Rouge Nation.
One of my favorite aspects of the movie is it did feel like the coming together of a 4 film arc, but it also had what I felt was a ton of references to all 6 films. Which was rather neat.
I think if they do another...
Brandt will be back as head of IMF
I've been on a spy movie kick since watching this film and last night I started to watch Spectre again. I hadn't seen it since it was in theaters and I didn't love it but I also didn't think it was bad. But there's this scene at the very beginning that's just stupid and it made me realize that M:I has totally replaced Bond as the best spy franchise out there.
Bond is in Mexico City during the Day of the Dead celebration. As part of his cover, he has this suit and tie on that has a skeleton design and a mask. He takes this babe up to a hotel room, makes out with her a little and the camera follows her over to the bed. Then it pans back over to Bond, who is suddenly wearing a COMPLETELY DIFFERENT SUIT that was apparently UNDERNEATH the skeleton suit. He then climbs out the window to go kills some guys in another hotel across the street.
And that, in a nutshell, is why James Bond feels so dated compared to M:I. Despite Eon's efforts with Daniel Craig to make the character feel fresh and grounded in realism, they still can resist some kitschy stupidity like that. Because I guess, even when Bond is running around on a rooftop, he still has to be wearing a suit and tie. Now, in MI6, it felt a tad unrealistic that Cruise and Cavill apparently had suits on underneath their HALO jumpsuits. But at least it made sense, since they had to sneak into this nightclub immediately after. But the Bond thing is just ludicrous. I hope they do better in the next one, but it's really gotten stale at this point.
I thought Tessa Thompson was the female lead?Deadline says Rebecca Fergusun will be the female lead in the Men and Black spinoff with Chris Hemsworth.
I think, of we're being really honest about it, Spectre was a right pile of ****.
It wanted to retain the Nolanesque grittiness of Skyfall, but also reintroduce the kitchy, throwback stuff of earlier Bonds - like Blofeld's secret lair, that suit thing you mentioned, and that ridiculous half brothers plot device.
It's the worst of Craig's movies for me. Even more so that QoS.
Actually, thinking about it, Spectre makes a lot of the same mistakes as The Dark Knight Rises - injecting a comic book plot sensibility into a series that had previously been careful to avoid it.
I suppose that makes some sort of sense, given that Craig's entire run has been a rip off of Chris Nolan's work, when you get right down to it.
Thompson is still in it.I thought Tessa Thompson was the female lead?
Fallout
Ghost Nation
III
Mission: Impossible
II
I wish Rebecca Ferguson was Wonder Woman. For how much I love Casino Royal and Skyfall (well, Craig era and Bond overall) I have to be honest... GN and Fallout do Bond Girl and Blofeld better than Spectre.
I don't know why Sam Mendes went to such lengths to connect everything, it didn't seem like something he would do, it was all a bit like fan fiction as the tied themselves in knots to link everyone and everything.Yeah, I agree with that, especially your TDKR point. Though I like TDKR better. The sad thing about Spectre is that is could have been better. It SHOULD have. But the stupid Austin Powers adopted brother plot thing and retconning Silva to be a puppet of Blofeld... it was all really stupid. Shame they wasted a great actor and character (Waltz and Blofeld) in such a crap movie.
What was wrong with Lea Seydoux? I thought her and Craig played off each other quite well.The adopted brothers thing really hurts Spectre to me. Also, the romantic pairing.
Blofeld and Walker aren't Hunt's adopted brothers.Fallout does SPECTRE, "its all connected" done right imo. Mainly as it doesn't try to make it all connected, while still bringing up a tone of the past and references.
I've been on a spy movie kick since watching this film and last night I started to watch Spectre again. I hadn't seen it since it was in theaters and I didn't love it but I also didn't think it was bad. But there's this scene at the very beginning that's just stupid and it made me realize that M:I has totally replaced Bond as the best spy franchise out there.
Bond is in Mexico City during the Day of the Dead celebration. As part of his cover, he has this suit and tie on that has a skeleton design and a mask. He takes this babe up to a hotel room, makes out with her a little and the camera follows her over to the bed. Then it pans back over to Bond, who is suddenly wearing a COMPLETELY DIFFERENT SUIT that was apparently UNDERNEATH the skeleton suit. He then climbs out the window to go kills some guys in another hotel across the street.
And that, in a nutshell, is why James Bond feels so dated compared to M:I. Despite Eon's efforts with Daniel Craig to make the character feel fresh and grounded in realism, they still can resist some kitschy stupidity like that. Because I guess, even when Bond is running around on a rooftop, he still has to be wearing a suit and tie. Now, in MI6, it felt a tad unrealistic that Cruise and Cavill apparently had suits on underneath their HALO jumpsuits. But at least it made sense, since they had to sneak into this nightclub immediately after. But the Bond thing is just ludicrous. I hope they do better in the next one, but it's really gotten stale at this point.
I think, of we're being really honest about it, Spectre was a right pile of ****.
It wanted to retain the Nolanesque grittiness of Skyfall, but also reintroduce the kitchy, throwback stuff of earlier Bonds - like Blofeld's secret lair, that suit thing you mentioned, and that ridiculous half brothers plot device.
It's the worst of Craig's movies for me. Even more so that QoS.
Actually, thinking about it, Spectre makes a lot of the same mistakes as The Dark Knight Rises - injecting a comic book plot sensibility into a series that had previously been careful to avoid it.
I suppose that makes some sort of sense, given that Craig's entire run has been a rip off of Chris Nolan's work, when you get right down to it.