Asteroid-Man
Avenger
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All hail DarthSkywalker - King of Cinema. 


Sherlock does pause. That is why the cake happens.
In neither film is there a question that Blackwood and Moriarty are murdering people. They both warn Sherlock it is coming. In both films Sherlock is following the bodies to the final destination.
Sherlock's mission is the same in both films. Stop the endgame from happening. Hell, both endgames are the same more or less. Sherlock just spends both films trying to figure out what the endgame is.
In both films Sherlock knows the "how" once he is presented with the evidence. We just don't know until he tells us and he doesn't tell us until he connects the dots.
This becomes apparent when Sherlock makes his mistake in A Game of Shadows and when he finally figures out the role of Rene in the whole thing.
This is only true in a small way. The only real "mystery" aspect of the film in GOS is in about the last five minutes. In the first film, the mystery is set up from the get-go. Sherlock has no idea how Blackwood is achieving these apparent supernatural murders. The entire film is centered around this mystery. The "endgame" as you put it, was not the mystery in the first film. The audience wasn't wondering what Blackwood was trying to accomplish, but rather, HOW he was accomplishing his tasks that ultimately lead to his final goal.
That is never the case in GOS. This film focuses only on trying to figure out the endgame and stopping it. There is no mystery in how the tasks leading up to the endgame are accomplished. In the first film, Blackwood commits multiple murders and Sherlock has to figure out how he committed the murders in the way he did. We never, ONCE wonder how Moriarty killed someone. It's all very obvious. There's no mystery in it AT ALL.
That alone shows that these films used a different formula. Yes, the films are similar, but they definitely used different tactics in how they approached the "mystery" aspect.
It's really very simple. There are basically three kinds of fairly common mystery setups. There's the who-done-it, the how-done-it, and how-we-gunna-stop-it. The first film was a "how done it?" We were wondering how Blackwood was doing these things. That was NEVER the case with Moriarty.
I don't think Sherlock has any trouble figuring out how Blackwood is committing the murders. He simply doesn't make it known to the audience until the end of the film. In both films Sherlock is trying to figure out the endgame. Why this is all happening. That is his case, not trying to figure out how the murders were committed. He figures that out in about 30 seconds of being at the crime scenes. With Blackwood they make this very clear during their final confrontation. It all connected back to Reordan's home. We just don't know that is important just like we don't understand that the [BLACKOUT]fake twins[/BLACKOUT] are in the sequel.
Sorry for butting in but I disagree with the statement above. I do believe Holmes did have difficulty figuring out how Blackwood did what he did; even contemplating the possibility of a mystical explanation. That was why he attempted the ritual in the movie. It was only when in his high state that he realised the significance of his various observations, and pieced them together.
But regardless of that, the more important matter is that the audience is presented with a mystery on figuring out Blackwood's methods. The sequel did not since the explanation was given almost as soon as the murder (or intended murder) was revealed.
Sorry for butting in but I disagree with the statement above. I do believe Holmes did have difficulty figuring out how Blackwood did what he did; even contemplating the possibility of a mystical explanation. That was why he attempted the ritual in the movie. It was only when in his high state that he realised the significance of his various observations, and pieced them together.
But regardless of that, the more important matter is that the audience is presented with a mystery on figuring out Blackwood's methods. The sequel did not since the explanation was given almost as soon as the murder (or intended murder) was revealed.
I really don't see what the problem is with two movies having similar formulas. When making Back to the Future Part II, Director Robert Zemeckis said that people want to see the same thing, but different. I think that's true. BTTF II and Sherlock GOS did that well. They presented similar concepts, characters and gags, but did each one a little bit differently. What's wrong with that?
The Hangover II did this all wrong. They just did the first movie exactly the same but not as good.
There seems to be a lot of arguing over whether or not Sherlock 1 and 2 were similar. Um, yes. It was a sequel. All sequels are similar to the first.
It is the same with Rene.
They simply replaced the murder mystery with the missing person mystery. Both are bread crumbs to the endgame for the audience. Both are pieced together by Sherlock without the audience's knowledge.
Also disagree. The mysticism is broken as soon as he taste Blackwood's tomb. He knows something is up from that point on.
No it doesn't. It shows specifically what Holmes is looking at in the scene when he first meets Moriarty.
The code on the blackboard, the book about agriculture and the dying flowers
It's not going to show the importance of those clues until the end is it?
I was talking about the book and when he took it. I placed no importance on the book as I didn't know SH had taken it.
as for the movie itself, I wasn't engaged for the first half but half way through the movie the pace picks up right till the climax.
a match for the first movie but doesn't improve upon it with the exception of the villian who is far more interesting
Personally, I did suspect the book was going to be important based on how it was focused/featured whenever it appeared. That said, I don't think it was a very good clue (as far as the writers are concerned). My issue with it is that the book exists purely as a means to expose Moriarty's schemes rather than something critical to the mystery. The explanation that Moriarty needed it to keep track of his various businesses/schemes was simply to rationalise its existence. Had they simply said that he could remember all of it (or just not touched on the subject in the first place), it would not have been an issue. As such, it was basically having Moriarty walk around with a confession letter in his pocket.
He was certainly more charismatic. However, as far as Sherlock Holmes villains go, I tend to measure them based on how good the mystery was; in which case, Blackwood won. The mystery in the sequel wasn't quite as good. In fact, the sequel completely skipped over what might have been the best part of the mystery; namely, how did Holmes figure out Moriarty was behind all those murders or that they were even connected in the first place?