought in to sharper focus, and we better understand the sheer magnitude of Batman's mission, and of what he faces.

This is not necessary or even desirable for all Batman stories. For others, though, it is, absolutely. When you can't address this material, can't even talk about it, you shelve these tools. Depending on the story, it may not matter. But they are useful tools, and they should be accessible if a filmmaker wants to put them to use. Unfortunately, this is not the case, as per Warner Bros. PG-13 mandate. If we learned, somehow, that WB had no such mandate--that Nolan would be allowed to make an R film--and the final film still ended up being PG-13, that would be fine. That would mean Nolan had access to every tool, and picked only the ones he needed for his story, not needing the R tools.

As it stands, though, Nolan only has access to two-thirds of his tools. As a result, we have no idea if there are ones he'd like to use, but isn't allowed to.

I think the story and tone you described is certainly a valid version of how Batman can be done. I'm not sure it would be my personal favorite, or that it would fit in the Nolan world of Batman to have him doing an autopsy, but it would be nice to be able to have these darker Batman stories in live action just to compare and contrast ... if the camp and kid-friendly Batman has been done to the extreme, it seems only fair a very adult take on Batman should have it's place, just look at what they do on CSI every week during prime time.

Personally I enjoy my Batman stories to be more fantasy-like and stylized, I want themed larger than life villains and incredible heros... I am afraid that if Batman is rooted too deeply in the real life pain and crime and suffering of our inner cities the story would end up like a cop tv show and the "Batman" aspect would seem superfluous. I guess it's a fine balancing act.

Yes, it is unfortunately the case that some prefer gore for the sake of gore. Likely the individuals keeping torture porn alive and the new "X-Force" book from cancellation. I, on the other hand, got over the "Sweet, blood everywhere!" phase when I was still a child.

And I, thankfully, never had that phase.

Now I don't think it would harm the children if they saw Batman or the Joker get a bloody nose - what little kid hasn't had one themselves? But gore for the sake of gore is always pointless and offensive. On the other hand when ratings boards impose these irrational standards about sex and violence, you end up with something even more outlandish and possibly dangerous ... how can you teach kids that smashing someones head and face as hard as you can over and over and over again won't hurt them or make them bleed, just because the ratings board said "no blood in this movie"? How can you teach them that everyone who jumps out of a moving car or low flying helicopter will end up fine? Or that if you run and someone is shooting at you, they'll inevitably miss?

Honestly I think sometimes the forced lack of violence is more dangerous because children who can not yet conceptualize the difference between film and reality get a distorted sense of how the world works.
 
Besides, The Joker isn't a slasher. He probably wouldn't hack anyone up anyless it was all part of a wider spectacle. He's a showman, not a serial killer.
I think that the 12A rating is fine, they can get away with an awful lot but it won't go overboard. And there are greater ways to display human loss than simply having a big pit filled with charred corpses.

Dislike: The "Rachel Should Die To Rile Batman Up" Idea

If they have Batman's sole reason for getting angry at The Joker being that he killed Rachel I'll be pissed off. I hate that whole line of thought actually. "The Joker should kill Rachel to make it personal!1" Batman is an idealist. And to have him going above and beyond over the death of one woman is a pathetic idea.
"Oh God! The Joker killed Rachel! Now I'm angry! So what about the hospital full of people he blew up? So what if he was walking through the streets firing a machine gun at anything that moves? So what if he's been killing innocent people left, right and centre? I've lost some woman I cared about and that's all that matters!"
See how stupid it is? Those people saying that they want to see the Rachel character get sliced up are mock-psychos. Trying to sound original or funny. It doesn't work. Let's pretend that Rachel wasn't in Batman Begins, give the character a fresh start.
Because now, shock horror, we've got a real actress! A woman who can say "You're parents would be ashamed of you" without smirking!
Katie Holmes did not act well, she looked deformed in some of those scenes and conveyed none of the determination or zeal that the character was supposed to have.
I believe that things will be rather different now.
 
