TheScarecrow
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- May 14, 2004
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I want the Fleischer suit with no cape “S”. A great way to signal to the audience this is a different Superman.
This, especially if we want " Superman " to be popular in the mainstream again.We have a fundamentally different view of Superman. I don't think he is, or should be, old-fashioned or uncool.
This, especially if we want " Superman " to be popular in the mainstream again.
I agree but people and my self will say that there has been many iterations of Supes where he did edgier or whatnot. It's always going to be hard to meet everyone's favourite Supes but I think yeh if they stick to the true ideal of Supes he should be a win. Superman and Lois are darn close so it can't be that hard hopefully.The way to make Superman "popular" in the mainstream is so genuinely simple.
You literally do not change a thing about him. And you write it well.
In this modern world, where everyone and their mother has to subvert the Superman stereotype and ask the totally unanswered question of "what would happen if the most powerful being in the universe was a sociopath?", Superman's existence asks the question of "what would happen if the most powerful being in the universe was simply a farm boy from Kansas who just wants to do the right thing?"
If done well, know what that sounds like to me?
It sounds pretty damn refreshing
The S on the back I'm pretty indifferent over, I'll admit. I think if doable they absolutely should, because I think that's a great way of setting this Superman apart from the others from a design standpoint seeing as that's not been done since Reeve. But when it comes to the grander topic of making Superman popular in the mainstream, I think that's all there is to it. Do not change a thing about him, as a character. And do it well.
I agree but people and my self will say that there has been many iterations of Supes where he did edgier or whatnot. It's always going to be hard to meet everyone's favourite Supes but I think yeh if they stick to the true ideal of Supes he should be a win. Superman and Lois are darn close so it can't be that hard hopefully.
Y'all Max Fleisher suit fans had your moment in the first episode of Superman and Lois! My yellow S has yet to be refunded to me.
This pic is driving me toward Team Trunks lol.
If nothing else the trunks will help differentiate from Cavill and Hoechlin.This pic is driving me toward Team Trunks lol.
Frankly, I don't think enough people watch or care about S&L for it to make much a difference for Gunn if he wants to do the Fleischer suit, and S&L's main suit is pretty similar to the DCEU's as well.After Superman and Lois already did it, it would just look like playing copycat.
In short, I think the suit should look similar to this in terms of color and execution of the parts:
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The red trunks and yellow belt should be there as they provide the suit color balance. The trunks are a similar "diamond" shape to the S symbol, and their red combined with the yellow belt with red belt loops balances the chest symbol amidst the blue shirt and plue pants surrounding them, anchored by the red cape at the top of the blue shirt, and the red boots at the bottom of the blue pants. The design is timeless because color balance - a good design - is timeless.
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Those who claim an element of the suit is dated frankly miss the shot and have no idea what they're talking about; the Superman suit is an assortment of ideas from European culture fused into one, becoming a wholly new creation. It isn't imitating a certain style or fashion trend, it is its own completely new entity. (Also, athletic tights are worn by all manner of athletes to this day, including wrestlers, football players, bodybuilders, Olympic athletes, etc, why wouldn't Clark be inspired by these sports figures who wear form fitting outfits with symbols on them?)
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Superman's creators truly got it right the first time, which is why the suit itself has remained the same since its inception, barring a few misfires from DC here and there, but true to character, Superman always overcomes these deconstructios and reconstitutes himself back into what he was always meant to be, sooner or later.
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Sure, the shade of the colors have varied, along with the style and size of the S, the size and style of the cape, boots, trunks, belt, etc., but the fact is that the PARTS of the Supermam suit - shirt, pants, S shield symbol, trunks, belt, cape, boots - have been there since Superman's inception, for the bulk of his existence, only their execution has varied.
Thus, the movie suit should also have all of these essential parts, but executed properly!
For starters, the colors need to be right. The only costume in live action that has come close to getting the shade of blue right is the Dean Cain suit. Superman's blue should be royal blue, as it was in the Golden Age, the Byrne era, and the 90s.
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As great as the Reeve suit is, the shade of blue was changed from royal blue to light blue because the royal blue blended in with the blue screen too much, thus, the colors of the Reeve suit have always been off.
