The return of the master of the X-Men universe brings about the full return to quality filmmaking that began this franchise in 2000. And with it, what we have is a franchise at 20th Century Fox that is born anew. The X-Men franchise is fully back and it's been sorely missed by this viewer.
As a person who never read comics in his youth but gravitated towards the genre with Singer's first film, this franchise has a special place with me. Fourteen years ago, it showed this novice of the medium of comic books that these stories, told correctly, play with universal themes that we can all identify with. And when done elegantly, they can be eye opening in their entertainment value.
The X-Men series was the first series in this genre that had the potential to transcend the genre that it helped spawn. But, it was all derailed back in 2006 with the release of the trilogy close out film THE LAST STAND. In reality, the derailment began in the fall of 2003 with the release of Singer's superior sequel X2 on home video. Long story short, Fox should've given the keys to the kingdom to Singer that fall to insure a successful, never ending, license to print money franchise for a studio, that at the time, was struggling with franchises.
It wasn't meant to be and ever since then, Fox and the producers have been desperately trying to get this franchise back on track. ORIGINS WOLVERINE in 2009 didn't help matters. But, things changed in the summer of 2011 with the release of the official prequel to Singer's first film, FIRST CLASS. It was the jolt that began the journey to DAYS OF FUTURE PAST. Two years later, THE WOLVERINE (2013) was released and it followed the footsteps of FIRST CLASS with very good, quality filmmaking on the shoulders of the star of the entire franchise since day one, Hugh Jackman.
Now, a year later, Singer has been tasked with not only fixing the franchise for the future at Fox but also satisfy the fans and himself for the wrongs that have happened to this franchise.
In a nutshell, his return has brought about one of the best films of the genre. An emotional, complex, nostalgic, celebration and ultimately supremely satisfying closing chapter to the cast of the original trilogy. And yet, it also acts as a thrilling sequel to FIRST CLASS that leaves the door open to a final chapter with the prequel cast.
I adore this film from end to end. From FIRST CLASS being the story of Erik's rise to Magneto to this film being the redemption of Charles Xavier to Professor X, this is a heavy story. To complicate matters even further, in between the two titans of this series lies the battle for the soul of Jennifer Lawrence's Raven/Mystique. And with that, you have some really thrilling and deep drama that plays out in a race to save the future for mutants and humanity.
McAvoy, Fassbender, and Lawrence own this film. You feel and understand every perspective these characters take. You want them to find their way back to one another. And yet, you understand why that might not ever happen. Couple that with the added history and emotion of supporting work from Jackman, Stewart, and McKellen, what you have here is an actor's delight.
Jackman's position as front man of this series has always been a certain cause of angst for hardcore fans of the source material. In the end, having Jackman being the centerpiece of this series from day one truly pays off as he goes back in time to witness the history of this on going conflict between two men, but he also gets to relive some of his own history that he's lost. It's thrilling to watch the Wolverine play diplomat in this story. It brings all back around to when Xavier first helped Logan all those years ago.
Familiar faces from the original films are a welcome sight because they bring the history of three films with them, even if it's only for a minute or so. It all comes to head in an absolute, emotional crescendo of an ending that, to anyone who's followed this series from day one, will leave them in tears. It is Singer's way of giving the proper send off to the cast he originally formed. And despite the logic of it, there's just no other way for this film to end. It is splendid.
Highest marks go to the cinematography, visual effects, action, and production design. This is a lovely, lovely looking film.
In the end, the X-Men are whole again. And with that, we await APOCALYPSE to see where the FIRST CLASS cast/characters end their saga.
Highest of recommendations.