Likes:
Joker's looks and mannerisms
Bat-suit
Batpod
Overall Tone
Inspiration from the film 'Heat'
Gordon's Mustache
Batman getting chased by SWAT and possibly Gordon (hopefully there will be a cool chase scene there)
Indifferent until I see the movie: Hong Kong (It's puzzling what could go on there)
Mention of batman using a rifle type of weapon to shoot out sticky bombs
 
I think the story and tone you described is certainly a valid version of how Batman can be done. I'm not sure it would be my personal favorite, or that it would fit in the Nolan world of Batman to have him doing an autopsy, but it would be nice to be able to have these darker Batman stories in live action just to compare and contrast ... if the camp and kid-friendly Batman has been done to the extreme, it seems only fair a very adult take on Batman should have it's place, just look at what they do on CSI every week during prime time.

Personally I enjoy my Batman stories to be more fantasy-like and stylized, I want themed larger than life villains and incredible heros... I am afraid that if Batman is rooted too deeply in the real life pain and crime and suffering of our inner cities the story would end up like a cop tv show and the "Batman" aspect would seem superfluous. I guess it's a fine balancing act.
I have no particular preference; I pretty much like all blends of Batman.

Now I don't think it would harm the children if they saw Batman or the Joker get a bloody nose - what little kid hasn't had one themselves? But gore for the sake of gore is always pointless and offensive. On the other hand when ratings boards impose these irrational standards about sex and violence, you end up with something even more outlandish and possibly dangerous ... how can you teach kids that smashing someones head and face as hard as you can over and over and over again won't hurt them or make them bleed, just because the ratings board said "no blood in this movie"? How can you teach them that everyone who jumps out of a moving car or low flying helicopter will end up fine? Or that if you run and someone is shooting at you, they'll inevitably miss?

Honestly I think sometimes the forced lack of violence is more dangerous because children who can not yet conceptualize the difference between film and reality get a distorted sense of how the world works.

I don't know if you're giving children enough credit: they're fairly adept at distinguishing reality from fiction. They are underestimated far too frequently, and many seem to think they are oversensitive (for example, the "Oh no, my child saw NUDITY!" people) and will be irreparably damaged by this, that, or the other thing. Truth is, explain something to a kid plainly, and they'll get it.
 
Besides, The Joker isn't a slasher. He probably wouldn't hack anyone up anyless it was all part of a wider spectacle. He's a showman, not a serial killer.
I think that the 12A rating is fine, they can get away with an awful lot but it won't go overboard. And there are greater ways to display human loss than simply having a big pit filled with charred corpses.

Dislike: The "Rachel Should Die To Rile Batman Up" Idea

If they have Batman's sole reason for getting angry at The Joker being that he killed Rachel I'll be pissed off. I hate that whole line of thought actually. "The Joker should kill Rachel to make it personal!1" Batman is an idealist. And to have him going above and beyond over the death of one woman is a pathetic idea.
"Oh God! The Joker killed Rachel! Now I'm angry! So what about the hospital full of people he blew up? So what if he was walking through the streets firing a machine gun at anything that moves? So what if he's been killing innocent people left, right and centre? I've lost some woman I cared about and that's all that matters!"
See how stupid it is? Those people saying that they want to see the Rachel character get sliced up are mock-psychos. Trying to sound original or funny. It doesn't work. Let's pretend that Rachel wasn't in Batman Begins, give the character a fresh start.
Because now, shock horror, we've got a real actress! A woman who can say "You're parents would be ashamed of you" without smirking!
Katie Holmes did not act well, she looked deformed in some of those scenes and conveyed none of the determination or zeal that the character was supposed to have.
I believe that things will be rather different now.

As I explained in the Rachel thread, the point of killing Rachel isn't that it should make Batman "all about revenge," but rather that it brings the conflict between revenge and justice to the forefront, as this has always been an important component of Batman. It is a method through which it can be illustrated that Batman can overcome his personal needs, his desire for revenge, by forcing him to consider these motivations and choose.

As you said, the idea that she should die purely to "rile up" Batman is silly. Fortunately, there are greater purposes her death can serve, if it happens.
 

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