While an interesting experiment, it's probably not a good idea to show horn too much "reality" into the fantasy realms of the superhero. Ever since Stan Lee introduced anxiety into superheroes - no, earlier, since Harvey Kurtzman first trained a satiric eye on them in Mad - the question, "What would superheroes be like in the real world?" has bedeviled succeeding generations of comics creators. Frank wrote The Dark Knight in fortissimo, operatic mode. But he recognized that my strengths as an artist were more attuned to the mundane. So with Year One, we sought to craft a credible Batman, grounded in a world we recognize. But, did we go too far? Once a depiction veers towards realism, each new detail releases a torrent of questions that exposes the absurdity at the heart of the genre. The more "realistic" superheroes become, the less believable they are. It's a delicate balance. But this much I know: superheroes are real when they're drawn in ink.