Agreed, Croc's makeup was one of the best things going for that film. It reminded me of Tim Curry's transformation via makeup into Darkness in Legend.
Agreed. There are problems with SS, but that makeup wasn't one of them.
The original is phenomenal, so I'm not going to fault Reeves too much. He did improve in cutting down all the extra meat at the screenplay level. He seems to be deft in managing pace and focusing on small character moments.
Just for fun, here's a comparison of the infamous "pool scene":
Original VS
Remake
Reeves adds some pizzazz, but arguably to the detriment of the simplicity and serene feeling which made the original so damn brilliant. On its own, it's definitely shot well. If I hadn't seen the original I would've applauded the execution.
I think that's a great example of how Reeves was able to improve upon the original. Like you said, most are biased who saw the first movie before LMI. That's how we usually react....we like the first thing we see the most. (or hear if it's a song) But there are several problems in the first movie that are excused because it was "first".
First of all, Reeves fixed that gaff with the hand being backward holding down the boy. (how do you miss that one as a director?) And why would the boy never budge an inch while a vampire is flying around the room killing his friends? Didn't make any sense. Reeves fixed that problem too. Abby would obviously go for the guy who was holding down Owen
first...not last.
And in LMI, the boy is actually out of breath after being under water so long. That was pretty goofy in the first movie.
In LTROI, Eli lets one boy live. The one who wasn't a part of it. That meant Eli was outside
watching the whole time. Abby shows up in a hurry (glass spraying across the surface of the pool was a nice touch) and kills them all...because of course she would.
Lighting matters and is a preference. Personally I like the darker lighting in LMI.
But a big change was the end. We never see Abby's face. Everything is through the reaction on Owen's face. He is in shock as he looks up at Abby. In LTROI, there is a sense of serenity as the (not out of breath) Oskar smiles warmly among the carnage of dead bodies and Eli smiles back at him while a glow is around him/her.
LTROI takes you by the hand and leads you right to a "happy ending". (There is a "right one" after all) In LMI, it's whatever you want it to be. There are any number of possibilities from that point on and Reeves ruled none of them out. I know a bunch of LMI fans and everyone has a different interpretation. ...And all of them are valid. Reeves always refused to answer any question regarding motives and the future...he left it up to the viewer.
I think the Reeves methodology is far better for a Batman movie.
I think Reeves is great at handling emotions. However, there's a subtly he tends to lack in shooting certain scenes. Even in Dawn, but its not as much.
I've seen that "subtle" word thrown around without much to back it up. Body parts are flying around in both movies. LTROI is less "subtle" in many places than LMI. Like when the caretaker falls out of the window and slams into the ground. Reeves cut away to let the viewer imagine what happened there. More subtle.
Or how about when Hakan explains what the acid is for out of nowhere in LTROI? Reeves lets the viewer figure that out on their own.
Let Me In is not even close to the original...
This is pretty funny. One LTROI fan says they aren't the same...
And it was mostly shot for shot anyways.
Then another says they are exactly alike.
That's what fans do, isn't it?