skruloos
Superhero
- Joined
- May 2, 2003
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Hey, an impression is an impression. I used to be a script reader. Somethings come off as melodramatic while others don't. Spider-man? Melodramatic. Abram's script? Melodramatic.The Guard said:It's a movie, or a "drama". And its based on a melodramatic mythology, so of course it's going to be melodramatic in places. But I digress. Some examples, please. And then, if you could, explain how SUPERMAN RETURNS, or for that matter, SUPERMAN: THE MOVIE doesn't go into melodrama in the same vein. Oh. It does.
"REMEMBER, SON! ALWAYS REMEMBER".
I found the entire civil war and Jor-El's brother crap needless exposition.The Guard said:Not only exposition, but fairly worthless exposition, because the concept never gets touched on again. And speaking of...when did exposition become a bad thing? Abrams' SUPERMAN also "showed" plenty without just "telling".
Yes, actually. I have different expectations for a film than I do of a comic book.The Guard said:So you want Superman stories to be...unlike what has always made Superman mythology work in part. Well, THAT makes sense.
Hey, that's the impression I got. I've read the thing three times. If it didn't convince me otherwise, you certainly are not.The Guard said:I asked you WHAT was cheesy and melodramatic, and why it was bad as it was presented in the script.
As I stated, I thought that Begins was poorly written as well and yet I enjoyed it. I also stated there would probably be a good chance that I might like Abram's script if it was produced.The Guard said:So it was contrived. Most films are these days. SUPERMAN RETURNS is no exception, really. BATMAN BEGINS was pretty contrived, too. Did you enjoy that film?
Everything. The WHOLE script came off as melodramatic and contrived.The Guard said:Which parts of it?
How so? Which scenes?
Then we agree to disagree.The Guard said:That's SPIDER-MAN 2, which has girls in wedding dresses and completely pointless plot devices to breed "emotion". Abrams SUPERMAN had none of this type of thing. It bred intrigue. It's "emotion" came from perfectly acceptable moments that flowed from a cohesive story (At least as much as SUPERMAN RETURNS). If you can have Superman risking his life to save the world in SUPERMAN RETURNS to be emotional, why can't you have Superman risking his life to save Lois Lane in Abrams version?)
Superman and Lois's relationship, for instance, was fairly subtle, fairly realistic, and very well done. At least as much so as it was in SUPERMAN RETURNS.
True. I'm not describing specific script elements because I'm referring to the entire script. I pointed out plot devices of the civil war and the way CIA Luthor was portrayed as contrived. You disagree. Good for you. I stand by my assessment of the script.The Guard said:Yes...but you aren't describing any script elements. You're simply using the words, and when I ask you to clarify, you're simply using more buzz words. "Trite" means ****-all to me if you can't tell me what was trite, and why it's any different than say, a similar moment in SUPERMAN RETURNS.
No. If you told me that was the impression you got off a read, I'd respect that. I don't need to know why you thought the read was shallow and pedantic.The Guard said:I mean, I can say that SUPERMAN RETURNS was "shallow and pedantic", but unless I can point out WHY, my argument makes no sense.