The royal blue, crimson red, and bright yellow are a bold and masculine looking primary combination that can't be beat.
The shade of red needs to be actually red, and not a dull brownish red like the Superman Returns suit did.
They should lean into the yellow and make it a bright yellow, this contrasts with the boldness of the colors of the rest of the suit. They shouldn't dull the yellow or make it like a yellow-orange like some do. When the yellow is a bright yellow, it makes the colors pop even more. A good example of what I mean is the way the yellow was on the Justice League Unlimited suit.
The cape needs to go into the shirt the same way it did in the Reeve films or Dean Cain's Superman suit from episode 4 of season 1 of Lois & Clark and on.
The collar of the blue shirt also needs to be wide, like Dean Cain and Christopher Reeve's Superman suit, and not up close cropped around the neckline the way that Brandon Routh's Superman Returns suit was and Tyler Hoechlin's suits have all been. A boatneck neckline for the shirt is better than a cropped up close to the neck neckline or a stupid New 52 collar.
The length of the cape should be the same length that Curt Swan would typically draw it, which is around a little lower than knee level. All Star Superman did this in some panels, although the length varied in that series. Fleischer Superman and the original Bruce Timm animated series Superman also have good similar lengths. No more of this cape that is so long that it drapes on the ground nonsense from the snyderverse. Superman should be thought of as a man of action, visually, where the cape doesn't visually look like it impedes him.
Think the Disney Hercules with his cape, how he was a figure of constant movement and the cape accompanied him snugly but elegantly, not once did it look like his cape could be caught on something or get in the way of the action, visually, but it was still long enough to be dramatic. However, it is better to lean closer to a classic Captain Marvel/"Shazam" style cape length than a giant cloak that drapes on the floor, if one has to think in extremes!
The red trunks need to be similar to the style of trunks that wrestlers wear today. Not a G string, not a jock strap, not "boyshorts", not super low wasted, but they should look like actual athletic trunks, something a masculine athlete, a strongman of action/wrestler would wear.
The belt needs to be yellow and around 2 inches for the width, it is better that the belt be wider than super thin. The belt buckle must be a yellow ellipse shaped absolutely NO S ON THE BELT! WB has tried to put an "S" on the Superman belt in nearly every live action version going back to even the first Christopher Reeve film, but when Reeve visited the DC Comics offices and saw that Superman's costume had no "S" on the belt buckle in the comic pages, he insisted that production change the belt to reflect the comic book look, they acquiesced, which is why there was no "S" on the belt in the movie, thankfully.
The boots should be the same shade of red in the S symbol and other red ares of the suit, with an "M" for "man" design on them around the top (to match the "S" for "super" curl in the hair, which should be combed back and to the left slightly as to form the "S", not to the right, like Routh did, but more on this later). They should be the same length as the Fleischer/Bruce Timm boots. Not knee-high.
Finally, the S symbol needs to be the size and style that John Byrne drew it. Or, Alex Ross. A bigger S is preferable to a tiny one.
The S should also absolutely be an S that stands for Superman this time, created by Clark, and not a weird alien glyph that happens to resembles an S coincidentally that was the symbol of an alien civilization. In fact, if the movie follows the original comics/Byrne era, Superman shouldn't even know he is an alien until years into his adult career as Superman, well after the costumed persona and mild mannered reporter disguise are created. When Clark found out the truth about his origins, it served just as the explanation for his abilities to him, nothing more, which is all being an alien is to Superman.
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Over-emphasizing the alien aspect is what made Superman boring in the Snyder films as it dehumanizes him; the truth is that all of his morality, his worldview, the will to be Superman, the costume design, the name, and the S, are all creations of Clark Kent, a guy from Smallville with superpowers. He may be unsure of why he has them, but what matters is what he has purposed to do with them, which is to be Superman.
Superman's hair should go back and to the left, shorter on the sides than on the top. It needs to go to the left in order to make the "S" for "super" curl.
View attachment 65995 If anyone has the means, maybe a shot of superman with different S sizes.
Use the Same logo just small to large.
This is the best I could find of a frontal shot.
Have at thee.
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I wish someone could have James Gunn read your posts! Extremely informative. I don't think I disagree with a single thing. Kudos!
Superman has a latex fetish.