Yup watching Martha Kent get violated, beautiful scene. Very respectful to the innocence of the character.
She doesn't get violated, she gets attacked and ALMOST violated. There's a huge difference, because what happens is, Clark KICKS THE LIVING **** OUT OF THE MAN WHO IS TRYING TO HURT HIS MOTHER. This was not an innocent Superman. And if you took off your blinders, you would see Superman is not MEANT to be an innocent character. Nor has he been, in the comics, for YEARS. You're talking about a character who used to take part in wars, has killed, has made some tough decisions constantly throughout this history. One of the most important points of Superman is that he can FACE the kind of darkness humans create and still come out pure of heart, and doing the right thing.
But you've gotta love those Puritan ideals.
Nope. It read in the same melodramatic stle.
It's a movie, or a "drama". And its based on a melodramatic mythology, so of course it's going to be melodramatic in places. But I digress. Some examples, please. And then, if you could, explain how SUPERMAN RETURNS, or for that matter, SUPERMAN: THE MOVIE doesn't go into melodrama in the same vein. Oh. It does.
"REMEMBER, SON! ALWAYS REMEMBER".
Actually, a popular complaint of SR is that it didn't explore enough exposition to understand Superman leaving.
I didn't say it was nothing but exposition, but there was quite a bit of exposition in the film.
"Where did you go?"
"To Krypton"
Not only exposition, but fairly worthless exposition, because the concept never gets touched on again. And speaking of...when did exposition become a bad thing? Abrams' SUPERMAN also "showed" plenty without just "telling".
I never said Superman's mythology has not been cheesy and melodramatic. I just don't prefer it in my films.
So you want Superman stories to be...unlike what has always made Superman mythology work in part. Well, THAT makes sense.
I asked you WHAT was cheesy and melodramatic, and why it was bad as it was presented in the script.
The whole set up of Ty-Zor, CIA Luthor, and everything else just felt overly contrived. You're free to disagree but I stand by my assessment.
So it was contrived. Most films are these days. SUPERMAN RETURNS is no exception, really. BATMAN BEGINS was pretty contrived, too. Did you enjoy that film?
Someone's fanfic? Like, say, combining one's feelings on adoption with another director's vision to reboot a franchise? Nah...no elements of fanfic there...
Abrams work to me felt immature and too comic-booky.
Which parts of it?
It was like a cartoon and had the subtlety of a cartoon.
How so? Which scenes?
As I said, it might have worked on screen and I would probably have enjoyed it just as I enjoyed Spider-man 2. However, my enjoyment of Spider-man 2 still doesn't change the fact that I personally felt the script for the film was shallow and overly melodramatic.
That's SPIDER-MAN 2, which has girls in wedding dresses and completely pointless plot devices to breed "emotion". Abrams SUPERMAN had none of this type of thing. It bred intrigue. It's "emotion" came from perfectly acceptable moments that flowed from a cohesive story (At least as much as SUPERMAN RETURNS). If you can have Superman risking his life to save the world in SUPERMAN RETURNS to be emotional, why can't you have Superman risking his life to save Lois Lane in Abrams version?)
Superman and Lois's relationship, for instance, was fairly subtle, fairly realistic, and very well done. At least as much so as it was in SUPERMAN RETURNS.
What buzzwords? Melodramatic? Contrived? Over-expositive? These are normal terms you would use to describe script elements.
Yes...but you aren't describing any script elements. You're simply using the words, and when I ask you to clarify, you're simply using more buzz words. "Trite" means ****-all to me if you can't tell me what was trite, and why it's any different than say, a similar moment in SUPERMAN RETURNS.
I mean, I can say that SUPERMAN RETURNS was "shallow and pedantic", but unless I can point out WHY, my argument makes no sense.
Gotta disagree. Whereas SR respected the Superman character and kept him true to form, Abrams' script was ridiculous and crapped on everything that made the character great.
Hold on, "the Superman character" leaves Earth for five years and has children? When has this ever happened? Singer...did just what Abrams did..something new and relevant that fits into a basic Superman mythology.
Examples of things that crapped on everything that made the character great, please.
Superman as "The One"? Gimme a break.
Why is this such a bad thing? Oh. I forgot. "New" equals "bad".