https://www.empireonline.com/movies/news/mission-impossible-director-christopher-mcquarrie-reveals-jeremy-renner-return-f/Jeremy had his commitment to Avengers, which ironically they ended up not exercising, and we didnt know what the [sixth Mission] movie was, so we couldnt provide a schedule. We needed absolute freedom he explained. The unfortunate thing for Jeremy is that he got caught in this perfect storm of, one cant use you and one doesnt know how to, given the massive complications they had with Avengers.
McQuarrie added that he did come up with an option for Brandt to return, but it involved killing the character off. SPOILERS FOR MISSION: IMPOSSIBLE FALLOUT FOLLOW.A possible plan for Brandts untimely death would have seen him perish in the films opening plutonium deal-gone-wrong but Renner turned down the idea.
I had this whole idea that the movie would start with the death of a team member, McQuarrie said. And of course the first team member thats always the first guy we talk about killing is Luther. Luther died in the first movie, and he quite famously said to Tom Cruise, Hey man, how come the brothers always gotta die? And Tom said, Youre right. He was like, Why do I gotta be the bad guy? And they made Luther nefarious and then suddenly a good guy, and six movies later it was the smartest question anybodys ever asked Tom Cruise [ ] So I said to Jeremy, look we cant kill Ving, its never going to work. No matter how many movies into it, its always going to be the same thing. You killed the black guy. And we didnt think the movie could recover if you killed Benji.
So I said to Renner, Hey listen, I have this idea for an opening sequence where you sacrifice yourself to save the team, and that the mission-gone-wrong not only involves losing the plutonium, but involves the death of a team member. And Jeremy was like, Thanks, but no thanks [ ] He was smart not to take the short paycheck for three days of work and getting blown up.
They used those masks so much in II that it became laughable after awhile.
They're most effective when they're used sparingly and at the right moments.
They used those masks so much in II that it became laughable after awhile.
They're most effective when they're used sparingly and at the right moments.
A blessed Tuesday for the franchise!Hunter man, we saw it on the same day.
Glad you loved it and I agree on it being the best in the series. A goddamn triumph.t:
Yes, you almost need a seatbelt for the chase sequences, the way everything is shot feels like it's happening for real due to the locations, McQ's camerawork and the fact Cruise enables the camera to get right inside the action.Well written review. I agree 10/10 maybe one of my top 3 movies. The film does such a good job putting you in a subjective viewpoint. You aren't watching a fight occur. Mcquarrie puts you in the fight. It's as if we are a part of ethans team along for the adventure.
Agreed, they are such an interesting combination, Ilsa presents a more enigmatic and cooler front than Ethan, but from the way they met I think Ethan feels they share a very similar moral code in a business without a code for many. It's really the best live action incarnation of the Bruce/Selina dynamic.One of my favorite parts of rogue nation was the ethical dilemma. That ethan is essentially a rogue agent attempting to apprehend rogue agents. No one trusts him, yet somehow he trusts illsa. It's a very overlooked part of that film.
Throughout the series Ethan has crossed paths and worked with strong women, Max, who was a formidable woman, kinda set the tone and even Nyah in II was a fighter, taking on an undercover mission she wasn't trained for and then sacrificing herself, even Julia who could have been more of a damsel in distress ended up saving Ethan's life. Then of course we've reached the pinnacle with Ilsa and now the White Widow, and lets not forget Jane who I'd like to see return. The series has always presented the female characters in a stronger light than Bond or Bourne for examples.Here we had the ethical dilemma of the hammer and the scalpel. Which the more I think about it is something that sets ethan very far apart from the james bond character. The scene with the police officer might be one of my favorites ever. It shows us that throughout all this violence ethan hasn't lost the most important thing he has, his heart.
I love the way he treats women and really life in general. Completely setting him apart from james bonds "the jobs done, the ***** is dead". I need to see it again [BLACKOUT]but I think that the whole John Lark manifesto is implied as the logical conclusion of the hammers philosophy. [/BLACKOUT]
That's an interesting comparison despite throwing some shade at 2 of my favourite characters.My view of Ethan Hunt vs. James Bond is a lot like my view of Superman vs. Batman. Bond is the Batman, aka, the adolescent fantasy character - the "edgier," ruthless, suave womanizer spy who's inherently cooler and the one every teenage boy would aspire to be, despite being a bit of tool, while Hunt is the more modest, low-key, grown-up of the two, not hung up on his issues, doesn't use them as excuses to behave like an a-hole, and is generally more pure of heart. Hunt's the one people SHOULD aspire to be.
A blessed Tuesday for the franchise!![]()
It's amazing the way this series is aging like fine wine, and I like your point about the connectivity of the arcs across the last 4 films and even linking in to the first Mission Impossible, only Mi:2 is treat as the red headed stepchild lol.
Yes, you almost need a seatbelt for the chase sequences, the way everything is shot feels like it's happening for real due to the locations, McQ's camerawork and the fact Cruise enables the camera to get right inside the action.
Agreed, they are such an interesting combination, Ilsa presents a more enigmatic and cooler front than Ethan, but from the way they met I think Ethan feels they share a very similar moral code in a business without a code for many. It's really the best live action incarnation of the Bruce/Selina dynamic.
