747
Fanboy rivalry? Yawn.
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- Jul 14, 2012
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i admit the main theme is ok but this:
[YT]tE9e_2yHhI8[/YT]
What are you talking bout, that's frickin' beautiful!
i admit the main theme is ok but this:
[YT]tE9e_2yHhI8[/YT]
What are you talking bout, that's frickin' beautiful!
i admit the main theme is ok but this:
[YT]tE9e_2yHhI8[/YT]
I agree, that final swing, is the first time for me that both visually and musically Spider-Man stood shoulder to shoulder with Bats and Supes. The music is heroic, bold and adventurous all rolled into one. I do not want them to lose that main theme (and it's various variations), change it and I go to war.What are you talking bout, that's frickin' beautiful!
James Horner was ok. I feel like he didn't go to his full potential. I would like someone like John Ottman. Maybe even a return from Danny Elfman. Loved his SM score.
the MAIN theme is ok for me but I LOVE "Promises/end titles"
It's interesting because I like Elfman's main Spider-Man theme but actually like a greater number of Horner's cues.
Same here. Although I will admit that I like every TASM main theme's variation Horner has done. I just don't like the theme itself.
I like the Horner's theme (the main cue of "Promises/End Titles") a lot more than the Elfman's theme.
But what I REALLY love about the soundtrack is that it's like the main cue is the cue of "responsability". It's like Uncle Ben words in music form. Every moment in the film where Peter becomes responsible of his acts (being the first time fighting Lizard in the bridge, realizing that he created the Lizard, the School fight, the whole rush through Manhattan to reach Lizard and save New York and, of course, the ending) has the cue playing in the background. Sometimes subtle, sometimes full volume. It's the theme of Peter becoming Spider-Man fully.
That's why, at the end, it explodes especially through "Saving New York" and "Promises", you're watching the hero for real. To me, that kind of soundtrack direction adds a beautiful layer to the film, something Raimi's films never had.
I like the Horner's theme (the main cue of "Promises/End Titles") a lot more than the Elfman's theme.
But what I REALLY love about the soundtrack is that it's like the main cue is the cue of "responsability". It's like Uncle Ben words in music form. Every moment in the film where Peter becomes responsible of his acts (being the first time fighting Lizard in the bridge, realizing that he created the Lizard, the School fight, the whole rush through Manhattan to reach Lizard and save New York and, of course, the ending) has the cue playing in the background. Sometimes subtle, sometimes full volume. It's the theme of Peter becoming Spider-Man fully.
That's why, at the end, it explodes especially through "Saving New York" and "Promises", you're watching the hero for real. To me, that kind of soundtrack direction adds a beautiful layer to the film, something Raimi's films never had.
"Theme" as in "Main Titles - Young Peter" or the actual melody, itself?
The latter.
I personally don't like chants. That's why "Ben's Death" is my least favorite track in the soundtrack.do you think if "Promises/End Credits" had a chant mixed into the song to go with it would sound more epic?
I thought it sounded fine as it was.do you think if "Promises/End Credits" had a chant mixed into the song to go with it would sound more epic?
I thought it sounded fine as it was.