Throughout the series Ethan has crossed paths and worked with strong women, Max, who was a formidable woman, kinda set the tone and even Nyah in II was a fighter, taking on an undercover mission she wasn't trained for and then sacrificing herself, even Julia who could have been more of a damsel in distress ended up saving Ethan's life. Then of course we've reached the pinnacle with Ilsa and now the White Widow, and lets not forget Jane who I'd like to see return. The series has always presented the female characters in a stronger light than Bond or Bourne for examples.
That's an interesting comparison despite throwing some shade at 2 of my favourite characters.Ethan still being popular in this day and age is like the success of Captain America, a franchise a lot of people didn't think could work in a climate where Batman, Bourne and Logan were more the kind of heroes people were responding to, but it's proof the full on good guy hero can still work, which is another reason to hope McQ takes on Superman, he has shown he can put the boyscout hero in modern scenarios and make it work perfectly by using the complex moral conflict of the hero as a positive rather than a negative.
Perhaps a more interesting comparison with Ethan would be Jack Bauer, a guy who often made ugly choices for the bigger picture as opposed to be cool, and whether that is more resonant as in this world maybe you can't take Ethan's route and still save the day, for instance the pivotal Luther choice.
Honestly, Ethan Hunt's portrayal in the past three movies, something I noticed when seeing the fourth film, is how Ethan Hunt is closer to the Batman I want to see from the comics on screen. This balance of a very capable and highly skilled guy that's part of the fun watching him accomplish these feats while those skills root back to his inner flaws. How Brad Bird portrayed and even shot Hunt as this guy totally in deep into his job that's sort of mysterious. Even little things like Hunt drawing a perfect picture of the villains face on his hand with a pen is the type of attribute I'd always wanted to see in a Batman movie.
Not to mention Ilsa and Ethan dynamic is more like Batman and Catwoman than the two times we've seen it. So yeah, these movies would serve as a solid inspiration when making a Batman movie. You combine these elements with a more detective noir and I'd have gotten my ideal Batman film.
Just saw this. I literally can't fault it. I am a massive Tom Cruise apologist and will happily watch anything he's in, but even if you don't like the guy... you'd be hard pressed to call this anything other than a near perfect - if not perfect - action movie. It had everything... plus Henry Cavill's moustache. What more can a person want??
Just saw this. I literally can't fault it. I am a massive Tom Cruise apologist and will happily watch anything he's in, but even if you don't like the guy... you'd be hard pressed to call this anything other than a near perfect - if not perfect - action movie. It had everything... plus Henry Cavill's moustache. What more can a person want??
I think the moustache has the best chance for a spinoff.
A crackerjack action fest that this time out might be reaching a bit far for some kind of real emotional impact but that doesn't blunt the overall slam bang grab you by collar and bring you along for the ride sheer entertaining spectacle. For sure the last 30 minutes delivers as an extremely well done chase sequence that is over the top and visceral.
I am surprised at all the praise for the CHARACTER of Hunt since I have to say from the start and throught these last two films as good as they were he and really all the reoccurring characters are to me mostly inoffensive cyphers. At best what's been added is a knowing, almost fourth wall breaking humor (thankfully used sparingly) to the proceedings but I can't see much there, there so to speak. In terms of characterization I feel we are firmly in Saturday morning cartoon territory. Which is fine. I haven't expected much in terms of meaningful development for the character of Hunt or others. It's just odd hearing that people view him as something even worthy of analysis. If I'm being brutally honest... It feels like projection to me.
Another big part of why M:I is better than Bond lately (and most other action franchises) is because since the 4th one, everything usually doesn't work as it should, and the characters have to improvise and struggle. The script doesn't make things easy for the team, and the fun in watching flaws in this type of movies is very welcomed.
I think Bond is an extremely interesting franchise to think about and analyze. It is very dated, and while Casino Royale and Quantum of Solace tried to modernize the character (Casino being an astonishing piece of action/spy film in my opinion and probably the best Bond film), Sam Mendes with Skyfall and SPECTRE went backwards trying to be more like the Bond of the 60-70's. They are well made movies, but they quite didn't work for me. They felt dated.
And also, what makes M:I different is the "team" aspect. Bond is more of a solo vehicle, which makes it even harder to make compelling stories around him.
I'm mostly with you: arguably, the newer a character is in this franchise, the more developed and unique they are. I'd say Laine, Ilsa, the White Widow and Walker are all actual characters in Fallout, with Benji being a bit more of a character than just an archetype to project on because he's the "nerd," Luthor getting at least some uniqueness from Ving Rhames having become the older brother character on the team, and Ethan as arguably the most broad character.A crackerjack action fest that this time out might be reaching a bit far for some kind of real emotional impact but that doesn't blunt the overall slam bang grab you by collar and bring you along for the ride sheer entertaining spectacle. For sure the last 30 minutes delivers as an extremely well done chase sequence that is over the top and visceral.
I am surprised at all the praise for the CHARACTER of Hunt since I have to say from the start and throught these last two films as good as they were he and really all the reoccurring characters are to me mostly inoffensive cyphers. At best what's been added is a knowing, almost fourth wall breaking humor (thankfully used sparingly) to the proceedings but I can't see much there, there so to speak. In terms of characterization I feel we are firmly in Saturday morning cartoon territory. Which is fine. I haven't expected much in terms of meaningful development for the character of Hunt or others. It's just odd hearing that people view him as something even worthy of analysis. If I'm being brutally honest... It feels like projection to me.